by Gavin Seim: It’s amazing how much information is in files coming from today’s cameras. I do a lot of HDR photography, but I’ve also been working to bring out dynamic range on single files. I can actually pull out more tones using LR than I can in Photoshop.
Today I recorded a quick video to look at brushes masking and Luminance tools to control tones. There’s an HQ download version on Seim Effects. I’ll also be speaking on LR at the PPW Fall Conference so if you’re in the region stop by. Why am I still typing? The video explains it all.
This week Gavin reviews the R-Strap and the Shootsac, plus further photo news. Then we delve into sensor cleaning tips and using space in your compositions.
by Gavin Seim: I recently joined David and Kerry over on the Camera Dojo podcast to talk about making and selling large wall portraits and canvas pieces. I’ve been chatting about this quite a lot these days because it’s become so relevant to my business. Large prints sell and they look spectacular doing it.
Head over to Dojo and check it out. I apologize for in advance my hyperactivity. It was not coffee. I’ve just been very excited about large prints. Once you make and sell a few you’ll probably understand. Also take a peek at my recent article on large prints. Be prepared however. This has been the most hotly discussed topic ever on Pro Photo Show. I’m sticking to my guns because I know from recent experience that large prints sell and make sense. That said there’s no law against disagreeing with me. Enjoy… Gav
Chris Jordan, Kings County Sheriff Candidate raises his arms in triumph, while supporters cheer after hearing polling results, at his headquarters, Tuesday night.
Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man. ~Edward Steichen
Editorial work can be extremely rewarding and is one of the great methods of gaining photographic access to sporting, concerts and news events.
With the depressed economy, it is a great opportunity for freelance editorial photography. Unfortunately this is because newspapers, magazines and other publications have cut their photo staffs, but publications still need images. So what we are seeing is a rise in freelance editorial photography to fill the void.
Editorial photography refers to the images in magazines, newspapers and other publications, that aren’t ads. These are the photographs that go along with the articles – even the cover of a magazine. Photos in publications validate and illustrate the stories. So you need to think content, words and pictures.
There are some things you need to keep in mind when dealing with a publication. Look at the publication, and see what types of photos it runs. Does your work match the type of work seen in the publication? This sounds simple, but you will be surprised how many photographers send in portfolios that do not relate to the publication.
E-mailing alone is not an effective way to communicate with a publication. You need to create a relationship with different publications and editors. Pick up the phone, call them, and if you need to, meet them in person. Introduce yourself to the managing editor and ask who would be a good contact for submitting work and what their requirements are.
