Isabella Breeze. Lake Isabella CA. Spring 2011. Linhof 4x5.
This has been sitting for the summer, but as we start traveling once again for 3 months of road touring, I decided it was worth posting. It’s my very first 4×5 exposure. Well, not including the accidental frame I ruined because I forgot to shut the lens. 4×5 film is something I’ve spent 2011 falling in love with. This frame is imperfect, but I wanted to share because I never want to forget the feeling it gave me. A sense of wonder at the sheer simple function, yet inspiring complexity and quality of the large format medium. It’s an operation that by it’s very nature forces one to slow down, to think and to visualize.
I stood right on the shore of Lake Isabella, almost at the water line at sunset on this early Spring day in 2011. It’s actually the very one I talked about on the drive back, during this Episode of the Photo Couch podcast. It’s was a calm relaxing sunset on the edge is this beautiful lake and it felt good. Once the sun had faded I packed up and drove to the other end of the lake where we had camped the trailer on the shore. Where kids and my beautiful wife were waiting with a hot spaghetti dinner.
by Gavin Seim: Today I’m going to kick off the new analyze inspiration series I promised a few weeks ago. In a nutshell, I take an image that get’s me thinking in some way. I talk about what I see (or don’t see) in it and invite readers to chime in with their own ideas and inspiration.
Pretty straightforward random thoughts about what was done and why it’s good, or bad. Here’s today’s photograph. Let’s start by just looking at it…
I was experimenting with composition and lighting yesterday in the park when I took this. I actually had my face and camera down in the grass giving me this soft foreground perspective that covered a big area of the frame. I shot it on my 5D MK2 at 1/125, f11, ISO400, 58mm and I think I had a little off camera flash on the foreground grass. I did some quick post in Lightroom using the Nature Boy preset from my PW2 collection and darkened the foreground a little using a gradient.
Good: The composition is different which draws in my eye.
Bad: There’s no main focal point. The grass may lead me in but then I don’t know which element I’m supposed to be seeing.
Good: It feel like there’s something hidden here. My eye scans wanting to solve the mystery.
Bad: It feels a bit crooked which annoys me.
Good: I like the bold greens.
Bad: I don’t want it on my wall.
In my opinion this shot only gets 64/100. That’s a FAIL and I would not hang it on my wall. The fact that it lacks a MAIN subject pretty much kills it. That doesn’t mean it’s useless however. The reality is that I was not expecting a great shot. I was exercising my skills by trying things.
Below I approached it differently. Same image, but in LR I applied a warm infrared from Monochromatix. This changes the whole mood. I also like it this way. In many ways it’s more simple, but the key problem remains. I don’t have a main subject and without one, this shot does not fulfill my eye’s desires to fin something amazing at it scans.
Thinking out loud. I got something from this shot even though it’s not great. It has me thiking about perspective, lighting and patterns. What if there was a HUGE bull Elk in walking between those two tree’s just right of center. That would change everything. If I’m ever laying in the grass watching a huge elf, you can bet this exercise will come to mind.
This was fun. I’ve got myself thinking about new ideas by looking close at this image and talking about it. I think I’m going to like this series. This is the kind of thing KungFu Photo is all about. Now I’m ready for your thoughts and ideas.
The Whispering Barn - 2009, Gavin Seim. Central WA.
I’ve driven by this old barn a hundred times. It’s a few miles down St. Andrews RD, above Coulee City. It always caught my eye, standing resolute and solitary. But I didn’t finally photograph it till spring of 2009. I’m glad I did because shortly after the view was completely altered, with new fences and other work in front of the barn. It was a peaceful place, silent as the sun set over the farmlands and the light sank down behind distant hills.
Release Details: Prints Currently available… Contact Gavin for details. 24×40 inch signature canvas limited edition ||| 24 inch open edition print.
