September 26, 2008

Ghosts of Clepsydra Geyser - f164By Gavin Seim: (updated 09/11): I often hear from photographers asking me to look at their work and tell them how to be better photographers. In ten seconds I can usually tell them how to improve because we often overlook simple things. There’s nearly always something we can improve, no matter how much experience we have.

Most rules are universal to photography of any style or any experience level. Of course these rules are meant to be broken, but general concepts help us stay on track and we should only break rules for good reason. These are some tips I keep in mind with my own work. Hope they give you a few reminders. When your done here some join us in the forums to get some personal feedback. OK let’s roll.

  1. One primary subject. If you have more, you’ll have distraction.
  2. Omit needless objects. Getting them out will clean up your scene.
  3. Slow down. Many images are ruined because of RTC (Rush To Click).
  4. Tonal control is essential. Use the Zone Scale, Burn & Dodge.
  5. If a background detracts from your scene, change or carefully blur it.
  6. See Light. Where’s it coming from, how can you use it.
  7. Learn the rules photography. Then you’ll break them for good reason.
  8. Don’t just center things. Use the rule of thirds & others. They work.
  9. Eyes. Watch close, keep them sharp. They hold emotion.
  10. Use the Magic Hour. Around sunrise/sunset, light happens.
  11. Keep it sharp. Watch your shutter speed & subject movement.
  12. Space is valuable in a frame, keep clutter away with comp & tonal control.
  13. Harsh sun can be bad. Learn to manipulate it and find good light.
  14. Shadows are critical. Without them the light gets ignored.
  15. Great images start in camera. But don’t underestimate careful editing.
  16. Use fresh ideas, but also go for those old reliable images.
  17. If the weather is foul, it doesn’t mean the photos will be.
  18. Lines lead the eye. Pay attention to where they go and intersect.
  19. Change hours. Different times of day will transform a scene.
  20. Think about shadows and dimension. Flat light is usually boring.
  21. Motion Blur can be very powerful, but use it carefully.
  22. Take time to really LOOK at your subject before releasing the shutter.
  23. Study. Photography has 150+ years of history. Go learn about it.
  24. Remember… Slow down, refine, simplify. Analyze your scene.

 

seim-bridge-600x400
This award winning image has a lot going for it. Notice the balanced intersecting lines, bold colors, and simplicity of the scene. It leads the eyes and tells a story.
Focus Blurring was an effective tool here. The light at the ceremony was great but I wanted the focus on the couple. I used a Lensbaby to give me the soft edges and then some work in post production to make the viewers eye go right where I wanted. The blue could have also been done in post, but I enjoy the Lensbaby.
Silver Waves of Grain: Motion blur was used heavily in this 5 min+ exposure. This gave a ghostly feel to the fields and clouds, completely changing the feel of this scene. Then detailed tone work was done to add depth and dimension. You can click the image to read a detailed article on f164.com about how it was made.
Watch the details. Look To the Wind, is one of my early (and more recognized) HDR portraits. The space gives it a bold cinematic feel and the simplicity of the deserted beach adds strength to the scene. Looking back however I could have watched my lines more. The way the horizon cuts at the shoulder is not ideal. It's still a great image, but if I was doing it over I would try being higher with the camera for an even more powerful composition.

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September 10, 2008

<<Click To Listen – Pro Photo Show #50

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Host, Gavin Seim; Seim PhotographySeim Effects

Show notes
Pro Photo Show #50 Forum Discussion
Join the forum discussion of recently announced cameras, DRM, canvas wraps, long exposures, surpassing customer expectations and more. Also see the Should Photographers Be  required to be licensed thread.

-Canon 50D is official plus a new 18-200 EFS 3.5-5.6

-Seim Effects FB fan page. Get free goodies if your an SE fan.

-New Canon Bodies soon! Hopefully the 5D MK2. The Canon Moon ad is a great way to get people talking.

-Nikon D90 is confirmed and has HD video.

-Sony A900 full frame DSLR coming soon. Will they contend with the big boys?

-Adobe CS4 to be announced on Sept 23rd. Do we really want it yet, or is this an Adobe cash cow.

-Blow Up 2.0 is out from Alien Skin is out.

Gallery Wraps. Who do you use? Here’s a guy reviewing then on Flickr.
Pixel2Canvas
Collages
Canvas On Demand

Talking about impressing clients, and surpassing expectations.
The Purple Cow is a great book to help you get ideas on being remarkable in your business.

Photographers Edge photo cards.

Rice studio supply for studio materials.

Pick of the week…
Cable Releases

On One Pligin Suite 4


Podcast subscription feed is http://feeds.feedburner.com/prophotoshow

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August 9, 2008

419ffbsjutl_ss500_.jpgExtension tubes allow you to put a spacer between your lens and your body this giving you a close macro focus distance.

Canon sells these, but there a bit pricey, so I decided to try the Kenko brand. They work great! You still maintain the contacts with the lens so you have all the metering and AF (though manual focus generally works better when your shooting a macro). You aren’t adding any glass in between, so image quality stays good, and the tube attached just like a lens.

Now if your really into macro a dedicated lens would doubtless be better, but these tubes are pretty cool. I just stick a 25mm tube on my lens, and I’m off to the races! I find my 24mm works best on the 50mm range lens.Wider angels don;t seem to like the tube, but I think the 12mm might work better for those.

You can the the whole set of 3 for Canon, or Nikon off Amazon for about 160- bucks (as of writing) Or you can just get one tube and see what you think. If your getting one I’d say start with the 12mm, or 24mm for Canon or Nikon

Here’s a shot I took this morning with a 24mm tube on my Canon 50mm. I’ve always thought macro was cool, this is a great way to play with it and get great results..

macro toothpicks

Gavin Seim

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August 7, 2008

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Note: There’s are web designers who will build WP sites. While I don’t offer web design services myself I do offer consultation by the hour for those that need advice or want to manage it themselves. You can find that here.

By Gavin Seim. Updated 01/10: With a Word Press site I can probably do anything you can with your site and more. It’s a good platform with great add on’s and it’s easier for me because I have control. I can pick from thousands of free themes on the net, mod them how I want and get my own look.

Besides Pro Photo Show here’s a few of my other sites built entirely in WordPress.

Word Press is a platform that many bloggers use. Many photographers use it for their blogs in fact. What many don’t realize is how much of a content management system WP is, and how good it is for building a complete photographers website. It’s like the simplicity of blogging, but for your entire website.

I use it on all of my sites and can make my blog and website all one. I like that integration a lot. Images can be posted equally easy on static pages or blog posts via your online admin panel. Flash or HTML slideshows can easily be made in Photoshop, or one of my favorites ShowIt Web, and embeded right into the pages for my galleries.

Here’s some thoughts on using WordPress for your next website. Besides the fact that it’s FREE.

  • 1. Ease
    I could go on all day about the cool things you can do with WP. It’s not just function, it’s simpicty. Granted to really customize things you either need to be willing to take the time to learn, or simply get someone who’s a web geek. As an example. I can start with a theme, and build a good looking site in an afternoon. After that making changes is only a web browser away, and can be done without much experience. It’s so much more powerful than a traditional HTML site, and far easier to manage than a flash site.
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July 29, 2008

Lightroom 2

Adobe has just realeased Lightroom 2. The ever popular workflow tool for photographers. You can find the press release here.

At $299.00 (99.00 upgrade from V1) Lightroom two is still a Benjamin more than Aperture, but holds the biggest market share to be sure. We’re pretty excited over here. Here’s a list of some of the best new features as outlines on Adobe.

  • Local adjustment brush
  • Enhanced organizational tools
  • Volume management
  • Extensible architecture
  • Multiple monitor support
  • Flexible print package functionality
  • Streamlined Photoshop CS3 integration
  • Enhanced output sharpening
  • 64-bit support for Windows® and Mac OS

I’ve been using beta 2 myself for some time, but will defiantly be getting the full 2.0 release and getting into it. I’m eager to push the limits a but further with my Lightroom Presets We’ll also be talking on the show about it soon.

 Updates! Here’s a few articles worth checking out.

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