October 30, 2010

Bright lights of Monte Carlo. ISO 400, 2.5 sec. @ f4

by Lawrence Sawyer. First, let me thank Gavin Seim for the invitation to write a piece on my recent experience shooting stock photography in the Mediterranean. This was a dual-purpose trip: anniversary cruise, and a test of my theory that with the right choice, one could actually shoot salable stock with a point-and-shoot pocket camera. Now, a little background…

I’ve been shooting stock photography since my college days in the early 1980’s, and make a living doing it. I have several thousand images on file at four U.S. agencies and dozens of sub-agents worldwide. I have a new book out, entitled  See It, Shoot It, Sell It! -How to Earn a Great Second Income Taking and Shooting Photographs of Virtually Anything. That title embodies the way I work: I shoot “found images” more than anything else. I have learned over the years that there are countless opportunities to shoot highly marketable images all around us, every day… if we just learn to see them.

So when I’m shooting stock, here are the five main criteria I use in evaluating a scene:

1. Is there a message here? There needs to be either a solid piece of information in this shot, or a pure-magic artistic element to something mundane, like beautiful light on a cityscape.

2. Can I pull it off technically? An elk in a shaft of sunlight is killer if it’s 50 yards away and I have 300 f2.8 with me, but pointless if it’s 500 yards out.

3. Does it have enough appeal that it will sell to a broad audience? I worry about this one less and less, because all images are available now to the whole internet-connected world, and somewhere, there is a buyer for darn near anything.

4. Can I shoot it better than it’s likely already been done? If it’s a scenic shot, I’m careful not to be enamored by the place just because it’s my first visit. But if the light is phenomenal, I’ll roll the dice and shoot first, then ask questions later. The more famous the place, the more skeptical I am of my ability to make great stock on my first visit. I try to research how much a place has been shot before I go in with guns a-blazing.

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May 6, 2009

I’ve been making a point to attend more workshops and sessions this year. There’s just so much to learn and I owe it to my business, my clients (and you readers) to absorb information. We should all take the time to learn expand and share. Speaking of which I twitter favorite tips while I’m at sessions. You find my twitter feed here. In person workshops just have something more than you can get online.

wakeupcall

Last night I attended David Ziser’s Digital WakeUp Call. David is the legendary photographer who writes Digital Pro Talk. He’s also a great salesman and presenter and seeing him in person was a real treat. He talked marketing, workflow, lighting and more. Wow, it was a load of information and tips a short time. Not to mention that the extras you get make the low cost of admission more than worth it and that  there were loads of great door prizes.

I also met some of you listeners there which was super cool. Afterwords David, myself and a few others who had  helped David and his wife LeDawn (what a hard worker she was) with setup lounged around and talked shop for awhile. It was a fun evening.

If you can get to the WakeUp Call don’t miss it. You can get in for $59 if you sign up with promo code ZGSDWC09

wall-portrait-conf

Then last week I also attended the legendary Wall Portrait Conference lead by Ken Whitmire. It’s more spendy, but a six day INTENSE workshop focusing on taking your portraits and sales to the next level.

All I can say is WOW. Ken was such a neat old guy, and all week we had great speakers Like Bruce & Josh Husdon, Sam Gardener, and many more, filling our professional quiver with more arrows. Any photographer who’s not selling large portraits from their sessions as a norm needs to attend this conference.

The WP Conference is only once a year. I’m going to try and work out a discount for PPS’ers with Ken, so stay tuned.

I’ll be talking about workshops and all I’m learning more on the podcast, but the bottom line is get out there. Their worth the time and money. There’s even my own 3 day HDR workshop coming this fall where you’ll learn how to use HDR properly, avoid overuse and take images to the next level. Check it out here.

Gavin Seim

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March 14, 2009

Click To Listen>>  Photography Podcast. PPS #56.
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On Todays Show:
Gavin Seim
Kerry GarrisonDennis ZerwasDavid ZiserBrady Dillsworth

midnight-seattle-panoramic-seim-l

This week we talk about some great new gear and goodies, as well as hear cool tips from some great guests including the one and only David Ziser. Here’s all the glorious links and there’s a lot of them.

Podcast #56 forum discussion:

Deals:

Digital Wakeup Call. Discount with promo code: ZGSDWC09

OnOne Software 15% off: Use Promo Code PRPHTPC

Photomatix Pro from HDR Soft. Save 15% with code PPS15

Cool stuff from PMA 2009:

7″ Album. Portable Photo Viewer. Would be a great client presentation tool.
David also mentioned a similar product by Digital Foci.

The Spyder Cube. Color target.

Lensbabies.

California Sunbounce. Light manipulation tools.

Hahnemuhle do it yourself gallery wraps look really cool. (found them on B&H).

I also found some videos on Hahnemuhle’s news page. And a PMA video over at CameraTown.

Trek Tek monopod .

Kerry like the Sensor Clear and Sensor Pen from Lenspen.

Acratech tripod heads looks cool and well made.

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October 30, 2008

CPPOTW = The Digital Grey Kard

It seems someone is always selling a gadget to get your white balance right. It can indeed be useful to have a grey reading to get your white balance spot on out of the gate. This CPPOTW is the Digital Grey Card.

WB targets work quite simply. Their an 18% gray. You shoot a frame with the gray card in the scene, then later in post production you click it with the WB eye dropper using, Lightroom, Aperture, Camera Raw or whatever you use. The system reads, what you say is 18% gray and balances the rest of the scene accordingly.

I‘ve tried a few targets, and aside from being overpriced many of them are cumbersome, which means I tend not to use them. This set however is like having three business cards on a lanyard. Throw it in your bag, or better yet around your neck and wherever you are you can toss the card in for a WB target shot. It also includes white and black level target.

Nothing big, strange, or expensive. At around seventeen bucks, it may seem like a lot for three plastic cards, but these targets are cheaper than most and do just what they need to. Something every photographer should have in their kit. I’ve linked to Amazon. I’m sure you can find it all over, but the price is right.

Gavin Seim

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September 9, 2008

SOny D900We know that Sony has been pushing hard towards the DSLR market that Canon and Nikon have pretty well cornered. They have now announced the D900, their first full frame pro level version.

Inside we find 25 megapixels, a 3 inch screen, 5fps, Minolta (as well as their own) lens support and built in steady shot. Some pretty solid specs, but it looks like Sony is still going to be a step behind the big boys in terms of at least high ISO shooting. Sony is coming against a tough crowd with this 3k SLR, and people won’t go easy. Still their looking to be a future contender in this space.

DPReview has a nice little hands on. This seems like a nice body, with some good things going for it. If Sony sticks with this, and doesn’t pull any stupid stunts akin to adding invasive DRM to our lenses or images (wink) they may really go somewhere in the pro market. We’ll keep and eye on them, and if any of you are using Sony bodies let us know what you think!

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