November 21, 2012

The Bath – A Portrait that got Gavin banned form Facebook. Read more here.

by Gavin Seim: We all should to consider how social media effects us in the long term. I recently released a new portrait called The Bath. I posted this portrait on my Facebook page and the next morning I logged it to find it had not only been removed, but I had been banned from Facebook for 24 hours as PUNISHMENT for supposedly violating an “unnamed” responsibility of using Facebook. I assume they placed this under nudity, even though it contains none.

There’s is nothing inappropriate about the photo and did not even consider that it would get taken down. These are my kids and I intentionally made sure nothing showed that could be taken wrong in the slightest. So here I am, a business on Facebook, being treated like a three year old, slapped on the hand for being naughty. And that’s it. No appeal, no recourse. I call it a Facebook Spanking!

Even as a paying advertiser who has spent thousands of dollars with FB, I don’t have a real contact or way to get help. Just a black mark on my record, meaning that in the future, the punishments get worse. Some random thing could even get the PERMANENTLY REMOVED from Facebook. What happens to the years of work and thousands of dollars building my network and pages? Who knows. The thing is, they can do whatever they want. It’s their network. Just like every private network.

This got me thinking about how reliant we’ve become on social networks. Even someone like me who blogs actively on his own sites, relies on Facebook, Twitter and others to let people know about those articles and get traffic flowing. There’s nothing wrong with using those tools, but when we rely on them all our eggs start rolling into one basket. What happens if we get cut off. How many of us have maintained traffic sources that “we control”? Things like newsletters. Why? because I don’t like my business being under the thumb of corporate management that won’t even talk to me.

Personally this prompted me to start a fresh email list called the Light Letter. I want to make sure I can connect with those interested in my work on “my terms”. That’s not to say I won’t use Facebook, Google +, Twitter and other professional networks. But this experience really showed me that we as people and professionals need to become less reliant and start controlling our own content and traffic. I hope others will follow and start thinking about Content Freedom. As people who rely on content communication as part of our business, it’s time we make sure we can keep it flowing.

What are the solutions? I think a well made engaging newsletter is one. The list is not dead. Organic SEO traffic is good too. Maybe even traditional mail. I don’t have all the answers, but I’m thinking. What ideas do you have for controlling our content on our terms rather than on the whims some corporate management who couldn’t care less?

I’ll be going into more in depth on this soon as we look at how we can keep our content ours. You can also join my Light Letter below if you’re interested. Either way I encourage to check out LightLetter.com to see how I set it up. It’s been converting quite well.

Gav

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November 9, 2012

by Ansel Adams – Tom Kobayashi at Japanese-American Internment at Manzanar, California, 1943. Follow the image link for more and some nice direct scans vs print scans.
by Gavin Seim: Ansel is one of my favorite pictorialists, though he did some beautiful portraits as well (check out this link for some cool ones you may not have seen before). I go on binges of searching, perusing books and trying to find overlooked snippets that offer ideas to refine my work. I was up around 2AM recently doing this and I stumbled across a little gem I had not seen before. The final interview of Ansel Adams by Milton Estrerow.
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“Two months ago, I spent two afternoons interviewing Ansel Adams at his home in Carmel, California. It was one of the most memorable experiences I have ever had. He was warm, brilliant, imaginative, sensitive, funny. We talked about everything from music to Georgia O’Keeffe to the glories of Point Lobos to how to unload my camera. I had planned to return to Carmel for further sessions, but he died on April 22. Following are excerpts from his last interview.
Summer 1984
MILTON ESTEROW

Who among contemporary photographers do you admire?

I like Joel Meyerowitz for color. I think he has superior color sense. Mary Ellen Mark is tremendous. The trouble is that a great deal of new photography seems sort of experimental, without any great motive. I feel very bleak about a lot of it. So many don’t care about craft. I like Olivia Parker. Don Worth is good, and Nicholas Nixon. George Tice is very subtle. Bill Clift, yes, he’s something. Roy DeCarava is very important…

Continue reading here…

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October 10, 2012

Click To Listen>> Photography Podcast. PPS #87

Direct Podcast FeediTunesPodcast Alley

Today’s Panel... Gavin SeimBarry HowellDennis Zerwas

This classic roundtable features the endless banter of The Three. But we actually talk about a lot of cool things as we look at the latest gear, talk about tough realities of the industry and even kick into some Facebook and marketing tips in our very long after show. If you listen to the entire after show, you get a +2.

Brought to you by the Seim Effects and the Amazing EXposed workshop – seimeffects.com

PPS #87 Forum Discussions. Share Your Opinions.

Main Time Indexes:

  • 00:00 Introductions.
  • 03:33 Canon 6D, Nikon D600.
  • 12:10 Forced wedding photography?
  • 19:00 Bride drowns during session.
  • 23:10 Adobe photo contest
  • 28:20 More news, mirrorless chat.
  • 42:40 Barry moderates – How to make it.
  • 50:00 Barry Moderates – iPhoneography.
  • 1:04:00 Realities of the business.
  • 1:25:01 Picks of the month.
  • 1:41:55 The LONG After show.

Links…

Bride downs during session. Be careful…

Google Acquires Nik Software.

Canon 6D, Nikon D600.

New Mexico case forcing people to photograph homosexual weddings. An artist is not, nor should ever be obligated to produce art they morally disagree with. SHAME on New Mexico courts – Article 1, Article2

The Adobe photo contest situation.

Why So Many “Professional” Photos Look So Bad!

Portrait of an Instagram Artist.Former Olympus Executives Plead Guilty to Carrying Out Massive Financial Fraud.

Photographs of Vacuum-Wrapped Tokyo Couples – Definitely a different way to have your portrait done.

..

PICKS…

Gavin – Olympus 35RC

Gavin – Capresso Frothpro

Gavin – 500 Cameras

DZ – Woodstock Percussion Kid’s Accordion

 

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September 22, 2012

by Gavin Seim (rev 03/14): I’m seeing so many bad photos posted as professional these days. People are trusting us with their time, dignity and money as they are photographed looking awkward, uncomfortable and often downright foolish. I am genuinely embarrassed. Not only for my industry, but for people and their families. They look ridiculous.

I’ve realized why these poor images are often even worse than snapshots: A snapshot is not pretending to be something artistic, creative, or edgy. It’s role is simply to be a memory, and it fulfills that role quite well.

I post this to remind those with experience to make sure we’re offering quality to our our clients. We are supposed to produce art they will want to keep, but I see and endless stream of bad images. Sometimes so-called professional images are so bad that a child could do better. People are pointing cameras and thinking they will do the work for them.

We cannot simply pull ideas for posing, lighting and composition out of thin air, with no aesthetic understanding of our subject. That is like builders throwing hammers at a pile of wood and expecting a mansion to appear. I see mothers who look fat, babies who look like Oompa Loompas, kids who look angry and dads who look like slobs because someone who was poor at their craft propped them up like badly drawn cartoon characters.

I love helping people learn. I’m not posting this to be hurtful, just to be real. It’s important that we’re honest with ourselves and clients. A doctor does not open their practice until they’re trained. A carpenter that opens a home improvement business without knowing how to improve homes is doomed to failure. Digital has not made great photography easier. It’s only made taking pictures easier.

These days it’s not easy, no matter how much experience you have. But some the best advice I can give to people starting out is don’t become a professional photographer until you are professional level. Having that camera means nothing. I’m not defining exactly when you become experienced enough. For most of us, it takes years, just like it does to become a doctor, a carpenter or just about anything else. You learn the basics first. Then it becomes your job and you keep learning.

This applies to all fields. A person should not be in business until they can make the product they claim they can. They should not have a website with prices offering services they are not qualified to give. They should not claim the title of those who spend years and decades mastering a craft, when they have no experience in that craft. There are different levels of professionalism and we don’t need to be perfect to go pro. But we do need to actually be photographers before we call ourselves photographers. We need to know the fundamentals of how to make quality images of whatever our subject might be.

If you don’t know the difference between f16, ISO800 or 1/160th, if have no idea how to light a 3:1 ratio or how to key strobes for a blue sky at noon, if you don’t know how to make your subject sharp enough for a thirty inch print, how to pose a woman so she feels beautiful and a man so he feels strong, if you don’t know what to do with the clutter in the background or how to compensate your exposure value, chances are you’re not ready to be a photographer professionally – There’s nothing wrong with that. There’s nothing wrong with snapshots. There’s nothing wrong with being an amateur. You’re learning and that’s just fine. Keep at it. If you want to call yourself a photographer, take the time to learn how first.

You don’t start as a photographer. You start learning to become one – Gavin Seim

Further Reading…

 

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