December 23, 2010

by Gavin Seim (updated 07/11): HDR simply means High Dynamic Range. But lets face it. A lot of this HDR looks a lot like clippings from a spoof horror movie. It’s the Flickr HDR. I think this happens because many don’t really grasp what HDR is all about and how to use it well. This includes many HDR software developers. They fall for the fad instead of thinking of it as a serious photographic tool. It’s can be so powerful if used with balance.

Tufa Sunrise. Single bracket HDR pano. More details here.

Back in the day there was film. Then came digital. Then came HDR. First we merged light and dark images in special ways to get a wider range of light. HDR merging was not perfect and was often overdone, but it could produce beautiful results. Often results that looked edgy and bold. Young guys like me thought we were so cool. Capturing detail that was never seen before.

Then I started looking closer. Studying what the film forefathers had been making for years. Looking at the dynamic range and detail. I realized that HDR was really not so new. Film photography had high dynamic range also and I saw images that astounded me. Images, that had I not been told they were on traditional film, I would have assumed were digital HDR. It helped me realize something.

HDR is not a trend of over-processed, super amped, ultra edgy photos. I think many architectural photographers got this memo, but most others didn’t. I’ve talked about balance in HDR processing for some time, but what I’ve come to further realize and started teaching in Lights & Shadows Workshop is that HDR is about controlling tone. It’s about understand and managing light. Digital in itself does not yet have the dynamic range that film did, so we compensate. Just as a film photographer might have used filters, various film types and chemical process to get dynamic range in their images, we use digital manipulation. HDR photography is little more than the new film.

Read More

July 27, 2010

Summer is moving right along. Come September I’m hitting the road for a month in our new trailer taking a photo tour with my Family. My destination is Twin Cities and when I get there I’ll be doing a 3 day HDR workshop followed by my 1 day LR Power Workshop.

I won’t make this long. You can click below for info on either workshop. Whether you’re local or traveling in, I look forward to seeing some of you there. There’s also talk of some kind of a PPS meetup, so stay tuned… Gav

HDR Workshop 2010

LR Workshop 2010

Read More

October 24, 2009

HDR_Workshop_001-2

by Gavin Seim: I just hosted the first “Incredible HDR” (high dynamic range) photo workshop in Central Washington. It was an intimate three day class of six, with attendees from as far as London, so we had plenty of one on one time. The images they made were amazing. I’m really proud of the students and the creative results they produced during the workshop. We covered everything from how to capture HDR portraits, to final edits, controlling light and presentation.

I believe one of the most important parts of good HDR is knowing how to edit it. There’s a lot of really ugly HDR because photographers don’t understand what their dealing with and how to make something magical from it. Going further however I want to remind those playing with HDR that the rules of photography do not go away because a photo is HDR. Interesting subject matter, composition and attention to detail are all very important factors in a great image. The students at this workshop were from varied experience levels but I think every one of them got it and took home something valuable.

I’ll post a few images from students below as well as a few of my own I took during excursions. It seems every time I teach something, I learn something new myself. If you’re interested in learning more about my HDR workshops you can find info here on Seim Effects.

HDR_Workshop_003

Read More

October 18, 2009

by Gavin Seim. My new Lightroom Power workshop just launched and is available for groups organizations and conferences. It’s a fun relaxed single day session that I’m looking forward to taking abroad.

I’m also considering the possibility of doing a live online workshop. I have to look into the possibilities. I won’t blather on. If you’re interested in learning more, heres the page on Seim Effects.

Read More

May 2, 2009

seim-wedding-caveb-photo-47-650x299

19 Tips To Get 300 Client Inquiries: Special guest post by Matt McGraw.

1.
Vendors, vendors, vendors. Their important. From reception caterers to cake makers. I do a pre-questionnaire for my brides and grooms. In that questionnaire I find out who I am working with, from DJs ,to Florist, to cake people, to ministers to, reception places etc. I obtain all the contact information for these vendors. After the wedding I compile a list of photos that each vendor would find interest in. I splash my logo and email them the images, then say if they would like any of the photos in high res and without my logo to let me know.

For reception sites: If it’s somewhere I have never worked I’ll send them a 20X30 print with my logo splashed all over it and 4X6s of the same photo with my contact info to pass out to potential brides. I’ll also send them a disc with images they might be interested in and tell them they can use whatever photos they would like to.

Become buddies with the vendors too. For example, I’m on a “hug basis” with the sales directors of 5 major hotels in town. Their cell numbers are in my phone. I photograph their kids. I’ll sometimes meet them for a beer or two. I never promote my photography. It’s always buddy talk. Sure we talk shop sometimes, but it’s not my goal. They feel comfortable around me.

2.
Newsletter/blog: Start one… I use constant contact set up a page and send mine out once a month. My email list is 6300 strong. Most photographers have a webpage set up. We do not.. I’m not opposed to that but I just prefer the email newsletter.

Next question for you is how we get 6300 people on there. Anyone that emails me gets on the list.
The only people who do not get on my list are emails that are inquiring where I am not available. Also I advertise in two magazines where they provide a lead sheet. I’ll copy and paste emails of brides and grooms where I am not booked. I do this once a month right before I send out the newsletter.

3.
Advertising: In the beginning of your career, spend most of your advertising money online as opposed to print. Print is just name recognition. They’ll see or hear your name and see an ad and say I’ve heard of this photographer.

Read More