January 2, 2012

2

4x5, beauty, f164, Fine Art, journal, science, silver, technique, travel

Isabella Breeze – My First Ever 4×5 Scene.

Isabella Breeze. Lake Isabella CA. Spring 2011. Linhof 4x5.

This has been sitting for the summer, but as we start traveling once again for 3 months of road touring, I decided it was worth posting.  It’s my very first 4×5 exposure. Well, not including the accidental frame I ruined because I forgot to shut the lens. 4×5 film is something I’ve spent 2011 falling in love with. This frame is imperfect, but I wanted to share because I never want to forget the feeling it gave me. A sense of wonder at the sheer simple function, yet inspiring complexity and quality of the large format medium. It’s an operation that by it’s very nature forces one to slow down, to think and to visualize.

I stood right on the shore of Lake Isabella, almost at the water line at sunset on this early Spring day in 2011. It’s actually the very one I talked about on the drive back, during this Episode of the Photo Couch podcast. It’s was a calm relaxing sunset on the edge is this beautiful lake and it felt good. Once the sun had faded I packed up and drove to the other end of the lake where we had camped the trailer on the shore. Where kids and my beautiful wife were waiting with a hot spaghetti dinner.

For Photographers… 

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November 13, 2011

0

beauty, color, f164, Fine Art, journal, Nature, signature, technique, water, waves

The Artist’s Sunset – Oregon Coast

Artists Sunset – Ken Whitmire in Pacific City Oregon. Fall 2011 by Gavin Seim.

It was one of those Sunsets. The ones with stunning clouds and radiant colors that seem to last forever. Like a great song that keeps on playing. I was on a road trip to the Oregon Coast with Ken Whitmire, the renown portraitist. Ken was working with a family on the beach in Pacific City and I assisted, while getting images and video for a project we were working on.

About halfway through Ken was on his ladder, having this family of five walk down the beach. I just stood back and watched. A bit envious of the amazing portraits he was going to take home. It was a stunning evening. I took in the incredible ocean landscape with some awe. In between video clips, I decided to go vertical and try to illustrate Ken as the working professional in his environment. I hoped for a sort of memorable feel that that artists and photographers could relate to.

This has been really well received. I admit, I did not realize it would strike such a chord, but I’m glad it did. To me this says something about creative craftsmanship and taking your time. It reminds us to take the extra steps up that ladder to make an image Great. That’s what Ken Whitmire has done for over fifty years and I’m glad I got to be  a small part of that.

Our road trip was a memorable one in more ways than one. In fact by brother and I wrote a short short story about this trip. You can read that here on the Brothers Seim blog.

Release details: Prints available. Contact the studio. Learn more about prices. Available prints…

 

For photographers. How it was made…

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August 2, 2011

0

beauty, f164, Fine Art, hogarths, journal, line, musings, signature, silver, technique

The Whispering Brook – Olympic Rainforest

The Whispering Brook, Olympic Forest, below Dosewallips Falls. Gavin Seim, Summer 2011

The water of the rainforest always seems to be moving,. Running, drizzling and dancing over the ground. Dosewallips falls rolls down a face of stone into the gathering pools below, overflowing them and running on towards into the deep forest, making a journey to the larger streams and rivers, then finally to the sea. It’s a mesmerizing dance of water set in one of the most beautiful places and is something to stop and look closer at.

We spent the past few days in the Olympic forest and as beautiful as the it is, I find it can be complicated. There’s so much to see that it can be a challenge to covey simple beauty in a single frame. Part of that challenge is deciding what element best conveys the feeling the the place when the image is initially made.

I found myself looking closely at the stream below the falls, all the rocks and paths the water had made. But I stopped in this one. It’s shape and line telling a story of waters journey in a simple scene. There’s a lot of little details here, but you have to take the time to look for them. It’s simple, but complex in it’s own way and as always, I am mesmerized the the subtle complexity and beauty of creation.

Release details: Prints available. Contact the gallery. Learn more about prices. Available prints…

For photographers. How it was made…

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July 10, 2011

0

f164, Fine Art, Nature, signature, silver, technique, travel

Trilogy of the Surf.

Trilogy of the Surf, by Gavin Seim. May 2011, on CA 1. Triptych print release pending. View the larger images below.

The Pacific Ocean mesmerized me as we drove, trailer in tow, along Route 1 this Spring. It’s so vast, an endless expanse peeking through the passing trees. I spotted a large pull-off along the winding highway, so we stopped for the view and a trailer break. Cyrus and I looked over the edge, seeing the waves strike against the rocks below. Soon I found myself setting up, adjusting the composition and then capturing frame after frame. I was entranced at how each and every image could be so similar and yet so different, the patterns and tones of water combining in endless ways along the rock, though all going to the same place.

Normally, I’m all about a single frame, but it was too little here. Sometimes I break my own rules, and, after a lot of consideration, I really felt this sequence worked. I spent hours finalizing which final images would go into it, and how I could best present them. Then weeks went by as I rethought, making sure I could do nothing to make it better. I’ve also made some test prints, and I plan to release it as a single triptych print and perhaps a few as three separate images (kept together, of course).

Due to the computer’s insufficiency at conveying a wide image, I’m also adding the individual frames from the sequence below so you can take in a bit more detail. Just bear in mind; they will be presented as the triptych above, not separated by themselves. I hope these waves mesmerize you as much as they do me. Enjoy…

Gav

See all three images lather and read details…

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July 9, 2011

3

beauty, color, f164, Fine Art, journal, Nature, technique, water

The Siren of Lake Chelan – Working Underwater.

The Siren of Lake Chelan. Commissioned Portrait, Summer 2010 by Gavin Seim.

Water. Once we sink below the surface of its shimmering waves, we enter a foreign world of untold beauty. A silent land of bending light, murky depths, and unknown dangers…

Whew, did that sound enough like a nature show for you? Good, now let’s move on. Seriously, though, I working with water and I loved making portraits under it. I did it for the first–though probably not the last–time during a portrait commission for Jenaia. I learned a lot about working in the water, and we brought her home some beautiful images, but this is my favorite piece.

It took some trail and error, but my visualization was a calm ethereal portrait, and I think I managed it. I love the color hues and the way the light streams from the surface. We’re in a lake, not a pool, and it’s around 1500 feet deep, making the light fade into infinity. Just don’t drop anything that doesn’t float, or it’s gone for good. I lost a fin during the project, and once it was out of sight, there was no way I was going after it. It’s truly dark down there.

While my fin has joined the aforementioned murky depths, I’m very satisfied with this work. It taught me a lot and it helped make Jenaia’s portrait collection a real success.

For photographers. How it was made…

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