It was a softly lit morning in Yellowstone on this day in mid September. I came in thru the west entrance before sunrise to explore the landscape before the increasing light started getting harsh. I love waterfalls and while the lower falls area is not a hard place to reach, the various lookouts up the valley are magnificent.
I think I planted myself at Lookout Point for this one. I was inspired at the awesome beauty of this place. I know hundreds of people photograph these falls every day and I wanted to take my time to try for something special. I was careful in planning the composition and went for a silver process from the start to focus the eyes on the water and tone in this landscape. I’ll let you be the judge of how well I did.
Silver Waves of Grain. | Near Moses Coulee in Central WA | This image is available in print.
Making landscapes comes with the privilege being able to focus on one subject. Unlike with a wedding, where I need capture a multitude of stunning images, the goal with fine art is a single frame. Lately I’ve been focusing on the idea of a large effort going towards the single frame. Sometimes the more work it takes, the more pride I feel for the piece.
I am satisfied with this and it will probably appear in my Signature Collection as a 30-40 inch piece. That does not happen every time I go out, so I’m happy. It’s a simple landscape, yet it embodies northwest farming without clutter or distraction and does so in a way that I think in unique, the sea of blurred grain surrounding the lone family of grain bins which will soon have their bellies filled with the very ocean that surrounds them.
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I finally got a chance to play with Nik’s new Silver Efex Pro. It’s a Photoshop/Aperture plugin for making Black & White images from color one’s. Here’s the straight scoop! The interface follows Nik’s fairly clean and simple window style that graces the rest of their plugin’s. When it open’s you’ll be greeted by your image; a sidebar on the right that gives you control over the effects being added; a sidebar on the left with some easy preset effects, and a few other tools around the screen that control the preview, etc.
Overall I liked the plugin. It suffers the the problem I find with most PS plugins, that causes me to stick with actions and presets for most images. When you open an image in the plugin you have to wait a few seconds and then use the tools in another window. Essentially PS goes away for that time, and when you commit those changes you are returned to your regular work environment. There’s nothing really wrong with this, it’s just not great for a workflow with large quantities of images, but more designed for those great images you want to spend extra time with.
I did find what’s inside to be simple and effective. There’s various preset options for making B&W images fast. You have color tones, film type, color filters etc to give you full control over making a nice piece of art. There’s also the ability to add some great looking grain effects is so desired, and the plugin; like many Nik products includes the U Point option that allows you to easily control effects on specific portions of the image (See Viveza)
BOTTOM LINE: I won’t be using Silver Effects for my everyday B&W images, because presets in Lightroom and actions in PS do most the the B&W effects I need, with more speed. I can also get most of the effects that the Silver provides by using the built in tools that PS provides (though with a bit more work)
All this said I think Silver is a good tool for getting great B&W effects on those images you want to spend some extra time with. It’s also great for trying out various effects with a lot of control and precision. I knocked off a half star because, Silver, at $199.00 costs twice what it probably should. Still if you have 199 to spare, and want a great tool for really fine tuning B&W images then pick it up (you can of course try Nik’s short 15 day demo).