December 3, 2012

 

Winter’s End – Taken a few minutes apart. The mobile image  lacks any fine detail up close and fine detail is totally lost in that pasty look that is common of low end cameras and lenses. The film scan however holds up well. See complete image details here on Gavin’s journal. More examples below.

by Gavin Seim: When I was starting out you we’re not even regarded as a respectable portrait photographer unless you used at least medium format. How things have changed. But this mobile photography for the sake of it is a passing fad.

The camera in your iPhone costs about ten dollars to make – Now I was browsing Facebook the other day I found the above reference photo I posted while on our Spring 2012 tour. I remembered that morning, the light on the trees and how my 4 year old son rode with me to greet the sunrise. It was a good memory. But next I compared it as a photographer to the final print version of Winter’s End. That promoted me to compare others, from both film and digital, comparing them to their mobile counterparts.

A great image is more than the sum of it’s tech specs – But when those details are far below the sum of it’s artistic merit, it brings down the entire work.

What was really illustrated was the vast difference between a point and shoot image and a quality photograph. Even I had not realized how poor the quality was. The phone photo is a good reference and helped me plan and log I wanted to produce. It was also fun travel memory and some might say it was “good enough”. But I’ve learned that “good enough” is not how we produce great images to stand out in today’s market.

I see more and more people acting as if phones are serious cameras. Sometimes even touting it as something special. This bothers me because a low grade camera is not a feature of your art (and make no mistake, your phone camera is low grade). It’s true that gear does not make a photographer. But low image quality can make even the most accomplished photographer look like an amateur. Comparing a phone snap to a professional level camera is a bit like comparing a Prius to a dragster.

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December 1, 2012

  • Practice.
  • Study.
  • Practice.
  • Study.
  • Practice.
  • Study.
  • Practice.

Sorry, I could not resist – Honestly though it’s no easy road and it’s not fast. But learning photographics the right way is wonderfully rewarding. Edward Weston once said – “If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – I’ve found that to be true. I also learned that the sooner you dig into the science of light and art working together, the easier it gets.

Take your time, enjoy it and don’t ruin it for yourself by trying to go pro before you’re ready or be something you’re not. That said, I’ll give you more. Visit the Best of Pro Photo Show page. It’s a list of of the best tips, shows and articles we’ve ever shared over the years. It will keep you busy for the rest of the weekend and you’ll walk away a better photographer. Good luck, Gavin.

Gavin Seim: Portraitist, Pictorialist, Speaker and producer of Seim Effects Photo Tools and the EXposed workshop.

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November 9, 2012

by Ansel Adams – Tom Kobayashi at Japanese-American Internment at Manzanar, California, 1943. Follow the image link for more and some nice direct scans vs print scans.
by Gavin Seim: Ansel is one of my favorite pictorialists, though he did some beautiful portraits as well (check out this link for some cool ones you may not have seen before). I go on binges of searching, perusing books and trying to find overlooked snippets that offer ideas to refine my work. I was up around 2AM recently doing this and I stumbled across a little gem I had not seen before. The final interview of Ansel Adams by Milton Estrerow.
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“Two months ago, I spent two afternoons interviewing Ansel Adams at his home in Carmel, California. It was one of the most memorable experiences I have ever had. He was warm, brilliant, imaginative, sensitive, funny. We talked about everything from music to Georgia O’Keeffe to the glories of Point Lobos to how to unload my camera. I had planned to return to Carmel for further sessions, but he died on April 22. Following are excerpts from his last interview.
Summer 1984
MILTON ESTEROW

Who among contemporary photographers do you admire?

I like Joel Meyerowitz for color. I think he has superior color sense. Mary Ellen Mark is tremendous. The trouble is that a great deal of new photography seems sort of experimental, without any great motive. I feel very bleak about a lot of it. So many don’t care about craft. I like Olivia Parker. Don Worth is good, and Nicholas Nixon. George Tice is very subtle. Bill Clift, yes, he’s something. Roy DeCarava is very important…

Continue reading here…

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September 22, 2012

by Gavin Seim (rev 03/14): I’m seeing so many bad photos posted as professional these days. People are trusting us with their time, dignity and money as they are photographed looking awkward, uncomfortable and often downright foolish. I am genuinely embarrassed. Not only for my industry, but for people and their families. They look ridiculous.

I’ve realized why these poor images are often even worse than snapshots: A snapshot is not pretending to be something artistic, creative, or edgy. It’s role is simply to be a memory, and it fulfills that role quite well.

I post this to remind those with experience to make sure we’re offering quality to our our clients. We are supposed to produce art they will want to keep, but I see and endless stream of bad images. Sometimes so-called professional images are so bad that a child could do better. People are pointing cameras and thinking they will do the work for them.

We cannot simply pull ideas for posing, lighting and composition out of thin air, with no aesthetic understanding of our subject. That is like builders throwing hammers at a pile of wood and expecting a mansion to appear. I see mothers who look fat, babies who look like Oompa Loompas, kids who look angry and dads who look like slobs because someone who was poor at their craft propped them up like badly drawn cartoon characters.

I love helping people learn. I’m not posting this to be hurtful, just to be real. It’s important that we’re honest with ourselves and clients. A doctor does not open their practice until they’re trained. A carpenter that opens a home improvement business without knowing how to improve homes is doomed to failure. Digital has not made great photography easier. It’s only made taking pictures easier.

These days it’s not easy, no matter how much experience you have. But some the best advice I can give to people starting out is don’t become a professional photographer until you are professional level. Having that camera means nothing. I’m not defining exactly when you become experienced enough. For most of us, it takes years, just like it does to become a doctor, a carpenter or just about anything else. You learn the basics first. Then it becomes your job and you keep learning.

This applies to all fields. A person should not be in business until they can make the product they claim they can. They should not have a website with prices offering services they are not qualified to give. They should not claim the title of those who spend years and decades mastering a craft, when they have no experience in that craft. There are different levels of professionalism and we don’t need to be perfect to go pro. But we do need to actually be photographers before we call ourselves photographers. We need to know the fundamentals of how to make quality images of whatever our subject might be.

If you don’t know the difference between f16, ISO800 or 1/160th, if have no idea how to light a 3:1 ratio or how to key strobes for a blue sky at noon, if you don’t know how to make your subject sharp enough for a thirty inch print, how to pose a woman so she feels beautiful and a man so he feels strong, if you don’t know what to do with the clutter in the background or how to compensate your exposure value, chances are you’re not ready to be a photographer professionally – There’s nothing wrong with that. There’s nothing wrong with snapshots. There’s nothing wrong with being an amateur. You’re learning and that’s just fine. Keep at it. If you want to call yourself a photographer, take the time to learn how first.

You don’t start as a photographer. You start learning to become one – Gavin Seim

Further Reading…

 

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September 7, 2012

by Gavin Seim: Adobe recently had a travel photo contest. The prize, a trip to Thailand with legendary photographer Steve McCurry. Yea, the guy who photographed Afghan Girl.

Matt Hardy once said – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.”

Adobe counted +Likes and gathered a panel of official judges to choose. The winner… this photo. You can see it larger here on Adobe’s page. There were many other entries, but this was chosen as the grand prize. I feel this is hurtful. Not only to the entrant, for it teaches them that quality does not matter. But to those who worked hard to enter quality work. It’s better to be honest with those that are learning, than to ignore a lack in quality. I would rather be improved by honest criticism than ruined by false praise.

How does the world’s largest professional photography software developer and it’s judges not know the difference between a photograph and a snapshot. As someone who has worked for fifteen years to understand photographics and light, I for one am not jealous; I am insulted and embarrassed.

For the record I did not enter this competition.  And the point here is not to insult the winner. I’m sure they will enjoy and learn from this trip. The point is that people need to understand a camera does not make you a photographer. People worked hard and entered quality work To award photo in this manner seems an insult to their efforts.

What’s Wrong With It:

Quite nearly everything. As a vacation snapshot, it’s perhaps acceptable. There is nothing wrong with a family snapshot. But we need to understand the difference between a snapshot and a photograph. This image won an international level competition. At that point it must be critiqued as such and compared to other entrants.

Great photos can be subjective. But that does not mean we ignore what makes them great. This photo has no subject, breaking the cardinal rule of a great image. A great photo has a subject. Usually just one. All other elements should be supporting cast. Is the subject little girl? The half cut off body taking the photo? Perhaps it’s the Oriental Pearl Tower, crooked in the frame. If we have to ask, the image has already failed.

When examined (something I have done over and over again) the picture feels of phone snap quality. It’s filled with artifacts and problems. The exposure is flat and dark and the sky is plain and boring. As journalism it lacks interest and as a street photo it lacks expression and spontaneity. Finally it fails at what is perhaps the hardest thing to put into words. It’s uninteresting and it does not tell a story.

Ansel Adams once said – “The sheer ease with which we can produce a superficial image often leads to creative disaster.”

While I don’t generally call out bad photos directly, I think this needs to be thought about. Everyone has cameras, but if in doing so, everyone becomes photographers, then the word photography no longer has meaning.

If we hold zero standards to the quality of art and use “art is subjective” as an excuse for everything, than the word art has no value – By calling everything art, by making everything great, we demean those who through effort and practice have mastered their skill.

NOTE: This is a news commentary. You are welcome to disagree and for obvious reasons I did not include the winners name. It’s not meant to be mean, but to raise awareness and get us thinking about quality and understanding the diffidence between a photo and a snapshot.

UPDATED: When this post was first made I had thought that looked like a phone photo. It is not. While the camera used makes little difference, some felt this should be disclosed. I have refined the post a bit to reflect this and things related to the ideas presented here.

So now that I’ve stirred the pot. Let the discussion begin.

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