April 23, 2010

Click To Listen>> Photography Podcast. PPS #68
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

The Panel... Gavin SeimScott & Adina HayneDennis ZerwasBarry Howell
This week the panel discusses the latest news, CS5, LR3, ways to deal with business, Facebook, marketing and more. It’s a nice long episode so some of you may want to break it up into two listens.

Podcast #68 forum discussion:

Notable Time Indexes:

  • 00:00 Intro and tidbits.
  • 02:45 Talking CS5 LR3 and more
  • 21:50 70-200 MK2 and 1D MK4 (see images below).
  • 30:30 Taking about Flash and websites.
  • 38:55 Facebook, pages and business sense.
  • 1:02:38 Barry Senior Portrait market research.
  • 1:19:20 Surviving business, marketing, price talk.

Today’s Show brought to you by Seim Effects photo tools.

CS5 is coming next month.

Free Aperture Presets.

Deals page for promo codes mentioned in the show.

Check out the No Rules Workshop with Scott and Adina.

Gavins HDR workshop is going on the road.

CCS Edit for Mac is how Gavin alter WordPress.

Most if Gavs sites are built with a modded K2 theme.

TTG iPhone gallery is what Gavin used for mobile.

Set your Facebook page user name.

LR 2.7 and cam RAW 5.7 is on the Adobe updates page.

Canon 70-200 MK2 lens comparison and review.

Canon 5D MK2 vs 1D MK4 Noise Test.

Photographer jailed for not fulfilling his obligations.

PICKS:

Due to the length of the show we skipped picks this week. Back next time.

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April 12, 2010

The Crew. Missing in photo, Larry, Steve and Jon

Focus on Focus. A look at micro focus adjustments and the Lens Align Pro calibration system.

by Barry Howell:  Have you ever found a menu option on your camera that made you wonder, “What’s this”? I found such an option on my Nikon D300 called “AF Fine Tune.” My old-school curiosity sent me on a quest to discover its purpose, and how it could improve image quality. With a few quick Google searches, I found multiple forums and discussions about the importance of calibrating lenses to your DSLR camera bodies.

A recurring theme on the ProPhotoShow.com podcasts, and in other various articles, is how to make your images have more impact. There is no bigger buzz kill for photographers than capturing an image we think will be great, only to find that it’s a little soft. There are many variables we can control to ensure optimal sharpness: shutter speed, depth of field, steadying the camera, etc., and I always assumed that if I focused on the right spot, my images would be tack sharp. Guess what? That isn’t always the case, and I was determined to overcome the problem.

Before contacting Michael Tapes at RawWorkflow, I performed a very un-scientific, but effective test of my AF Fine tune option. I was photographing the MN State Boys Hockey Tournament at the Excel Energy Center, a venue that is well lit for television broadcasts. I very carefully focused my Tamron 300 2.8 lens on some helmets lined up on the boards. The scene had great contrast, I was using a monopod, and I figured could get this image dead on. I zoomed in at 100x on the LCD and it looked pretty good. I then went into the menu and made a +5 adjustment, took another shot, and upon inspection realized I had made it worse. Then, I made a -5 adjustment and the image improved noticeably. I knew then and there that I had to calibrate my optics.

Within a week I’d found such a tool; I obtained a Lens Align Pro Focus Calibration System. I invited several photographer friends for a focus calibration party at my studio and we embarked on a journey to make our gear perform better. In our group were five Nikon shooters and one Canon shooter. Between us, we probably had over $50,000 worth of bodies and glass waiting for a checkup. The results were at times sobering, but every lens, once calibrated, focused better than ever before. The calibration method involves the following steps; it took a little trial and error, but they were pretty easy to do reliably.

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March 19, 2010

Click To Listen>> Photography Podcast. PPS #67
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

Ageless. A 2009 image from Central WA taken as part of Gavin's monochrome study.

Today’s Host... Gavin Seim
This week we look at challenging ourselves, talks about print competitions, selling art, new ideas and more.

Podcast #67 forum discussion:

Notable Time Indexes:

  • 00:00 News and E-PL1 user thoughts.
  • 12:58 Mailbag and Fine Art canvas project update.
  • 20:20 Stepping outside the Triangle.
  • 37:55 Photo Competition.
  • 59:30 The After Show.

Topaz Adjust4. (Promo code is on the deals page).

Olympus E-PL1 a $600 pen camera.

Canon’s new 70-200 II review.

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March 13, 2010

itunesbadge Pro Photo Photography Podcasts:
Or.. Direct podcast feed

by Gavin Seim: Here’s the latest from the Photo Couch podcast. The baby brother of Pro Photo Show. Short five minute bursts of photo ideas, musings and information. If you want them as they come out, you can subscribe in iTunes or use the direct feed in any podcatcher. Give em a listen and get some ideas or maybe a few laughs. If you have thoughts you’d like to discuss in depth, visit the Photo Couch board on the forums. Enjoy… Gav

Photo Couch #012 MP3. 03/13/10 Pitfalls of a Newbee.

Photo Couch #0011 MP3. 03/08/10 Stepping out in B&W.

Photo Couch #010 MP3. 02/11/10 Shooting Groups.

Photo Couch #009 MP3. 12/28/09 How to Print BIG.

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March 12, 2010

by Gavin Seim: Canon just released version II of the 70-200 2.8 IS, which may be their most legendary lens ever. My friends Ben & Molly from Nickles photography just got the new 70-200 2.8 IS II in their hands, so I went over for some tests (thanks for the help Ben). Being that the V1 is such a great lens, many (including myself) have been wondering how much it could be improved. And with a price tag of nearly $2500, it better offer something new. According to Canon the V2 “increases the speed, performance and optical quality of the 70-200, while maintaining all of the characteristics that have made it a legend“.

Well the images are in and so is this lens. I think Canon nailed it. Now granted their can be differences between one lens and another of the same model and my V1 lens is a few years old. It’s still in excellent working order however so I feel the comparison is pretty fair. These examples were all shot in RAW on the 5D MK2 under the same conditions and settings for each sequence. Images were processed in Lightroom 2, but no adjustments were added except that Camera Calibration in was set to Camera Standard.

Aside from the image quality I found a couple of interesting things. The V2 seems to shoot nearly 1/3 stop brighter and with a tad wider view than the V1. I checked this using a tripod for the detail tests to make sure the camera position would be the same. The V2 does indeed seem to be a few mm wider. I don’t know what that would be, I’m just showing what I found. I don’t see this as a big problem however. In fact the V2 letting in more light seems a good thing.

So far I’m impressed. See for yourself below. I’m posting full frames alongside tight details crops of each image. You can click any for a larger view,. You can also download the package of full res JPEG files at the bottom of the post if you want to take a close look. You can find this lens here on B&H or here on Adorama or here on Amazon. OK lets get started.

Image Stabilization Tests.
For each test I hand held 2oomm at 1/20th, supporting the lens barrel with my left and pressing the body firmly against my face. I took 5 consecutive shots for each comparison so I could account for variations in my own steadiness (or lack thereof). The results shown are the sharpest image from each sequence of five images, as well as crop zoomed in view of the same. While the V1 was good, the V2 of the lens was clearly better, producing consistently better IS performance.

It can't be said that IS is not useful. Even on the V1 it makes a huge difference. But on V2... Well read on.

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