September 28, 2010

We spent the last three nights camping in the Black Hills of South Dakota. I was up with the sun yesterday lurking in the shadows of morning and waiting for the light to turn magical. I drove a remote fire lookout I had noted on the Forest Service map. When I arrived I was a disappointed to find the the view less then spectacular.

I loaded up and started back down the mountain, but stopped when I saw these broken, burned trees. The light was coming over the horizon behind me, with the moon still in the sky over the tree tops. The way they stood, broken yet proud, immediately caught my eye. I stopped and spent some minutes planning this single composition.

It’s hard to show the beauty of a scene like this is so small a space. It needs to be in a large print. Since this is not a large print I’ve added a close detail crop below to give a better feel for the intricacy in this scene.

For Photographers. How it was made…

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September 21, 2010

I’m sitting in our trailer at Spit Rock campground, Garretson South Dakota. As I write this, two flies on the table next to me are courting like there’s no tomorrow. I could swat them, but I’ll let it go. I figure when you’re a fly, there very likely is no tomorrow. Let the kids have their fun.

Speaking of kids, my own kept waking us up last night. It was not out best sleep by any means. I awoke before sunrise to my alarm. Looked out at the sky, decided it was bland and promptly went back to sleep. That’s what I call a good sunrise. And it’s the advantage of sleeping a hundred yards from where you plan to shoot.

I finally roused 9:30, opting to work the later light (I think it really was better) and spent my morning planning photos of the falls at this city campground in which we were the only dwellers. I Made two compositions. I probably could have done only one, but I wanted to try a second view. I’m finding the more I plan my images, the less work I have later, but more importantly, the better my results are, because I analyze the details and really plan my compositions.

Now you may be thinking. Long planning is not always possible with high pace things like weddings and portraits. And you may be right, to a point. Even there however taking a moment to think and really look at what we’re doing makes a lot of difference. So often we just start clicking away. Taking the same poor composition, or leaving the same distracting twig in the scene frame after frame after frame.

More frames of a scene do not usually equal better results. I’ve been challenging myself to think my work through. And it works. So I challenge you to do the same. Yes, in a situation like this morning I had the time to walk around for twenty minutes before I even put a camera in my hand. But I’m learning that in most situations, time, even if a only few seconds. And “really” taking a closer look at what your about to do, makes a big difference. That bride can wait ten seconds, right?

Does this mean I intend to stop capturing high pace candids at my weddings. No. We can shoot at much as we want with digital and that’s a great thing if there a real reason for it. But it’s not always the best approach. Whatever my situation, I can still pay close attention and think it through… Gav

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September 12, 2010

I’m on the road, headed to Minnesota for my HDR & LR workshops. It’s a month trip with my wife and kids and we’re getting to see amazing things. Many of which were in Yellowstone. I just did an episode on Photo Couch on Yellowstone, so if you listened to that, you know I was awed by what we saw there.

We discovered Clepsydra at the Paint Pot Geysers during our first drive into the park. Just in front of it out of the frame is the bubbling Spasm Geyser. It turned out to be an incredible sunset and after walking the boardwalks a bit, I knew that this was what I wanted to focus on. I set up the tripod and spent some time planning my frame in a way to being out a beautiful but ghostly feel. This is the result.

For Photographers. How it was made:
I don’t like to be boring, but I’m going to get a bit technical for those of you who want it. The rest can just enjoy the sunset. Because this scene was so stunning I did a few setups, but as I mentioned in the last Photo Couch I’m trying to take more time in composing an planning my fine art images. In the end I think we end up with better work by doing so, than just trying to shoot every angle.

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August 8, 2010

  • Silver Waves of Grain. | Near Moses Coulee in Central WA | This image is available in print.

Making landscapes comes with the privilege being able to focus on one subject. Unlike with a wedding, where I need capture a multitude of stunning images, the goal with fine art is a single frame. Lately I’ve been focusing on the idea of a large effort going towards the single frame. Sometimes the more work it takes, the more pride I feel for the piece.

I am satisfied with this and it will probably appear in my Signature Collection as a 30-40 inch piece. That does not happen every time I go out, so I’m happy. It’s a simple landscape, yet it embodies northwest farming without clutter or distraction and does so in a way that I think in unique, the sea of blurred grain surrounding the lone family of grain bins which will soon have their bellies filled with the very ocean that surrounds them.

For Photographers. How it was made…

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July 27, 2010

Gavin SeimWelcome to f164. It’s been a long time coming and represents more than just a photo blog. It’s my fine art portfolio, but also the journal of my photographic travels, studies and experience. One of the first things you’ll notice are the giant images in posts. This site is all about photography and I decided to show it as best I could. Nothing beats a fine print in person, but that does not mean the internet has to show tiny pathetic images. This is a site, for which I have put design and beauty over commercial assets such as ads. This is my journal, my place to talk about what I learn, what I did right, what I did wrong, or anything in between.

If you simple enjoy art, browse around because nearly every page has something. If you’re a photographer, watch further in my posts for in depth articles on technique, as I write about my experiences. Visit this page for a more detailed look at what f164 is all about and why if not your everyday photo blog. You’ll also notice some posts prior to this one. These were art related posts imported from my other spaces and updated with fresh large images and more. Going forward you’ll see fresh content and images like the first official photo entry, Silver Waves of Grain. Hope you enjoy… Gav

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