October 19, 2010

Firehole Spring sparkles like a sky of deep blue turquoise, it’s inviting crystal clear water set flush to the earth like a giant hot tub. But beware, this is no swimming pool. The docile looking waters are nearly boiling, so enjoy it’s unearthly beauty, but let it bathe alone.

Firehole has nearly constant activity roiling under it’s surface, as  thermal bursts appear like small white explosions. Sometimes it’s subtle while at other times water may spit into the air as thermal bubbles reach the surface. On this day in early September it seems unusually calm affording me this unique crystal like view into it’s depths.

Set amid a rather barren patch of land, backed by shrill trees and sparse grasses, The pool sits just off Firehole Lake Drive, nearly unmarked and easily passed by. It seems plain, but when you get out and stand near, it’s impossibly clear water mesmerizes the eyes.

I took this in the early morning as bold clouds drifted overhead and I gave it some time, carefully planning the composition and working to use the land and the light as best I could.

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October 17, 2010

Forgotten City, 2010. Downtown Minneapolis, fall 2010. Time exposure.

Print release coming soon.
This image earned a merit at the PPA International Print Competition, 2011.

It was the flour capital of the world around 1880 and beyond. But things change over time and the old flour mill in downtown Minneapolis MN is now a part of the landscape around the Mill City Museum. It’s a pretty neat sight. Remnants of old machinery, underground tunnels and broken structures spark my curiosity and make me marvel at how large the operations here must have been.
It’s a mix of the still standing and the now fallen. Both still appreciated. I made this during my tone workshop in mid Sept as we all walked across the bridge and explored the area around the museum and the Guthrey Theater. It was a fun walk and I took home more than one good image from the area. Here I used a very slow shutter to blur the movement of cars and people, leaving the city as a silent piece of history.

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October 17, 2010

Welcome to my living room. We’re back home and while I still have more from our trip coming, I decided to take a short sidetrack. This image is quite different from the serene landscapes I generally do. It was really an experiment of light and shadow. It’s late Saturday night. We went to a  local square dance earlier and someone gave Cyrus a couple of those stringy glow sticks. A few hours later, home and family asleep, the sticks are still glowing. I pick them up and start playing, soon considering how I could paint with their light.

The end result after quite a bit of work is this self portrait taken in a darkened room. I’ll confess that I was a tad creeped out as I made this image, childrens toys around the dark room, something happening in the space behind and empty floor occupied by a faceless fire winged man. It may not be creepy in the light of day, but I had fun making it.

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October 14, 2010

The morning air is fresh and the dew moistened earth speaks of the night gone by. Water tumbles down the Split Rock river and past the bank on which I stand as the treetops gently toss their heads into the breeze of morning, whispering of what lies beyond on the far banks.

This may not be my most astounding image, but there’s something tranquil about it that keeps me coming back. We had camped at Spit Rock Park in Garretson SD the night before. I got up after sunrise and took some time planning what I felt would be the best of this scene. The result is this silky long exposure with the blurred treetops giving a further sense of motion. I’ve given a lot of thought to how this could be it’s best before posting, but in the end I like it simple and refined.

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October 13, 2010

This one was made a few weeks back. It was a drippy day during this years HDR workshop in Minnesota. We stopped by Taylor Falls during our excursion and took a photo walk through the park along the St. Croix River. Light was not at it’s best, but we did our best as we discussed with each other how we might work certain scenes to fit our style and get something worth printing.

We were about ready to move on, when someone found this viewpoint. There was the Queen, resting majestically along the riverbank and waiting for the sun. I’m was told it’s not stopped here often. It immediately struck a chord with me. There was something here to photograph. I setup the gear for a long exposure, taking the time to carefully plan and get it right. It payed off with this photo as the result. It’s going to look great on a metal or canvas and will appear in the signature collection soon. I’m stoked.

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