Inspirational Qoutes For Photographers

PPS Latest Episode #12

This well along with are regular news and information we talked about inspirational photography quotes. These were submitted by listener Ruben Although he did did not write them I thank him for sending them in.

Update…
We found that these quotes were a collection written by Cheryl Jacobs Nicola of cheryljacobsportraits.com, and were collected from things she told her photography students during her photo workshops and email conversations. Props to you Cheryl for some great phrases.

~Style is a voice, not a prop or an action. If you can buy it, borrow it, download
it, or steal it, it is not a style. Don’t look outward for your
style; look inward.

 

~Know your stuff. Luck is a nice thing, but a terrifying thing to rely
on. It’s like money; you only have it when you don’t need it.

 

~Never apologize for your own sense of beauty. Nobody can tell you what you should love. Do what you do brazenly and unapologetically. You cannot build your sense of aesthetics on a consensus.

 

~Say no. Say it often. It may be difficult, but you owe it to yourself and your clients. Turn down jobs that don’t fit you, say no to overbooking yourself. You are no good to anyone when you’re stressed and anxious.

 

~Learn to say “I’m a photographer” out loud with a straight face. If you can’t say it and believe it, you can’t expect anyone else to, either.

 

~You cannot specialize in everything.

 

~You don’t have to go into business just because people tell you you
should! And you don’t have to be full time and making an executive income to be successful. If you decide you want to be in business, set your limits before you begin.

 

~Know your style before you hang out your shingle. If you don’t, your clients will dictate your style to you. That makes you nothing more than a picture taker. Changing your style later will force you to start all over again, and that’s tough.

 

~Accept critique, but don’t apply it blindly. Just because someone said it does not make it so. Critiques are opinions, nothing more. Consider the advice, consider the perspective of the advice giver, consider your style and what you want to convey in your work. Implement only what makes sense to implement. That doesn’t make you ungrateful, it makes you independent.

 

~Leave room for yourself to grow and evolve. It may seem like a good idea to call your business “Precious Chubby Tootsies”….but what happens when you decide you love to photograph seniors? Or boudoir?

 

~Remember that if your work looks like everyone else’s, there’s no reason for a client to book you instead of someone else. Unless you’re cheaper. And nobody wants to be known as “the cheaper photographer”.

 

~Gimmicks and merchandise will come and go, but honest photography is never outdated.

 

~It’s easier to focus on buying that next piece of equipment than it is
to accept that you should be able to create great work with what you’ve got.

 

~Buying stuff is a convenient and expensive distraction. You need a decent camera, a decent lens, and a light meter. Until you can use those tools consistently and masterfully, don’t spend another dime. Spend money on equipment ONLY when you’ve outgrown your current equipment and you’re being limited by it. There are no magic bullets.

 

~Learn that people photography is about people, not about photography. Great portraits are a side effect of a strong human connection.

 

~Never forget why you started taking pictures in the first place. Excellent technique is a great tool, but a terrible end product. The best thing your technique can do is not call attention to itself. Never let your technique upstage your subject.

 

~Never compare your journey with someone else’s. It’s a marathon with no finish line. Someone else may start out faster than you, may seem to progress more quickly than you, but every runner has his own pace. Your journey is your journey, not a competition. You will never “arrive”. No one ever does.

 

~Embrace frustration. It pushes you to learn and grow, broadens your horizons, and lights a fire under you when your work has gone cold. Nothing is more dangerous to an artist than complacence.

~Gavin Seim Photography~ www.seimphotography.com
Washington wedding & senior portrait photography. Ephrata, Moses Lake, Wenatchee, Spokane, Seattle, Kent, Leavenworth, Sequim, Bellevue Winthrop

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  1. RAW, I have been shooting in RAW and editing other photographers work in raw for about a year. Shooting in and developing jpeg I have noticed that generally changes can’t be as subtle as raw for me. Perhaps it is just I have noticed changes that others have given me but I have come away from my raw experience using bridge and iphoto and find the adjustments to be more comprehensive and easier to manage. also the adjustments seem to integrate with each other better than diving in with photoshop changes and filters. occassionaly i will use photoshop adjustments; as in a radical black and white problems; needing to bring out the detail in black or scaling back the white, but even these are adjustable in bridge raw with a little finesse.

    I can’t concieve of going back to adjusting way I used to in photoshop. in iphoto the raw panel adjustments simulate bridge in many ways but not with as much depth. also one can use these panel adjustments with jpegs. It seems that in photos with poor lighting that raw works a little better; a little less grain and more shadow variance. However I consider iphoto a pretty much a stopgap measure and convenience. If I were editing for detail I would switch to bridge.

  2. About content value. I started in the 60s shooting with a half frame Olympus Pen, still got it somewhere.. developing my own black/whites. finally graduated art school in the 70s and went out west and proceeded to wait for computers to mature. started in photoshop and illustrator designing everything from posters to catalogs to gift lables; whew! finally got a gig with a photographer last year digitally developing his work and started shooting raw with a canon s70. making some money now a year later on small photo jobs and thinking about going pro and getting a better canon, lighting etc. Your show along with a couple of others have given me invaluable insight into the photo world and what it takes. Not sure if I actually want to pursue many of the things talked about, but i would never have known this if someone hadn’t talked about it! so thank you for sharing your visions and helping me on my way.
    Greg

  3. The piece quoted above was written by me and has been widely published around the web. I’m glad you’ve enjoyed it. When you get a chance, I’d greatly appreciate it if you’d credit this article to me. Thanks in advance.

    – Cheryl Jacobs Nicolai

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About the Author

Glad you're here.

I'm from WA State USA and started studying photography in 97. I started work as a pro (using that word loosely because I sucked) using film at age 16. I learned fast but was not as easy to find training then. Sometimes I beat my head against the wall until I figured stuff out.

As digital dawned I went all in and got to study with masters like Ken Whitmire. In 09 I founded the Pro Photo Show podcast. I started promoting tone-focused editing. When Lightroom arrived, I started developing tools to make editing and workflow better.

20 years of study and photography around the country earned me a Master of Photography (M.Photog) from PPA. I got to see my workshops and tools featured in publications across the industry. Once I even won the prestigious HotOne award for my "EXposed" light and tone workshop.

Wanting something calmer, I moved to Mexico in 2017. It's a land of magical light. I'm here now exploring light and trying to master my weak areas. I make videos of that for my Youtube channel, sharing what I learn. I hope you'll stick around and be part of Light Hunters Tribe... Gavin

Gavin Seim

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