May 26, 2024

Yes, it’s a basic question. How to charge for photos? How many should I give, how many outfits, hours, etc. New photographers and sometimes veterans love to colocate their lives because they don’t understand customer service.

I edited all my broll here with Filmist LUTS, it’s not just for Lightroom and C1. Also make sure you start listeb to Pro Photography podcast for more topics like this.

That’s what you need to understand in this crazy competitive world. The truth is that unless you are experienced, confident and know how to serve. They don’t need you. They might as well use their phone.

I don’t mean this to make you feel bad. Only to be real. We have to have high standards. People don’t need McDonald’s style photographers anymore. And if you don’t make them feel good, they won’t come back.

So in general charging for an image screams amateur. Now selling stock photos, fine art prints, etc is a bit different. But if your client feels like you are holding back, you lose credibility instantly.

Here’s that book I mentioned. You can read it in data but all these years later it’s still a great reminder when you run a photo business, make workshops, or are in charge of a cafe in Mexico.

To be great in a craft business. You have to understand how to be a servant. How to make people feel good. How to give them experience and quality. How many photos in a session and how many you give the client can vary. Your skill and confidence should be a constant, however.

So the topic today is whether you should charge per photo and how to charge for photos. The real answer is that you you charge in a way that is the simple simple and makes the client feel loved regardless of whether you price high or low compared to the market.

That says. The lower your price, the lower the quality of clients you get.

Let me know what you think… Gavin Seim

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January 4, 2024

Pro Photography Podcast
Pro Photography Podcast
Pro Photography Podcast #208 | Are new cameras worth it?
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Photography Podcast Host: Gavin Seim.

Leave a comment below, or talk about this week’s episode right here on the Shadow Hunter Facebook group. Also, don’t miss the next Shadow Hackers Online Workshop for Free.

On this week’s Pro Photography Podcast… Should you buy a new camera?

Check out the new Filmist 2 film presets because the film looks in them and real and I’ve been working for months to finish them.

Fimlist free film presets and styles - Pro photo podcast

Your phone camera is getting Ai and noise is not a bad thing in real photos so do you need a new camera body? Because they are expensive now.

Videos and other important things mentioned on this show.

Check out the new Filmist 2 film presets because the film looks in them and real and I’ve been working for months to finish them.

Your phone camera is getting Ai and noise is not a bad thing in real photos so do you need a new camera body? Because they are expensive now.

Check out Elegance Speed Mask presets and Gav’s other products on the homepage.

Peo PhotographyPodcast Pick of the Week

Godox TT 350 compact flash

Also, check out the FlashQ 20II

and the SmallRig mini arm clamp is what I keep in my bag.

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December 21, 2023

There are lots of free Lightroom presets around my site like Silver and Natural HDR. But my most popular ones are my free film presets and I’ve updated them today for Filmist V2.

Download this free presets pack HERE on the Filmist 2 page

In the FIlmist free film presets and styles pack you get the next-gen Portra 160, Fuji Classic Negative, and Agfa RSX 100 film styles.

Just using these film presets will give you edits that feel true to the film. Photographers are learning that real photos are what matters in this new Ai world. For more on this check out my post and grounding your edits with film styles.

Below is a hands-on video from my channel on how to use Filmist 2. If you need help installing the free LIghtroom presets or Capture One Styles, check out the videos on the help page.

The latest refinements of these film styles are like true film. I’ve shot more film, done more side-by-side testing, and made every film recipe in Filmist 2 better.

I hope you love these and buy the entire Filmist film presets pack. It’s years of work and it is the best lightroom and capture one film presets I know of. But for now, at least grab my free film presets pack and enjoy.

Oh, and you also get free film LUTS in the free and complete pack so you can get the true film look in video editors like Premiere Pro, Resolve, and other photo apps like OnOne and Luminar.

Portra 160 free lightroom film preset. The latest version is included in the Filmst 3 free film styles pack
Portra 160 free film preset is a classic and the latest Gen3 version is even more refined. Portra 400 and 800 are also included in Filmist Complete.

I’ve been making high-grade Lightroom presets and free Capture One styles for many years. So why am I obsessed with getting perfect film looks? It comes back to maintaining that natural real look that the film created and that I’ve managed to duplicate in Filmist 2.

I use the balance I learn in creating film presets to improve my other presets. That’s why they all play together well.

Some photos need a different look. I normally use films as a starting point. But depending on my photo I’ll also use Natural HDR, Streetist, and my other packs.

Each of these packs also has mods. So while I love the ChemKit2 mods in Filmist I don’t hesitate to go to ModKit from Silver 5 black and white presets or maybe GoldChrome for a rich color warm look.

The new fuji classic negative free preset from Filmist 2
The Classic negative look is inspired by Superia 200. One of my most requested presets and the new Filmist 2 version is even better and more accurate than what you get on a Fuji camera.

The thing with film presets is that you won’t edit this way manually. Digital sliders are designed to let us push hard and the nuance of good film styles can take weeks to refine.

In a real darkroom, we could manipulate how we develop and print. So I put a ton of time into the ChemKit2 mods in Filmist. They let you use a film look and then adjust it instantly with darkroom-inspired processes. I included of of these for tone in the free pack. Turn it up and down and see what happens.

The beauty of using Lightroom presets and Capture One style packs is that with well-made film styles, you get edits that take hours in seconds. Once you get used to the milder grounding look of film it becomes a go-to. But if you have a photo that is not working with film, don’t hesitate to branch out.

A bonus free film preset. The Agfa film styles are amazing.
Agfa series films are rare as digital film styles very much but they will soon be one of your favorites. I included Afga RSX 100 with stunning color and fine grain in the free film presets pack.

I hope you enjoy the Filmist 2 free film Lightroom presets and styles pack and that these filmic styles let you see digital in a new light and use the rest of your presets, actions, and tools better.

I’m here to help if you have questions.

Gavin Seim

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November 2, 2023

Pro Photography Podcast
Pro Photography Podcast
Pro Photography Podcast #207 | Photos are fake, CineStill, and Real Photography.
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Photography Podcast Host: Gavin Seim.

Leave a comment below, or talk about this week’s episode right here on the Shadow Hunter Facebook group. Also, don’t miss the next Shadow Hackers Online Workshop for Free.

Pro Photography Podcast real Photos
A taco stand in Mexico. A real photograph taken on Portra 800 35mm Film and note editing.

On this weeks Pro Photography Podcast… Are photos even real anymore.?

On this Professional Photography Podcast we talk about photo news, the Cine Still scandal, and what Ai is doing to photography. The conflicts in the world are showing how deceptive it can be and new tech like Content Credentials is making systems to know what we are seeing.

Real photos from real people not from AI and we need to start using that. I shoot film and make things like Filmist film presets to keep a grounded focus on that.

Real photos tell a story of a person place or thing. They are the nouns of images and they matter. Ai-generated images will never be real photos. That does not mean they are not a real part of the market now. Only that we need to understand the difference.

The same scene taken on a Fuji X100 and edited with the Filmist Portra 800 preset. Still real.

Videos and other important things mentioned on this show.

Cine Still responds to peoples anger with legal fluff.

Peo PhotographyPodcast Pick of the Week

Steam Deck is perfect for photographers.

Other things mentioned today on the photo podcast…

Check out Elegance presets and Gav’s other products on the homepage.

Is it the end of the DSLR?

Gavs channel video about why you need to STOP using contrast.

Pro Photography podcast and what Ai is doing to photography
Taken on film like this (Lokak Ultra 400), or on digital, it’s important to understand that the imperfections of real photos matter. Perfect is getting easy, real is getting hard.
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September 22, 2023

We’re always talking about high dynamic range. But today’s videos are a keystone much like our = STOP using contrast from the last Masters Made Easy video. LoFi photography is actually fundamental to understanding your photos.

No LoFi Photography is not just a lomo camera or a filter on Instagram. It’s just as important to shadow hunting as the High Dynamic Range techniques as I explained in my recent video.

Many photographers no longer edit Low Dynamic Range.

You’ll find some free presets to make this easier inside my Film presets sampler and the Silver Black and White preset Sampler. Also there are some powerful LoFi tools in my Emulsion Photoshop Actions.

LoFi Photography goes way deeper than people think.

LoFi Photography is often played as low quality, pinhole camera, etc. While those can be included, it’s a really low dynamic range technique and it’s important when you plan a shoot.

I know I say it all the time but this LoFi photography fits in with Shadow Hacking 101 so make sure you come to a Shadow Hackers online photo workshop.

LoFi photos take what everyone else throwing out and it often creates better photos. You don’t need to do all LoFi or all HDR. A lot of photos fall in between. But don’t be afraid to push the methods I show in the video to refine your style.

Reverse the things they teach you in LoFi photography

We’re almost universally taught to push sliders right in the digital world. A more is more kind of approach. That’s why most photos look so bad and even good photographers are ediuting to death. We went deeper into this in my post about how to ground your edits by using filmic presets.

I’ve been doing this since the start of digital. I’ve watched the influencers and experts nearly always selling the same ideas and repeating ourselves because they came from film and all the digital stuff was new and like candy. Candy sometimes lacks perspective.

Slowly that’s changing as digital matures and photographers realize that we still have a lot to learn from the past.

Stop speaking in just digitally.

We live in an analog world. The advent of Ai photography is reminding us just how fake everything has become and that the real world is often more magical. LoFi photography is not every part of the puzzle. But you nee to know it.

You can still do amazing complex edits. But by knowing all the tools in your box you have control. Yes, your capture can be HDR and your final LDR, or vice versa. When you know to hunt shadows and look for the atmosphere and life in photos everything starts to change. There’s not just one way and you need to know them all to master this. The good news is, it’s not that complex.

Stay tuned for more in the Masters Made Easy series.

Gavin Seim

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