April 19, 2012

Me with a framed 30x46 limited edition on traditional canvas of Doorway to Winter. Just the start of a long study in how we can better present and display images.

by Gavin Seim: A lot of photos are being made these days. Some bad, some good, some amazing. But what gets me is how little we’re doing with them. Art seems to have become something that lives on Facebook. Most the worlds photographers seem to not even be selling prints to their clients. They just hand them digital file and the cycle of images that exist in nowhere but bits goes on. A few Facebook likes and comments later, the image disappears into the mists of digital bliss.

When we do make prints they tend to be small and cheaply presented. We find the cheapest company to make a gallery wrap that can be bought at WalMart. We buy a plain print, or whatever cheap new product the labs are kicking out in bulk. We take whatever is available. Often it seems we’re not selling heirlooms, we’re selling throw-aways. Has the beautiful art of printing and presentation been lost? Is this good enough?

I say no.. Most images mean nothing until their properly hanging on the wall.

I’m not trying to slam anyone here. I just think serious photographers should think more about the potential of their images and how well their using it. On the business side this is very relevant and wall prints can make a major diffence is sales and profits. Read, Wall Portraits. Why the 8×10 Is Stealing Your Impact & Profit. This stuff matters to our craft.

Sure there are commercials jobs and stock, there are a few projects where prints are not as relevant. But most of the time that’s not really the case. In truth I think we started doing all this because it was easier. It’s a lot of work to make and sell great prints. So we’ve lowered expectations.

Printers and paper options are getting less expensive and have countless choices of presentation and creativity. I bought a Canon 8300 wide format printer last year and just making my own prints has changed the way I think. I no longer just settle for what’s easy. I study mediums, mounting and presentation. I’m getting into mounting prints myself and looking at how I can stand out with unique offerings. While I still offer digital files if needed, my focus has shifted almost entirely to making and selling prints. And it feels so good.

So what does all this mean. Not that you need to go buy your own printer right now, or take your work in an entirely new direction. But you might find you want to do both. My bottom line is that we owe it to ourselves and our clients to start thinking about how we can be better presenting images, what sizes are appropriate. About how we can make more than a digital file and start producing furnishings for walls. Very few people are making really quality wall art. It’s about the only photo market that’s not over saturated right now.

It’s not easy and it’s not cheap to make and display great prints. But so few are doing it anymore that it’s not only satisfying, it’s become a great opportunity to set yourself apart and stand out in a crowded industry. Doing it well is more than just making an 11×14 and buying a frame at Target. It takes time, study and planning. But the reward is like nothing nothing else.

I hope to post an article soon looking in detail and at the mounting and presentation options I’ve been studying and working with. But what do you think? Am I crazy, have you found presentation ideas that are unique and working for you. Share your thoughts in the comments… Gav

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April 10, 2012

Blue Suede Dunes – Sunset at White Sands New Mexico, 2012

Just after sunset these rolling dunes take on a subtle cast. Like an ocean of sand dancing in with a tides. Subtle shadows and perfectly arcing curves sweeping in waves across the landscape for miles into the distance.

White Sands is a rather remarkable place. Not only for it’s giant dunes that seem by themselves in the desert, but for the way it plays with light, the way you can take the kids and sled down it’s swooping slopes, the way it’s like standing in summer snow in the heat of the day.

It was a memorable visit all around and I’m thankful I was able to make a memorable image. It should be stunning on canvas.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.

Released prints….

For Photographers. How it was made…

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April 6, 2012

A study image only. Canon 5D MK2, 50mm 1.4 @f5.6, 1 hour, ISO160. Bright rock light from the moonlight

An image study for photographers.


Star trails, turning night to day, midnight landscapes. There is amazing image potential for the photographer willing to do their homework and pre-plan setups to take those grand steps into the dark of night.

This photo is lacking. What it shows me is not. I was in the New Mexico highlands. The sun has long set and the light is only from moon and stars in this one hour long exposure. This image is not fully up to my standards and hence may never make it into my Signature Collection. That said there’s something to be learned from it.

I’m trying to develop some baselines and ideas for working what I call ULE’s (Ultra Long Exposures) and I wanted to share some of those here. This image represents the first time I used “only” past experience to determine exposure time, running a single one hour exposure at 5.6, ISO160.

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March 25, 2012

Sliver Moon Blues – Near White Sands NM, 2012.

It was just awhile after sunset and I was not expecting an amazing view. We setup camp on the barren landscape of a tiny lake in the New Mexico desert, near White Sands. We ran the usual paces, unloading kids from the truck, planning dinner, getting settled. This is an image from an unlikely place that’s reminded me to never overlook potential.

I noticed what that moon was doing. A sliver moon, but with it’s shadowed area beautifully visible (there’s probably a name for that). I realized it was setting fast and that I had to do something, so I setup just a few yards from camp and started to work. It was not an easy image due to the rapidly setting moon and the low light, but I made this before it set fully and I’m thankful for a good night and an unexpected image.

 

Makers Notes…

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March 23, 2012

Photo Couch Podcast #28 MP3

In Big Bend NP once again, Gavin is working in the field and musing about how much we can gain by stopping, taking a breath and thinking about our scene before we release the shutter.

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Photo Couch is the companion podcast of Gavin’s f164 project. Sort of an audio journal. Nothing fancy here. Just short musings, tips, and thoughts on photography. You can listen below, or subscribe for free and get all the latest episodes. If you want more, you can also check out Gavin’s full podcast, Pro Photo Show.

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