February 23, 2012

Midnight Naranga, Saguaro – Mesa Arizona2
Midnight Naranga, Saguaro - Mesa Arizona, Winter 2012 by Gavin Seim.

It was night. Obviously… But it was more than that. There were a few stars, but more than that, there was this orange glow hitting the sky from the city as we camped in the hills, enjoying the warm weather and the desert views.

Just above camp there were these neat looking Sugaro’s that seemed to be watching us from the horizon. We came home late one night and frankly, I just wanted to go to bed. But I kept looking up at the stoic cactus, filled up with character and history.

I broke down. I had to. I pulled out the gear thinking I would just do it quick. But in truth I spent at least the next hour setting up, planning and exposing. The final result after some detailed artwork was Midnight Orange Sugaro. It’s a bit more painterly and textured than many of my pieces. But there’s something about it’s color and the subtle details that keeps me coming back.

Release details: Prints available. Contact the gallery. Learn more about prices. Available prints…

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February 23, 2012

DRAFT: We found this amazing camp up in the Coral Canyon area. A surprisingly little used OHV area in CA that is stunning on nearly every side. It had rained recently bringing out the winter green, but our days here were beautiful and warm and when we weren’t exploring the landscape we we’re drinking good coffee or lying out on a blanket  with the kids, looking up at the blue sky.

I spotted this on our first drive the night before but sat on it for a day. Going back, I let the kids play in the road (it was more of a trail and mom was watching them), while I climbed up the hull onto a mountain of boulder for a stunning view of the valley and the unique shape of the Morena Reservoir. I waited as the sun sank and the light begin to sing.

Morena Sunset. Gavin Seim, 2012.

For Photographers. How it was made…

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February 17, 2012

by Gavin Seim:

Ready in 60 Seconds: After you choose the subject but before before you release the shutter, try taking a full minute to think about your scene and how you’re about to capture it. Really. Don’t just look at it. SEE IT. Sometimes we feel pressured to click. But even with a portrait, learn to take a little time and you’re images WILL improve. With some scenes you can even spend longer. Check out the 111 Project.

Sparks: I stood outside well before the exit. Experimenting, considering the scene, trying to predict the light. The effort paid off with a great candid from a challenging scene.

Cut The Trash: I know, you’ve already taken 60 seconds, you have a plan. But look again. Maybe even take a test frame. Controlling tone, removing clutter and distracting elements is one of the most neglected elements in art making. If something is not adding to the image, it should not be in the frame. Either you move, move it, or it will move the quality of your final image down to LOW.

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February 17, 2012

Photo Couch Podcast #27 MP3

Down in Big Bend NP Gavin is watching the sun set and talking about things he reviews and essential items he’s learned to watch for when making image. What are you pressure points. Head over to f164.com and share them in the comments.

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Photo Couch is the companion podcast of Gavin’s f164 project. Sort of an audio journal. Nothing fancy here. Just short musings, tips, and thoughts on photography. You can listen below, or subscribe for free and get all the latest episodes. If you want more, you can also check out Gavin’s full podcast, Pro Photo Show.

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February 9, 2012

by Jason Eldridge: Have you ever thought, ‘if I could just travel to exotic locations I could produce great images’?  Has that ever stopped you from getting off the couch to go shoot?  It is a way of thinking that will stagnate your growth as a photographer.  This haunted me for over two years.

 I moved from the majestic mountains of East Tennessee to the flat swampland of the Florida Everglades (specifically just south of Miami, FL) and at this time I considered myself a nature/landscape photographer.  My photography suffered as I spent a couple of years complaining about the lack of shooting locations and about how I lost the mountains.  The next trip back to Tennessee is all that would spark my photographic interest.  One day I was sitting on the couch next to my wife who looked at me and simply said “why don’t you just go photograph where we live?  After all we may not be here forever”.  I stuttered a bit trying to find a good counter but to no avail.  The following week I took a trip to Miami for some nighttime photos.

 

I started doing real research about photographic opportunities in my area.  I was shocked at all the viable locations in my own back yard.  I discovered the right times of year to go into the Everglades and what weather conditions worked for both city and nature photography.  I began expanding my focus (no pun intended). Portraiture and wedding photography became an interest.  Before I knew it I was fully engaged into photography again.

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