Filmist 1.9 update… Portra 160 Push Preset. Better Velvia recipes, Agfa, and more.

This week I finally finished a big updater for my FIlmist presets and Capture One style.

Filmist 1.9 just got a bit update with big improvements to Portra 160 Push, Pro 400H, Velvia, darkroom-inspired mod presets, and more. I’ll show you everything in the video. If you already own Filmist, login here for the free update of Filmist Complete.

Get Filmist complete or try the free sampler here. If you own Filmist, login here and update.

Are you still over-editing?

Intense edits that are clearly digital in nature can be amazing. But what I have learned over the years is that most of us over-edit, A LOT! Understanding the balance that film brings makes you edit everything better.

Even my more digital-focused editing kits like Natural HDR are shaped by the idea of being Natural. That’s because I was there when HDR arrived in the world, I saw digital become the dominant force, and I watched the transition happen. This is something we talked about on the recent Pro Photography Podcast.

Big Velvia 50 refinements bring out that classic red hue in a beautiful way.
Portra 160 Push gives that snap and a true-to-life red shift that actually makes Portra 160 feel perfect,.

What if I don’t like Film?

Making film presets that work is very time confusing and detailed. Most people think they don’t like film looks because they have never really used them. Once you see that film was actually the well round bade baseline of everything we do in digital. It gives you perspective.

Even if I’m editing with Street’ist or something bold like Gold-Chrome, the film looks to create a trustworthy reference point. I think it really helps people have confidence in Lightroom and Capture One editing and make their work more emotionally focused instead id… Look how much I edited this.

Let me know what you think in the comments and enjoy Filmist 1,9.

Gavin Seim

Nuances improved in the LUTS Lightroom Presets and Capture One style. Even in Portraits Velvia 50 retains a more natural balance just like in the darkroom if exposed well.
Classics like the AgfaFled RSX preset gives you more versatility. I use this look a lot in video edits also.

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About the Author

Glad you're here.

I'm from WA State USA and started studying photography in 97. I started work as a pro (using that word loosely because I sucked) using film at age 16. I learned fast but was not as easy to find training then. Sometimes I beat my head against the wall until I figured stuff out.

As digital dawned I went all in and got to study with masters like Ken Whitmire. In 09 I founded the Pro Photo Show podcast. I started promoting tone-focused editing. When Lightroom arrived, I started developing tools to make editing and workflow better.

20 years of study and photography around the country earned me a Master of Photography (M.Photog) from PPA. I got to see my workshops and tools featured in publications across the industry. Once I even won the prestigious HotOne award for my "EXposed" light and tone workshop.

Wanting something calmer, I moved to Mexico in 2017. It's a land of magical light. I'm here now exploring light and trying to master my weak areas. I make videos of that for my Youtube channel, sharing what I learn. I hope you'll stick around and be part of Light Hunters Tribe... Gavin

Gavin Seim

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