November 28, 2010

Photo Couch is the companion podcast of Gavin’s f164 project, made for photographers. Nothing fancy here. Just short musings, tips and thoughts on photography from Gavin. You can listen below, or subscribe for free to get all the latest episodes.

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Since f164 is the new official home of the Photo Couch podcast, I though I make a post with all the back episodes so I have them safely archived away. You can find 01-18 below. You can download the mp3 files, or play the directly using the play button to the left of each link..

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October 30, 2010

Bright lights of Monte Carlo. ISO 400, 2.5 sec. @ f4

by Lawrence Sawyer. First, let me thank Gavin Seim for the invitation to write a piece on my recent experience shooting stock photography in the Mediterranean. This was a dual-purpose trip: anniversary cruise, and a test of my theory that with the right choice, one could actually shoot salable stock with a point-and-shoot pocket camera. Now, a little background…

I’ve been shooting stock photography since my college days in the early 1980’s, and make a living doing it. I have several thousand images on file at four U.S. agencies and dozens of sub-agents worldwide. I have a new book out, entitled  See It, Shoot It, Sell It! -How to Earn a Great Second Income Taking and Shooting Photographs of Virtually Anything. That title embodies the way I work: I shoot “found images” more than anything else. I have learned over the years that there are countless opportunities to shoot highly marketable images all around us, every day… if we just learn to see them.

So when I’m shooting stock, here are the five main criteria I use in evaluating a scene:

1. Is there a message here? There needs to be either a solid piece of information in this shot, or a pure-magic artistic element to something mundane, like beautiful light on a cityscape.

2. Can I pull it off technically? An elk in a shaft of sunlight is killer if it’s 50 yards away and I have 300 f2.8 with me, but pointless if it’s 500 yards out.

3. Does it have enough appeal that it will sell to a broad audience? I worry about this one less and less, because all images are available now to the whole internet-connected world, and somewhere, there is a buyer for darn near anything.

4. Can I shoot it better than it’s likely already been done? If it’s a scenic shot, I’m careful not to be enamored by the place just because it’s my first visit. But if the light is phenomenal, I’ll roll the dice and shoot first, then ask questions later. The more famous the place, the more skeptical I am of my ability to make great stock on my first visit. I try to research how much a place has been shot before I go in with guns a-blazing.

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October 27, 2010

Crags of Yellowstone Falls, 2010.

It was a softly lit morning in Yellowstone on this day in mid September. I came in thru the west entrance before sunrise to explore the landscape before the increasing light started getting harsh. I love waterfalls and while the lower falls area is not a hard place to reach, the various lookouts up the valley are magnificent.

I think I planted myself at Lookout Point for this one. I was inspired at the awesome beauty of this place. I know hundreds of people photograph these falls every day and I wanted to take my time to try for something special. I was careful in planning the composition and went for a silver process from the start to focus the eyes on the water and tone in this landscape. I’ll let you be the judge of how well I did.

For photographers. How it was made…

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October 23, 2010

Click To Listen>> Photography Podcast. PPS #72
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Today’s Host... Gavin Seim. This week Gavin gets in depth about his month and a half photo trip spanning various areas of the USA. He looks at things he saw and learned and ways to improve it all going forward.

Sunsets hidden falls. Gavin's favorite from an evening Yosemite. Did some experimenting with blacks on this. Image links to f164 post. More info in that post soon.

Podcast #72 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions trip info.
  • 07:27 Verizon MiFi Pick
  • 12:03 Yellowstone
  • 17:34 Moving on and seeing things
  • 24:57 Zion area
  • 34:29 More resolution
  • 38:00 Details artifacts and light
  • 56:53 Mediums
  • 59:38 Closing

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October 19, 2010

Firehole Spring sparkles like a sky of deep blue turquoise, it’s inviting crystal clear water set flush to the earth like a giant hot tub. But beware, this is no swimming pool. The docile looking waters are nearly boiling, so enjoy it’s unearthly beauty, but let it bathe alone.

Firehole has nearly constant activity roiling under it’s surface, as  thermal bursts appear like small white explosions. Sometimes it’s subtle while at other times water may spit into the air as thermal bubbles reach the surface. On this day in early September it seems unusually calm affording me this unique crystal like view into it’s depths.

Set amid a rather barren patch of land, backed by shrill trees and sparse grasses, The pool sits just off Firehole Lake Drive, nearly unmarked and easily passed by. It seems plain, but when you get out and stand near, it’s impossibly clear water mesmerizes the eyes.

I took this in the early morning as bold clouds drifted overhead and I gave it some time, carefully planning the composition and working to use the land and the light as best I could.

For photographers. How it was made…

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