Stop falling for the color science lie. Stop falling for it. Here is how to do color in your photos.

The main goal of camera makers is to lock you in maker is to sell new products. That’s why every year they pretend they have revolutionized everything.

You can try some of the film presets I was using including Classic negative here in the free film sampler pack. Also watch my video on white balance and the Drop Color method.

It’s not that we should be lazy about color. But notice in the video how the differences are not always that huge,. The more you stop stressing about color and use the tools, presets, filters and setting to get the look YOU want, the easier color becomes.

The science of color is real. The color science we’re being sol is a marketing lie.

In the end you can apply any look you want and then adjust the Color-Science of it a bit with a very small adjustment. So Sure I might use Classic Negative or Portra. they are great. But I’ll do it as a preset or profile after on the RAW. Usually as a preset because I can us that on any camera.

I know pros always say this and while the things I show here can be done on JPEGS, shooting RAw will always get you better color control. JPEG bakes in a camera profile and not always the best one for your scene. So then you edit again and it’s like baking a cake twice.

In camera profiles are fun. But in the end they are simply a preset that you have a lot less control over and pay over and pay a lot more for than the packs I make here on Seim Effects.

Taking time to dial in perfect color and save it is great. But Don’t get stuck on one look.

That newest camera wont make your color better.

And there’s no one right color for sunsets, skin or landscapes.

Tale Canon who gets you ins their system then over charges for lens and prevents third part lenses from being sold. It’s a bait and switch. But you don’t need to be loyal to a camera brand. They all do the same thing.

Did you notice how much color changes in my video, with even small directional changes. That’s why you don’t want to be locked in. Any camera can be good on any of the situations. You just nee to know how to nudge your color like I showed you here.

If you want more videos on this topic let me know – Gavin Seim

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About the Author

Glad you're here.

I'm from WA State USA and started studying photography in 97. I started work as a pro (using that word loosely because I sucked) using film at age 16. I learned fast but was not as easy to find training then. Sometimes I beat my head against the wall until I figured stuff out.

As digital dawned I went all in and got to study with masters like Ken Whitmire. In 09 I founded the Pro Photo Show podcast. I started promoting tone-focused editing. When Lightroom arrived, I started developing tools to make editing and workflow better.

20 years of study and photography around the country earned me a Master of Photography (M.Photog) from PPA. I got to see my workshops and tools featured in publications across the industry. Once I even won the prestigious HotOne award for my "EXposed" light and tone workshop.

Wanting something calmer, I moved to Mexico in 2017. It's a land of magical light. I'm here now exploring light and trying to master my weak areas. I make videos of that for my Youtube channel, sharing what I learn. I hope you'll stick around and be part of Light Hunters Tribe... Gavin

Gavin Seim

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