November 21, 2012

The Bath – A Portrait that got Gavin banned form Facebook. Read more here.

by Gavin Seim: We all should to consider how social media effects us in the long term. I recently released a new portrait called The Bath. I posted this portrait on my Facebook page and the next morning I logged it to find it had not only been removed, but I had been banned from Facebook for 24 hours as PUNISHMENT for supposedly violating an “unnamed” responsibility of using Facebook. I assume they placed this under nudity, even though it contains none.

There’s is nothing inappropriate about the photo and did not even consider that it would get taken down. These are my kids and I intentionally made sure nothing showed that could be taken wrong in the slightest. So here I am, a business on Facebook, being treated like a three year old, slapped on the hand for being naughty. And that’s it. No appeal, no recourse. I call it a Facebook Spanking!

Even as a paying advertiser who has spent thousands of dollars with FB, I don’t have a real contact or way to get help. Just a black mark on my record, meaning that in the future, the punishments get worse. Some random thing could even get the PERMANENTLY REMOVED from Facebook. What happens to the years of work and thousands of dollars building my network and pages? Who knows. The thing is, they can do whatever they want. It’s their network. Just like every private network.

This got me thinking about how reliant we’ve become on social networks. Even someone like me who blogs actively on his own sites, relies on Facebook, Twitter and others to let people know about those articles and get traffic flowing. There’s nothing wrong with using those tools, but when we rely on them all our eggs start rolling into one basket. What happens if we get cut off. How many of us have maintained traffic sources that “we control”? Things like newsletters. Why? because I don’t like my business being under the thumb of corporate management that won’t even talk to me.

Personally this prompted me to start a fresh email list called the Light Letter. I want to make sure I can connect with those interested in my work on “my terms”. That’s not to say I won’t use Facebook, Google +, Twitter and other professional networks. But this experience really showed me that we as people and professionals need to become less reliant and start controlling our own content and traffic. I hope others will follow and start thinking about Content Freedom. As people who rely on content communication as part of our business, it’s time we make sure we can keep it flowing.

What are the solutions? I think a well made engaging newsletter is one. The list is not dead. Organic SEO traffic is good too. Maybe even traditional mail. I don’t have all the answers, but I’m thinking. What ideas do you have for controlling our content on our terms rather than on the whims some corporate management who couldn’t care less?

I’ll be going into more in depth on this soon as we look at how we can keep our content ours. You can also join my Light Letter below if you’re interested. Either way I encourage to check out LightLetter.com to see how I set it up. It’s been converting quite well.

Gav

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July 9, 2011

The Siren of Lake Chelan. Commissioned Portrait, Summer 2010 by Gavin Seim.

Water. Once we sink below the surface of its shimmering waves, we enter a foreign world of untold beauty. A silent land of bending light, murky depths, and unknown dangers…

Whew, did that sound enough like a nature show for you? Good, now let’s move on. Seriously, though, I working with water and I loved making portraits under it. I did it for the first–though probably not the last–time during a portrait commission for Jenaia. I learned a lot about working in the water, and we brought her home some beautiful images, but this is my favorite piece.

It took some trail and error, but my visualization was a calm ethereal portrait, and I think I managed it. I love the color hues and the way the light streams from the surface. We’re in a lake, not a pool, and it’s around 1500 feet deep, making the light fade into infinity. Just don’t drop anything that doesn’t float, or it’s gone for good. I lost a fin during the project, and once it was out of sight, there was no way I was going after it. It’s truly dark down there.

While my fin has joined the aforementioned murky depths, I’m very satisfied with this work. It taught me a lot and it helped make Jenaia’s portrait collection a real success.

For photographers. How it was made…

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July 3, 2009

I want to take a moment to plug a few new products over at my Seim Effects store, since these are what help keep this all going. I just released Hollywood Effects 2, the follow up to my first special effects actions for Photoshop. Also in a separate collection a brand new set of cool actions called Portraitist.

HE2 is filled with some pretty amazing effects. I love Lightroom, but it’s not a solo runner. These are the effects that simply can’t be done in LR and really make my best images shine. When you get HE2, it includes the Portraitist actions, which are my new skin retouching tools that perform tasks similar to expensive plugins, but right from an action and for a lot less money. They even include skin smoothing that retains detail in critical areas like eyes.

Anyways I’m stoked about how good they work. It’s the best actions I’ve ever made and has been a very successful release thanks to many of you. Of course I  still love Lightroom. You can find my presets there as well. If you want to learn more head over to Seim Effects. Other than that, have a great weekend… Gavin Seim

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May 6, 2009

I’ve been making a point to attend more workshops and sessions this year. There’s just so much to learn and I owe it to my business, my clients (and you readers) to absorb information. We should all take the time to learn expand and share. Speaking of which I twitter favorite tips while I’m at sessions. You find my twitter feed here. In person workshops just have something more than you can get online.

wakeupcall

Last night I attended David Ziser’s Digital WakeUp Call. David is the legendary photographer who writes Digital Pro Talk. He’s also a great salesman and presenter and seeing him in person was a real treat. He talked marketing, workflow, lighting and more. Wow, it was a load of information and tips a short time. Not to mention that the extras you get make the low cost of admission more than worth it and that  there were loads of great door prizes.

I also met some of you listeners there which was super cool. Afterwords David, myself and a few others who had  helped David and his wife LeDawn (what a hard worker she was) with setup lounged around and talked shop for awhile. It was a fun evening.

If you can get to the WakeUp Call don’t miss it. You can get in for $59 if you sign up with promo code ZGSDWC09

wall-portrait-conf

Then last week I also attended the legendary Wall Portrait Conference lead by Ken Whitmire. It’s more spendy, but a six day INTENSE workshop focusing on taking your portraits and sales to the next level.

All I can say is WOW. Ken was such a neat old guy, and all week we had great speakers Like Bruce & Josh Husdon, Sam Gardener, and many more, filling our professional quiver with more arrows. Any photographer who’s not selling large portraits from their sessions as a norm needs to attend this conference.

The WP Conference is only once a year. I’m going to try and work out a discount for PPS’ers with Ken, so stay tuned.

I’ll be talking about workshops and all I’m learning more on the podcast, but the bottom line is get out there. Their worth the time and money. There’s even my own 3 day HDR workshop coming this fall where you’ll learn how to use HDR properly, avoid overuse and take images to the next level. Check it out here.

Gavin Seim

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August 27, 2008

I’ve been on the run with seniors this part week, and loving some of the results. Between a great subject, the umbrella, and the cool fence this was exactly what I wanted. I’m humbled at God’s amazing world that we use as a backdrop, and often take for granted. Even a simple wood fence can give just the look needed. Simplicity is KEY to a great portrait.

On a technical note, I know her hand is positioned a bit odd. I like the feel though. I try to encourage hand movement and let things go naturally. I just presetted with Power Workflow, and them smooth with action. My latest fav it the Simply Soft series from Creative Essentials. It’s just simple, and soft. The border is done automatically with a color coordinating action I made.

I getting into what I call the three keys. The eye’s, the moth and the hands. I think the key to controlling all these is learning to direct your subject in such a way that it happens naturally.

See more from this session on my siteGavin Seim

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