April 30, 2010

by Gavin Seim. Updated 06/23/12: It’s been a common debate, though much less so as pro’s learn that RAW is a no brainier. I deal with both the JPEG and RAW side quite often because the tools I make on Seim Effects. I’ve seen the value of RAW and once you do there’s no going back. Some photographers that still use JPEG, use a reason like… “I nail my exposure, so there’s no reason for me to use RAW”. I think when this happens it’s one of two things.

  • Showmanship. For some, I think showing everyone how spot on your exposure comes out is a great way to show off when making a presentation. OK I get that, we all like to show our proficiency, but I’d rather not toss away quality on my clients images to get expert points on the minds of my peers.
  • The most common reason however. I think some still have a mental block about RAW and don’t want to address it. I remember being in that spot years back. Somehow the larger files size and RAW data seems daunting. In reality it was not big deal at all. I know because I went thru it. If you’re in this camp just move beyond it and you’ll be glad you did.

This idea is simple and that’s why this article will be short. JPEG tosses out information that you might need later in order to make a smaller file. It keeps that the camera “thinks” it needs. RAW keeps it all. And with today’s direct RAW editing and localized adjustments using software like Lightroom, the power of using RAW data has become crystal clear. Let’s skip the banter however and settle this. I could make up a bunch of examples for you, but this one photo proves my reasoning, so I’ll keep this short.

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1: Here is an outdoor wedding scene from a 5D MK2 unedited other than being cropped. Yes it’s a bit under exposed, but had it been correctly exposed I would have lost even more detail in the sky area. Now at a glace, this photo seems like no matter what we do it will be pretty bland. Lets look.

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October 24, 2009

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by Gavin Seim: I just hosted the first “Incredible HDR” (high dynamic range) photo workshop in Central Washington. It was an intimate three day class of six, with attendees from as far as London, so we had plenty of one on one time. The images they made were amazing. I’m really proud of the students and the creative results they produced during the workshop. We covered everything from how to capture HDR portraits, to final edits, controlling light and presentation.

I believe one of the most important parts of good HDR is knowing how to edit it. There’s a lot of really ugly HDR because photographers don’t understand what their dealing with and how to make something magical from it. Going further however I want to remind those playing with HDR that the rules of photography do not go away because a photo is HDR. Interesting subject matter, composition and attention to detail are all very important factors in a great image. The students at this workshop were from varied experience levels but I think every one of them got it and took home something valuable.

I’ll post a few images from students below as well as a few of my own I took during excursions. It seems every time I teach something, I learn something new myself. If you’re interested in learning more about my HDR workshops you can find info here on Seim Effects.

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June 2, 2009

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Get the essentials: Thinking outside the box works, Just remember to get the MUST have's. Walking down the isle, standing at the alter, the first dance and many more. What's important to each couple can vary, so communication is important.

Where to start, how to get there, how to stay there. Secrets for professional and aspiring wedding photographers from Gavin & others.

by Gavin Seim: How do I handle my first wedding? How do I become a pro? I get these type of questions fairly often. Weddings aren’t for everyone but most aspiring and pro photographers will photograph a wedding sometime in their career. There’s much to be learned from what’s demanded of us at a wedding. While this article is aimed at those getting started, seasoned pro’s will get ideas too.

Today I’ll give some I’ll talk the basics of how I see and think when I photograph a wedding. Tips 1-6 will focus on getting great images. Then we’ll talk a bit about a  post production and business (which is every bit as important). As we go thru them I’ll post some favorite images and share some thoughts.

The first wedding is daunting. Let me say that I won’t be talking about extreme photography basics in this article. If you’re at that stage there’s no shame in it, but you should gain some experience before tacking a wedding on your own. It’s a one time event and if you get it wrong you will be, at best, a sore spot in the eyes of your client. That’s not good for getting new clients and both you and your client deserve better.

If you can, second shoot aside an experienced photographer it’s a great way to learn, gain better portfolio and get more confidence. In my case that never happened. Though got serious about photography at age 12, my first wedding was cold turkey. I photographed for fun at a wedding and the couple loved them. That pushed me forward and my first paid wedding came awhile after. The rest is… Well the rest is below.

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Try new things: This shot is the result of the first time I used off camera wireless flash (with Radio Poppers) at a wedding. I was just learning them, but made the choice to push myself to get great light in this scene. It paid off and my final image has a neat cinematic feel that fits my style.

Before my first wedding I absorbed the information in at least three wedding photography books. That helped me get a feel for what should happen. Without that study I would have missed a lot of important things. Resources like this are great (I wish I had had them) but a book can help you get perspective and have a reference to review. I’ll list few good books to get you rolling at the bottom of this post.

My first paid gig was back in the film days. I was about eighteen. Armed with my Canon EOS3, a cheap flash, a cheap zoom lens and an old monolight strobe handed down from Doug Miller, a real local pro, I became a wedding photographer. Was I good? No, but I was enthusiastic.

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March 9, 2009

Spring is nearly here and our sister site Seim Effects has just launched some great deals to kick things off. Check out the site for 20-25% any of their effects.

SE has lots of fans all over the world. Their Lightroom Presets and Photoshop actions work great and they have great service to go along with it.

If you’re not wanting to lay out the moolah, you should also check the freebies section of their site with all kinds of zero dollar goodies.

www.seimeffects.com

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November 1, 2008

10/31/08 Seim Effects Photo Tools. Power Worflow 2 now available.

Today, after months of tweaking and testing on real sessions, Seim Effects has announced Power Workflow2, presets for Adobe Lightroom.

The Power Workflow Lightroom preset collection was launched in 2007, and proceeded to be one of the most effective and popular Ligtroom preset collections available. Power Workflow2 goes to the next level by adding new effects, better auto corrections, and Enhanced support for Lightroom2, utilizing tools such a post crop vignette.

Power Worklfow2 remains compatible with Lightroom1 and is available immediately for an introductory price of $29.99

Upgrade Discounts:
Owners of Power Worklfow1 will soon recieve an upgrade coupon for a substantial saving on Power Wrklflow2. Customers who purchases Power Workflow in the past 60days will recieve a FREE upgrade.

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