March 4, 2008

Dragging the shutter is a technique that has been discussed on PPS episodes many a times, and can be a vital tool in getting flash images to look great. It’s a technique with which you maintain a more evenly exposed image (subject vs background) by manipulating settings like shutter speed in relation to your flash.

Neil Van Nekirk a past PPS guest on Episode #9 is an expert in the art of manipulating his light in active situations, and has done a nice article revisiting the idea of dragging the shutter. Even if your an experienced shutter dragger it still a worthwhile read…

Check It Out

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February 16, 2008

credit card flash driveWith todays ever smaller flash drives I kept feeling I should have one in my wallet. There are a few out there like the Blue Flash, or Walletex, but their more spendy than regular flash drives, and I got to thinking… Those things would actually be kinda clunky when plugged into my laptop.

My data packing life changed today when I made my own credit card flash drive. Even if your not a photographer you’ll find good use for 2-4 gigs of usb data in your wallet everywhere you go. It’s not only cool, it’s cheap, and you can use just about any old (or stylish new) card to do it with.

Start with a very small USB drive. You can get the 2gb KingMax I used here on Amazon for under 10 bucks. There’s also a 4gig version under 20. These things are great! Their low cost, sturdy, and tiny.

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January 30, 2008

This is an article Gavin wrote over at Seim Effects recently regarding Raw vs Jpeg and their usability with presets and good workflow techniques.

As a photographer I shoot in the RAW file format. I find more flexibility in post production, and ultimately a better image quality with less hassle. When I was still in the Jpeg camp, I was told to shot RAW mainly because it was faster to edit! While using Jpeg I never quite got it, and felt my Jpeg workflow worked fine. Then I tries RAW! I soon realized that it was not only faster, but also had better quality. Now I know there’s some debate on this issue, but I feel I can get great images easier with RAW because there’s more information on the file to work with. It just makes sense.

Having said all that there are still Jpeg shooters. In a poll on Pro Photo Show we found that raw shooters currently make up for about 75% of photographers towards the advanced and pro end of the market. Of course the closer you come to consumer shooters the more Jpeg you’ll see

Read the rest of this article… 

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January 3, 2008

By Gavin Seim. Updated 06/09: How do they always get super clear vivid images? Most of us have looked at images and thought this. I’ve been there too and thought I would tell you a bit about the secrets behind it. Also check out the companion PPS podcast on getting clear images.

seattle-skyline-space-needleNo matter what camera you shoot with, the question comes out the same. What do photographers do to get tack sharp, vivid, beautiful images? There’s not one magic formula. It’s more of a lifestyle, and how intense and vivid you want to make your images will vary. Either way you should understand the principles, so here’s some good tips to get you rolling. At the end you can post your own tips, and you’ll even find a link to a free Photoshop action that will help you out.

  • #5. Depth of field Thoughts:

This can be easily overlooked, and is crucial. Let’s say you have a lens that goes down to 1.4 or 2.8, or perhaps a long zoom. Depth of field (similar to focus) can be very shallow. You can certainly get great shots, even without a pod and on the go. It just takes some practice. Don’t get discouraged when some eyes are blurry. If you focus on a person 6 feet away who is slowly moving towards you, those eyes might be soft in the time it takes you to press the shutter.

One solution is to raise that aperture setting higher (smaller opening and more depth of field) 5.6, 8.0, etc. That will help give you more focus depth, but will also require a slower shutter speed and sometimes that shallow effect is beautiful. So to help you nail it, take lots of shots and then pick the best ones. When you can, use a tripod help keep that camera still, and remember the focus will be shallow at lower (larger opening and less depth of field) aperture settings. Also try setting the focus point right on their eye (or other desired focus spot) and nowhere else, to get your focus dead on. Practice makes perfect.

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December 28, 2007

aaahhh.jpgListener Ben pointed us to a good article over at the Epic Edits Weblog. It’s a list of seven things that we should always keep in mind in or photography, but that nearly all of us have failed to do at some point.

One that I saw on here that I deal with is checking the ISO. I’ll set it at 3200 for something, and then I’ll start shooting and realize I’m getting noisy shots. Thankfully as cameras get better this gets to be less of a problem but we need to watch it.

One that they forgot on this list that’s a biggie is checking your quality setting. Occasionally I’ll lower down to a low setting like 1 megapixel or less to take a few quick web shots for ebay or somethin (Yep I ebay too) The disaster has never happened to me, but can you imagine if I forgot, and shot a whole wedding at 1600×1200 resolution… I don’t even want to think about it, but I need to, so I always remember to kick it back up when I’m done. I don’t lower it very often for that very reason.

Bottom line is no matter how much experience we have we need to always think like newbee’s in the area of making mistakes. We can all do it, and the more experience we have the easier it is to do. Pride comes before a fall!

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