March 4, 2012

First flight, 120 feet in 12 seconds – 1903. Link to high res scan details from LOC.

Click To Listen>> Photography Podcast. PPS #83
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Today’s Panel... Gavin Seim (G Pixel).

Today Gavin leads us through a brief look at photographic history. He talks a bit about how classical art can help us as photographers and finishes with a look at essential concepts that will make us better at our work.

Podcast #83 forum discussions:

Main Time Indexes:

  • 00:00. News and project updates.
  • 11:30. Art and a Photographic History.
  • 43:26. Essential photo ingredients.
  •  1:04:10. In practice. A study example.
  • 1:14:52. Picks of the show.
46x34, Portrait of Nicolas Ruts. Rembrandt, 1631. It seems that even 300+ years ago, a wall portrait was a thing of note. Look at the quality of this work. Click for a larger version. Even the catch lights look perfect.

 

Links to things we mentioned…

 

Getting beyond the digital file.

Nikon D800 36MP. Big step.

Canon 5D MK3 is no longer a rumor.

EXposed video workshop coming soon.

Lights and Shadows Photo Workshop coming Fall in Central WA.

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September 20, 2011

by Gavin Seim: Anyone can learn to use a camera to capture snapshots of time. That’s valuable for history and for precious memories. But it takes more to be a skilled photographer. Not just a picture taker, but a picture maker.

It takes tireless study, practice and long experience. I contend it’s no easier than being a sculptor or a doctor. A lawyer, or a painter. It requires being a skilled technician, a craftsman and a creative director. It’s neither fast or easy. But it’s one of the most rewarding skills one can study and master.

But that’s just my opinion. So I’ve scoured websites, videos, books and even picked up the phone for thoughts about photography from many of the renowned masters of it’s history. Thoughts that seem resound it’s ever alluring call. Reminding us to return to the basics of what makes a great photograph and perhaps to remember, that digital is just a baby next to more than a hundred fifty years of photographic history… Gav

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  • “The whole key lies very specifically in seeing it in the minds eye which we call visualization” – Ansel Adams
  • “If continually people look and look and always come away enriched, then it’s a great work” – Sister Wendy.
  • “If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston
  • “The sheer ease with which we can produce a superficial image often leads to creative disaster.” – Ansel Adams
  • “Tone” may be the least understood, and least utilized factor in composing and finishing images” –  Ken Whitmire
  • “A portrait is not made in the camera but on either side of it.” – Edward Steichen
  • “You don’t take a photograph, you make it.” – Ansel Adams
  • “It’s one thing to make a picture of what a person looks like, it’s another thing to make a portrait of who they are.” – Paul Caponigro
  • “Becoming a professional artist takes talent and perseverance, even more so when the field is photography.” – Clyde Butcher
  • “Never put lettering in your photos unless you want it read.” – Jay Meisel
  • “Sometimes I do get to places just when God’s ready to have somebody click the shutter.” – Ansel Adams
  • “In photography there are no shadows that cannot be illuminated.” – August Sander
  • “If you have enough craft, you’ve done your homework and you’re practiced. You can then make the photograph you desire.” – Ansel Adams
  • “No place is boring, if you’ve had a good night’s sleep and have a pocket full of unexposed film. – Robert Adams
  • “A photograph is usually looked at – seldom looked into.” – Ansel Adams
  • “Saturate yourself with your subject and the camera will all but take you by the hand.” – Margaret Bourke-White
  • “We have glorified the camera itself. Which is only a tool.” Ken Whitmire
  • “Photography is the power of observation, not the application of technology.” – Ken Rockwell
  • “There are two people in every photograph: the photographer and the viewer.” – Ansel Adams
  • “A sloppy performance in a photograph is as distressing as a sloppy performance in music.” – Fred Picker
  • “Be aware of every square millimeter of your frame.” – Jay Meisel
  • “We are basically directors of images. Our objective is to attract the eye and leave an impression the mind.” – Ken Whitmire
  • “There is nothing worse than a brilliant image of a fuzzy concept.” – Ansel Adams
  • “No photographer is as good as the simplest camera. – Edward Steichen
  • “A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.” – Arnold Newman

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March 19, 2009

Above is one of many photos which was recently released by the Library of Congress, Prints and Photographs Division.   Looking at the photos from the FSA-OWI era, this one in particular, one can not help but think of the power of documentary photography.  What is striking with these newly released photographs would be the power of color photography in contrast with the already established power of the now, iconic, black and white photos of the FSA series.

We can see that Robert Lee, Jack Delano and the rest of the FSA legends are masters of their crafts; even moreso with the addition of their color photography.

What I find most interesting in this most recent set of photos would be that we as artist or art enthusiast have known of the FSA series to be one of the foundations of what makes black and white portraiture evocative.  How a shared moment in time could be could completely trump a ‘staged’ studio portrait.  It also goes without saying how strange of a time we live in now, where seeing these photos on a ‘relatible’ level.  If you are American or a citizen of the world and just so happen to be from a meager background, these photos show a rich reflection of how we once were.  These photos show  us [be it positive or negative] what we are today.

Link: FSA-OWI

Isaiah

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