March 6, 2013

Lost Oasis - Texas
The Lost Oasis – Near the Hot Springs, Big Bend National Park, Texas 2012 – 4×5 film, Linhoff T IV

Warm memories, adventure and hints of times gone past. It took me awhile to finish this one because I liked it too much to do it quickly. This old store sits in the middle of the desert a few minutes walk from the Rio Grande, Mexico on the other side. Down the path a ten minute hike is the ruins of the old Hot Springs, self proclaimed healing waters that made this old resort an attraction.

Now it’s just a dusty path leading to the warm hot tub like foundation that still remains from the old bathhouse and is filled by naturally hot water. The whole family and I went down and we soaked together in the warm spring as a tiny Mexican village lumbered through the day across the river. There a lot of history in this old place and it’s memories are just a little haunting, especially when the tourists disappear for the day and the solitude of morning or evening take over the silent stones.

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Down past the old buildings and to the ruins of the old hot springs building. It's remaining foundation makes it like a hot tub in the middle of the desert. The family and I enjoyed it - This is Cyrus, Asher, Ana and my wife, Sondra.
Notes Snapshot: Down past the old buildings lie the ruins of the old hot springs building. It’s remaining foundation makes it like a hot tub in the middle of the desert. The family and I enjoyed it – This is Cyrus, Asher, Ana and my wife, Sondra.

 

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December 16, 2012

I drove up that morning alone. My first time at Mammoth Hot Springs in Yellowstone National Park. My wounder and my sense of adventure on fire. I wandered as the sun rose higher, looking for a way to convey what I was seeing. The vast starkness of Mammoth is deceptively complex and easier to hike than to show on a the two dimensional image. It’s steam clouds and flowing mud made me wounder what it would feel like under my bare feet. But of course I stayed on the path, wondering at it’s starkness and looking for something in the glaring light to convey it’s unique beauty.

I made this image in 2010, over two years before I finished it. It spoke loudly and I knew it was what I needed – But not being quite as experienced at then pre-visualizing a scene, I suppose had to wait for my skill in the finished image to catch up. I just kept coming back. Considering how it should best be presented.

These days I generally plan an image in fine detail before I release the shutter. Visualizing works and once mastered it changes how you see. But that another story. Check out my EXposed workshop.

In the end, this gentle platinum showing the stoic drama of this barren copse of trees, still standing proud on it’s steaming mud flow. It was what I needed. This is their story. Finally finished.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.

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July 10, 2012

Ghostlands – Eastern OR, Spring 2012.

It was towards the end of our Winter 2012 your. More like Spring as it was late already early May. But we were still on the road and winding thru the nearly deserted back country of Oregon towards home. These are hills and forest where you find a tiny town every hundred miles or more and if you’re lucky it might have gas and groceries.

I saw this neat old house turned store turned abandoned farm off of the highway and turned the truck around in a truly tiny town a mile or so down the road. I returned and setup my for large format film, using the height of our camper roof to get me a high vantage point.

I must have taken at least a half and hour setting up for a single frame of film. When I finally had it composed just the way I wanted I waited for the late afternoon sun to peek through just right and release the shutter. The light and shadows were magic and the result is exactly what I had hoped for. Ghostlands.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.

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June 29, 2012

The Giants Court – Carlsbad Caverns NP, New Mexico, 2012

I’ve spent three days at 750 feet below the surface, photographing in the dim light with digital and film. It’s truly awe inspiring and it was one of most challenging subjects I’ve worked with and not for lack of beauty or interest, but perhaps for to much of it.

A subterranean wonderland that’s a challenge to capture in a natural sense, since natural here is total darkness. The artificial lights here have been beautifully done and you rarely see a cord or a bulb, but they are low and were designed for seeing with the eyes more than seeing on film.

It was breathtaking. One day I hiked out the natural exit, packing all my gear all the way to the top rather than use then subterranean elevator. I’ll admit it was more than I bargained, but a stunning hike and a great exercise.

Behold! The Hall of Giants! Perhaps my favorite place in the caverns. It’s Stalagmite columns like towering kings watching over the royal court. It took some time and study to gain a grasp on how this beauty beneath should be best captured, but I feel I’ve in part conveyed that feeling I had as I stood, looking on in awe.

 

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about limited edition prices here.

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May 22, 2012

Memory Lane. Southern CA forest, Corral Canyon, Spring 2012.

It’s that peaceful time just before sunset in the hill country. Warm breezes and insects flying in the evening air. That gentle flair of the sun peeking thru the trees before it recedes into night.

I can almost taste the peaceful feeling we had that evening, my four year old standing next to me with his little camera and a cool mountain breeze drifting over the valley. It was in a remote forest near one of our favorite camp spots of the winter 2012 trip.

I’m finding the simple scenes often have more impact to people than the grand iconic landscapes. Say Arches or the Grand Canyon. Don’t get me wrong, I love the grand landscapes of America. But sometimes the simple idealistic scenes evoke something more. Each person adding their own experiences and emotions into a scene, triggering memories, sights and sounds.

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