July 20, 2009

by Gavin Seim Updated 04/2010: Triggering flashes wirelessly is becoming a popular creative lighting tool. Popular flashes from Canon and Nikon often have built in wireless, but its basically working with old infrared technology making it essentially a line of sight tool with limited reliability.

To resolve this, various third part products have come to the market using RF (radio signal). Pocket Wizards have been a popular choice and their early units, though larger and only providing manual control, seem to have a good reputation. More recently we’ve seen products that offer not only manual, but full auto control. We’ll look at a few today.

pocket-wizzard-review radio-popper-review

UPDATE: 04/2010: Nearly a year has passed since this review first posted. I’ve been using Radio Poppers since then and they have worked amazingly well (note that I have no vested interest in either company). Pocket Wizards have released further firmware updates to their Flex series as well as other workarounds. While I have not purchased another set (and have no intention of doing so), I have seen little evidence that the Flex has been fixed other than tacky workarounds, like wrapping the flash in an RF shield to prevent interference, or holding the unit off camera tethered to a cord to make it work properly.

When a manufacturer has to resort to these sort of things, I consider the product a fail. If you look at even more recent comments you’ll see people are still having the same poor results. I found that Amazon reviews were mixed. There were various users getting the poor results that I experienced and it seems the positive reviews were mostly users satisfied with a short usable range, rather than what PW advertises. You can read them for yourself via the link.

Bottom Line: If you’re just going to use the Flex units very close in a studio, they “might” satisfy you. But if you plan on using them in the way their advertised and getting long range versatile wireless flash, don’t expect much. They did not perform. Nikon units of the Flex are supposed to be coming soon as of this writing, but I can’t say how well those will function. I have little confidence.

In contrast, Radio Popper PX units are great. RP’s work a bit differently. A base transmitter sits on top of your main flash (no they can’t work solo shoe mounted like the PW’s). A receiver unit is mounted to the front of your remote flash (the new bracket that came out last summer makes this much easier). The remote unit picks up the RF signal from the main unit, converts it back to an IR signal which it shot into the flash onto which it’s attached. All the built in wireless flash functions work like normal (even High Speed Sync) and can be controlled form the flash, because all that’s happening RP’s are forwarding the IR signals into a reliable RF signal and then back again on the other end.

While it may sound a bit more janky and clunky the main thing is they do what their advertised to and do it well. That’s what really matters to me. I have used Radio Poppers latest PX units outdoors at over 500ft apart with full functionality. That’s the kind of reliability I need. Radio Poppers also has both Canon and Nikon units available.

I consider the Flex series to be an Epic fail. While I know many Pocket Wizard products are known to be good (mainly their manual units) I have to say that I have little confidence in them as a company after releasing a product this poor. You can take a look thru the review below that I posted last year for some additional thoughts and information… Gavin

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July 17, 2009

Listen!

Listen!

  • #000: Intro to Pro Photo Minute
  • #001: Gear Preparation and the Hyperdrive UDMA

Pro Photo Minute is like quick version of Pro Photo Show recorded on the go from iPhone using Audio Boo. I think this is really neat and has so much potential. Just short simple informative podcasts a few minutes long and recorded on the go.

I’ve been on shoots many times and thought “I wish I was recording now” because while in the heat of the session something was inspiring or just made sense. This is my answer to that. Simple, no editing and amazing audio quality.

You can follow my Pro Photo Minute on AudioBoo and they’ll be posted to twitter when they go live as well. There will also be a category here on the site and I’m looking at how best to introduce it to the podcast feed.

Let me know what you think and we’ll see where it goes. Enjoy, Gavin Seim

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[poll id=”19″]

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July 16, 2009

Click To Listen>> Photography Podcast. PPS #60
Review in iTunes
, or Vote on Podcast Alley

The Panel... Gavin SeimTom Hogarty (LR product manager) – Dennis ZerwasRalph Barret
This week we talk about the E-P1, Lightroom, video becoming more than a weekend warrior and selling quality.

Podcast #60 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions and news.
  • 20:27 OEM vs Aftermarket batteries.
  • 23:30 Lightroom.
  • 42:10 Video talk/Lightroom
  • 1:20:00 Moving Onward
  • 1:34:10 Competing, weekend warriors/The large print rant.
  • 1:53:55 Picks of the week
  • 2:07:30 Show ends. After show starts.
  • 2:18:30 Not Wearing Pants

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Olympus E-P1 is turning heads.

Pentax K7 SLR looks cool.

Tom explains Lightroom slowing image exports.

Hollywood Effects 2 and Portraitist actions are now available.

HDR workshop coming in the Fall.

Pro Photo Show has lots of vendor discounts. See the deals page.

Picks of the week…

Did I miss any links?

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July 7, 2009

by Gavin Seim. Updated 05/2012:
I enjoy quick bursts of information and chat frequently as @gavinseim on twitter.  I’ve made this list of my favorite tips that I plan to update it going forward. You can add your favorite and tips in the comments with your twitter name. I might even RT them myself.

I give credit to the speaker when I can, using names in parenthesis. Many of these are my own musings from Twitter and I’ve indicated myself with an (S). If there’s no name then I probably don’t know the source. These are not always exact quotes, but ideas I’ve re-formed to fit in under 140 characters on Twitter

Random Things:

  • Every image needs a subject. Just one. If it has less or more, than that it’s probably time to reboot. (S)
  • Presentation is as much part of a photo as the image itself. An image on a disk means little to the world. A well presented wall piece does. (S)
  • Don’t wait for the photo establishment to show you how to stand out. Because if you do, you won’t (S)
  • The line between a snapshot and a quality photograph are lost when everyone is a “photographer” but have not actually learned to be one! (S)
  • I’m not afraid to change my opinion, but I am afraid of not having one. (S)
  • Competition. A powerful tool that makes you stronger. Complaints about it are often cop outs from photographers not motivated enough to excel (S)
  • In photography rules mean conformity, and to conform is the opposite of creativity. (Whitmire)
  • Be Positive. It’s not just a blood type. (S)
  • Each time I think I’m really good, I learn that I’m not as great as I thought. Then I actually start getting really good (S)
  • Always do the best you can with what you have, but always push yourself to the next level. (S)
  • As photographers we often overlook the power of just practicing. It’s like giving ourselves our own workshop for free. (S)
  • Photography is painting with light. So if light is paint, why do we spend more time pressing buttons than mixing our paint? (S)
  • It’s not the location you take your photos in. It’s the photos you take in your location. Anything can be a good background. (S)
  • Being edgy is cool until everyone is doing it. Then it’s not edgy. It’s just boring and usually annoying. (S)
  • Every really good photograph I manage to make is a class in making the next one. (S)

Posing n more:

  • Portraits. Guys tilt the head towards the low shoulder = macho. Girls tilt head towards high shoulder = pretty (Celentano)
  • Bridal Portraits, Hold that bouquet on the hip to look thinner. Hands (and bouquets) held in front from make the bride look bigger. (Celentano)
  • Group portrait. Just before the shot have everyone lift up their shoulders and lean towards the center. (Celentano)
  • Portrait Tip: Look for triangles in your group poses. Use bodies, sitting, head position etc to form triangles. (Celentano)
  • If posture pose and light is correct it does not matter where the camera sits. The pose is still set. (Gardener)
  • Posing tip: If it bends, bend it. Play around with joints, elbows, fingers, everything.
  • Posing tip: Leave some open space between those bent elbows and the waist. Helps make your subject slim n trim. (S)
  • Don’t over pose the subjects in your groups. Their not solders, their free people. (Whitmire)

 

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July 3, 2009

I want to take a moment to plug a few new products over at my Seim Effects store, since these are what help keep this all going. I just released Hollywood Effects 2, the follow up to my first special effects actions for Photoshop. Also in a separate collection a brand new set of cool actions called Portraitist.

HE2 is filled with some pretty amazing effects. I love Lightroom, but it’s not a solo runner. These are the effects that simply can’t be done in LR and really make my best images shine. When you get HE2, it includes the Portraitist actions, which are my new skin retouching tools that perform tasks similar to expensive plugins, but right from an action and for a lot less money. They even include skin smoothing that retains detail in critical areas like eyes.

Anyways I’m stoked about how good they work. It’s the best actions I’ve ever made and has been a very successful release thanks to many of you. Of course I  still love Lightroom. You can find my presets there as well. If you want to learn more head over to Seim Effects. Other than that, have a great weekend… Gavin Seim

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