October 6, 2010

It was late afternoon as we drove through mid Utah, storms were brewing over these rolling mountains to the east. I exited 15 South into a tiny town of who’s name I’m unsure, pulled over in the outskirts and I made this frame on my tripod from the roof of our Ford. I felt a bit like Ansel standing up there, though I did go for a color. I rather like the mood of the clouds with the bold curvy lines of the hills. The scene seems to speak of coming storms, but is broken by the twinkle of blue from behind.

For Photographers. How it was made…

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October 4, 2010

This is the Dave Johnston Power Plant – A coal plant in Wyoming. I feel it had it’s own beauty, spires of cement intermingling with the flow of nature. This company allows people to walk in and use the land around the plant for hunting, hiking etc, leaving the beauty that surrounds this plant unmarred. It’s a great example of industry mixed with nature. I come from hydro eclectic county where our massive power output is used around the nation and I find the engineering behind such essentials industry to have a beauty all it’s own.

 

For Photographers. How it was made / Color Chrome process…

 

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October 4, 2010

You can find this spot at coordinates: 37.267000, -113.176000 (view on map)

I am in awe. Tonight’s campsite is high on the Smith Mesa area overlooking Zion National Park. I believe this is the most amazing view I’ve seen in my life. You have to be here to feel the scope of it. We’re camped just a few yards from this bluff right now. No one else around, a silent expanse of dessert fading far below under watching stars.

This is just a iPhone reference photo I took as we set up camp, not a final. It was followed by a stunning sunset and I’ve made various compositions as the light changed. Is there any way to present this and fully show it’s beauty? I think probably not. With a place this amazing it’s hard to show it’s full beauty. Hoping I can nail this one… Gav

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September 21, 2010

I’m sitting in our trailer at Spit Rock campground, Garretson South Dakota. As I write this, two flies on the table next to me are courting like there’s no tomorrow. I could swat them, but I’ll let it go. I figure when you’re a fly, there very likely is no tomorrow. Let the kids have their fun.

Speaking of kids, my own kept waking us up last night. It was not out best sleep by any means. I awoke before sunrise to my alarm. Looked out at the sky, decided it was bland and promptly went back to sleep. That’s what I call a good sunrise. And it’s the advantage of sleeping a hundred yards from where you plan to shoot.

I finally roused 9:30, opting to work the later light (I think it really was better) and spent my morning planning photos of the falls at this city campground in which we were the only dwellers. I Made two compositions. I probably could have done only one, but I wanted to try a second view. I’m finding the more I plan my images, the less work I have later, but more importantly, the better my results are, because I analyze the details and really plan my compositions.

Now you may be thinking. Long planning is not always possible with high pace things like weddings and portraits. And you may be right, to a point. Even there however taking a moment to think and really look at what we’re doing makes a lot of difference. So often we just start clicking away. Taking the same poor composition, or leaving the same distracting twig in the scene frame after frame after frame.

More frames of a scene do not usually equal better results. I’ve been challenging myself to think my work through. And it works. So I challenge you to do the same. Yes, in a situation like this morning I had the time to walk around for twenty minutes before I even put a camera in my hand. But I’m learning that in most situations, time, even if a only few seconds. And “really” taking a closer look at what your about to do, makes a big difference. That bride can wait ten seconds, right?

Does this mean I intend to stop capturing high pace candids at my weddings. No. We can shoot at much as we want with digital and that’s a great thing if there a real reason for it. But it’s not always the best approach. Whatever my situation, I can still pay close attention and think it through… Gav

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September 12, 2010

I’m on the road, headed to Minnesota for my HDR & LR workshops. It’s a month trip with my wife and kids and we’re getting to see amazing things. Many of which were in Yellowstone. I just did an episode on Photo Couch on Yellowstone, so if you listened to that, you know I was awed by what we saw there.

We discovered Clepsydra at the Paint Pot Geysers during our first drive into the park. Just in front of it out of the frame is the bubbling Spasm Geyser. It turned out to be an incredible sunset and after walking the boardwalks a bit, I knew that this was what I wanted to focus on. I set up the tripod and spent some time planning my frame in a way to being out a beautiful but ghostly feel. This is the result.

For Photographers. How it was made:
I don’t like to be boring, but I’m going to get a bit technical for those of you who want it. The rest can just enjoy the sunset. Because this scene was so stunning I did a few setups, but as I mentioned in the last Photo Couch I’m trying to take more time in composing an planning my fine art images. In the end I think we end up with better work by doing so, than just trying to shoot every angle.

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