November 17, 2011

by Gavin Seim: We all see differently and that’s good. We should never stop working to improve. One might even contend that you can never really “master” photography. But perhaps you can get pretty close, if you really nail down these and perhaps a few other essentials, taking control of the way you plan and capture images.

 

1 – Your Tools – A camera does not a photographer make and neither does fancy software. But don’t underestimate how important the tools are. Some sluff off knowing their gear, settings, apertures, shutter speeds, lights, software another tech stuff. That’s usually a fatal mistake. Don’t fall into the crowd that says “I’m an artist, so I just don’t get into that technical stuff.” Photography, like most arts, is both art and a science. And if you don’t master both, you’ll never be a master of the art.

2 – Storytelling – A great image has to have a subject and a story that can reach out and grab people. Uninteresting subject matter, too much clutter, messy composition, bad details, distracting lighting, the list goes on. Fail at any of these and you’ll never be great at photography. It’s hard to nail all these elements down with anything but years and years of practice and experience. But then, no one said this was easy. Until you can start clearing out distractions and really convey feeling. You’re just making snapshots. Those are fine, but remember. Everyone else it making them too.

3 – Tone Control – This may be the biggest of all. And yet it’s finer points are the most ignored. It’s the one most will never truly master. Everything needs to lead to the subject. And mastering tone gives you that power. Tone control is about seeing light in your head, understating how to manipulate it, and understanding how to control tones to make your subject and your story, sing like the sound of music. Even most professionals have not nailed down tone control, but until you do, you’ll never be fully able to control your light or the impact of your photographs. For more on controlling tone check out this article.

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If you’ve mastered all these things, then you should be writing this instead of me, because I’m still working on them. But working I am and getting closer each day. Just remember that a camera is no more an artistic tool than a typewriter. It’s knowing how to tell a story with light, tone and line that matters. Like nearly all arts, there’s an aspect of science and an aspect of art you must master. Otherwise you’re just another person with a tub of paint or a ream of paper. For more

So lets get to work. Science + Knowledge + Vision = Art

 

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March 5, 2011

God’s Fist – Yellowstone NP, Great Fountain Geyser

I was the only one there at sunrise and it was beautiful, but not what I had hoped for. Great Fountain steamed calmly away as the sun rose, but no great fingers of water reached skyward. This was not going to be so easy.

Great Fountain is not on a schedule like Old Faithful. It generally blows about once a day and while it can be roughly predicted, it seems to be no exact science. I took a few images of the pool and then begin to wander nearby areas, hoping to catch it later. Around noon I came back to find crowds gathering and cars lining the sides of the narrow loop road. It seemed everyone was here now. But only I had the satisfaction of having been there with the sunrise.

I grabbed my gear and hustled along the line of cars, to where a surprisingly large gathering was taking place. Fortunately most everyone wanted the high vantage points. I just wanted this lowly spot down in the weeds off the roadside. About ten minutes later, she blew. Slow and spurting at first, but then spectacular.

Bright sun is generally not the most ideal light however and my mind was racing like fanatic and I varied the setups I had been envisioning, working with filters and tweaking settings in an attempt to make something memorable of of this scene. The truth is that the resulting sequence from these moments were on my computer until months after I returned home. They sat patiently on my hard drive, waiting for me to become inspired. I saw them now and then, but secretly I was remembering the peaceful sunrise and wishing it had happened then.

In time I sifted through them more closely, thinking in terms on tone, analyzing details and thinking about the process. The light was actually pretty amazing. And there was one frame that stood out above the rest and it was higher and more spectacular than any others from this majestic water show. Once I started working it, I knew I had only needed one frame and this was it. I hope you enjoy… Gavin

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.

Released prints….

For Photographers. How it Was Made…

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