February 4, 2015

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It’s not about where you are. It’s about how you light.

In today’s Photographic School video we get away from fancy gear and software. We’re going to talk about 5 things you should be using in your mind. Applying these factors will guarantee you better images EVERY time!

We’ll look at 5 images that have all merited at the PPA International Photographic Competition. Watch the video and look at a specific factors in each image that can be applied to any image any time and help build our ability to craft award winning photos images both before and after we release the shutter.

We dig even more deeply into these concepts in the EXposed and PHOTOGRAPHICS series.

Great images start not in the camera but in the mind. Today we’re going to see how!

— Gav

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October 17, 2014

The Light is What Matters.

I was sitting in the studio working away this week when I peeked out my window and saw this amazing light. Watch what was happening. I could not help but grab a camera and go out to chat about it.

While this was off the cuff and I didn’t have any models or scenes ready, the light is what matters. Any scenario can be amazing if we use it well, but some light is just magical and if we plan our sessions to work with that and understand how to mold it to our needs, anything can happen.

Sometimes the situations are bold like this one. It would have been perfect timing for a portrait session, though I would have had only minutes. Sometimes magical light is more subtle and you really have to think about where it’s reflecting, how the subject and camera is positioned and how we expose. I’ve learned this. If I just stop, breathe and take in the scene before I make the image, my perception changes and I see things I would have otherwise missed. Slow down.

Having a fundamental understanding of light itself is the foundation for our artistry. If you have not yes watched the EXposed workshop I highly suggest you take a look. It will change your perspective. From now on, each time you see unique light take a moment out of your mind to think about what the light is doing, how it plays off objects, faces, landscapes and shapes.

Once we know the light, we control the light. — Gav

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