April 21, 2012

“Many think they’re ready to build a skyscraper by nature of the fact that they own a hammer. I submit that they should learn what a nail is first”

by Gavin Seim: I have a true story to tell. The other day while traveling, I saw a woman at a rest area on the Salt Flats of Utah taking photos of a family, the sun gleaming overhead.

There were no strobes to compensate for the intense light, the shadows on the faces or that glaring sun. Just a person with a camera moving bodies and working in seeming blind confidence that she was in control. Not a single flash in sight. Not that that would have been enough. No consideration given for the fact that the light, the way it was being used, was completely wrong.

I felt kinda bad for the family who probably thinks they’re getting good portraits. I felt annoyance for the would be photographer who took on something she was unprepared for, while in reality she seemed to have no idea what she was doing. Perhaps she was honest with them about her experience. But from what I saw, it struck me that she was posing in more ways than one.

It was clearly a planned session were this lovely family came to meet their photographer. I felt tempted to let them know that they were getting little more than they could have by handing their iPhone to a passer by. But I setup my 4×5 for a stark desert landscape and tried not to think about it as they bustled around in the corner of my eye doing cheesy poses in what “could” have been an amazing setting for a portrait.

When my son asked what they were doing, I explained ruefully that they “thought” they were making portraits.

Some of you may feel I’m being mean. But I’m not and if this offends I suggest you read it again. My job here is to challenge. I want people to learn, I love to share expediences. But I won’t offer them a pretense. I’ll tell my fellow photographers the truth so we can all grow. I don’t know this person first hand. In fact I’m glad the faces are not distinguishable. My story is not just about this person, or about naming names. It’s a reminder of the fact that this is happening too often.

I don’t know exactly how these photos will turn out, but I have a good idea. I can say with certainly that the portraits were not being done well. Both the client and the would be photographer are getting the short end of the stick. The family will get poor images for whatever they paid. The would be photographer will probably go on in digital bliss rather than actually learning the trade she wants to be a part of. Eventually she will likely tire and give up. All because she has the pretense that you can be a good photographer simply because you own a camera. No experience required.

Some will say “You have to start somewhere”. There is truth in that, but we still need to learn before we leap. We need to learn what the brake is before we drive a car. There was a day when “starting somewhere” meant learning how do something reasonably well before working for pay and selling yourself as a pro.

There’s are surely some new photographers reading this. Don’t be offended at my frankness. It’s OK to be new. But don’t be the person that takes on something you’re not prepared for while acting as if you are. If you don’t know how to light, pose or plan your project, then go learn about those things before you jump in and start charging. It’s a science. Not something you just make up as you go.

I’m absolutely for sharing knowledge and yes, I imagine most of us are guilty of having someone who was a bit of a lab rat on the journey to skill. That’s fine as long as we were honest with them. But increasingly we see people who don’t desire knowledge and think they’re artistic masters right our of the gate. Experience matters. It’s not wrong to be inexperienced, but it’s wrong to pretend you are, when in truth you are not. Take your time, learn the skills, the marketing, the sales, the presentation, the science. Because if you don’t, your journey will likely end in frustration.

Some think they’re ready to build a skyscraper by simple nature of the fact that they own a hammer. I submit that they should learn what a nail is first.

Thanks for reading… Gav

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April 19, 2012

Me with a framed 30x46 limited edition on traditional canvas of Doorway to Winter. Just the start of a long study in how we can better present and display images.

by Gavin Seim: A lot of photos are being made these days. Some bad, some good, some amazing. But what gets me is how little we’re doing with them. Art seems to have become something that lives on Facebook. Most the worlds photographers seem to not even be selling prints to their clients. They just hand them digital file and the cycle of images that exist in nowhere but bits goes on. A few Facebook likes and comments later, the image disappears into the mists of digital bliss.

When we do make prints they tend to be small and cheaply presented. We find the cheapest company to make a gallery wrap that can be bought at WalMart. We buy a plain print, or whatever cheap new product the labs are kicking out in bulk. We take whatever is available. Often it seems we’re not selling heirlooms, we’re selling throw-aways. Has the beautiful art of printing and presentation been lost? Is this good enough?

I say no.. Most images mean nothing until their properly hanging on the wall.

I’m not trying to slam anyone here. I just think serious photographers should think more about the potential of their images and how well their using it. On the business side this is very relevant and wall prints can make a major diffence is sales and profits. Read, Wall Portraits. Why the 8×10 Is Stealing Your Impact & Profit. This stuff matters to our craft.

Sure there are commercials jobs and stock, there are a few projects where prints are not as relevant. But most of the time that’s not really the case. In truth I think we started doing all this because it was easier. It’s a lot of work to make and sell great prints. So we’ve lowered expectations.

Printers and paper options are getting less expensive and have countless choices of presentation and creativity. I bought a Canon 8300 wide format printer last year and just making my own prints has changed the way I think. I no longer just settle for what’s easy. I study mediums, mounting and presentation. I’m getting into mounting prints myself and looking at how I can stand out with unique offerings. While I still offer digital files if needed, my focus has shifted almost entirely to making and selling prints. And it feels so good.

So what does all this mean. Not that you need to go buy your own printer right now, or take your work in an entirely new direction. But you might find you want to do both. My bottom line is that we owe it to ourselves and our clients to start thinking about how we can be better presenting images, what sizes are appropriate. About how we can make more than a digital file and start producing furnishings for walls. Very few people are making really quality wall art. It’s about the only photo market that’s not over saturated right now.

It’s not easy and it’s not cheap to make and display great prints. But so few are doing it anymore that it’s not only satisfying, it’s become a great opportunity to set yourself apart and stand out in a crowded industry. Doing it well is more than just making an 11×14 and buying a frame at Target. It takes time, study and planning. But the reward is like nothing nothing else.

I hope to post an article soon looking in detail and at the mounting and presentation options I’ve been studying and working with. But what do you think? Am I crazy, have you found presentation ideas that are unique and working for you. Share your thoughts in the comments… Gav

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March 5, 2012

by Gavin Seim: Adobe wasted no time getting out of the beta phase. It seems they wanted cha’ching sounds a ringing.

Lightroom 4 is hitting desktops as we speak. Thankfully Adobe did drop the price a good bit to $149 ($79 for upgrades). Something we can probably credit to the Aperture price drop in 2011. Thanks Apple.

All told. LR4 looks pretty good. Not Earth shattering. But good. Sadly there seems to have been few changes from the beta. There were areas some were hoping would get more features. But LR4 has some new develop tools, some refinements and some new modules that will keep us busy.

A few major things to look for include…

  • Changes to the Develop settings, including Shadow, Highlight, White Point and more.
  • Video playback and basic editing support.
  • The book maker module (limited but interesting).
  • More control over Brush and Gradient settings, including localized White Balance.
  • Built in maps module.

Of course there’s more. I’ll be back with some thoughts soon. For now go check it out and let us know what you think in the comments.

More detailed review in the works. This post will be updated… Gav

 

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March 4, 2012

First flight, 120 feet in 12 seconds – 1903. Link to high res scan details from LOC.

Click To Listen>> Photography Podcast. PPS #83
Direct Podcast FeediTunesPodcast Alley

Today’s Panel... Gavin Seim (G Pixel).

Today Gavin leads us through a brief look at photographic history. He talks a bit about how classical art can help us as photographers and finishes with a look at essential concepts that will make us better at our work.

Podcast #83 forum discussions:

Main Time Indexes:

  • 00:00. News and project updates.
  • 11:30. Art and a Photographic History.
  • 43:26. Essential photo ingredients.
  •  1:04:10. In practice. A study example.
  • 1:14:52. Picks of the show.
46x34, Portrait of Nicolas Ruts. Rembrandt, 1631. It seems that even 300+ years ago, a wall portrait was a thing of note. Look at the quality of this work. Click for a larger version. Even the catch lights look perfect.

 

Links to things we mentioned…

 

Getting beyond the digital file.

Nikon D800 36MP. Big step.

Canon 5D MK3 is no longer a rumor.

EXposed video workshop coming soon.

Lights and Shadows Photo Workshop coming Fall in Central WA.

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February 17, 2012

by Gavin Seim:

Ready in 60 Seconds: After you choose the subject but before before you release the shutter, try taking a full minute to think about your scene and how you’re about to capture it. Really. Don’t just look at it. SEE IT. Sometimes we feel pressured to click. But even with a portrait, learn to take a little time and you’re images WILL improve. With some scenes you can even spend longer. Check out the 111 Project.

Sparks: I stood outside well before the exit. Experimenting, considering the scene, trying to predict the light. The effort paid off with a great candid from a challenging scene.

Cut The Trash: I know, you’ve already taken 60 seconds, you have a plan. But look again. Maybe even take a test frame. Controlling tone, removing clutter and distracting elements is one of the most neglected elements in art making. If something is not adding to the image, it should not be in the frame. Either you move, move it, or it will move the quality of your final image down to LOW.

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