Final Embers – Pastel clouds drift by mount Nebo in Utah reflecting light on to the snow capped peaks.
We camped for a few days up on the Nebo Loop, enjoying the late Fall color and the crisp sunny weather. On this particular night I had a plan for the mountain, but the sun did not do what I expected. I was about to give it up when I realized the clouds were reflecting the fading light back down onto the mountain from above.
I remember looking behind me, seeing the glow and thinking. That’s Ansel light! Backing up the truck, I hopped out and quickly set up, prepped and made a long second exposure that would convey the pastel clouds whisking over the mountain tops. I got this one frame that conveyed just what I wanted, but that was all I needed. Soon after I made tthis image, the light faded away and the mountain slipped into night.
Gav
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints….
60 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
50 inch Signature Canvas – Limited Edition of, 35 (contact the gallery)
41 inch Signature Canvas – Limited Edition of, 100 (contact the gallery)
We are on the road for a month of Fall color. Not as long as the great 3 month winter tour, but no less epic for that. This time it’s yours truly Gavin Seim, my wife Sondra, our 3 kids, my brother and co-producer Nathan and his wife Allie. Yea, that means two cars and a lot of gas to pay for. So this trip has to be really good.
We’re filming the new PHOTOGRAPHICS Miniseries, making new pictorials and Super Camping around the west. (FYI you can check out our camping resource guide here). We’ve got 4×5 film, a cinema camera and the open road. We’ll bring you the play by play right here. You can also check out our travel map. Bring it on! Gav
Day 17-25 – Epic Hiking, Climbing Rock, and Death Camp
We’ve been on the move. Some very nice days in Utah. We were up as high as Ten Thousand feet near Cedar Breaks and down to Zion and one of the most amazing campsites ever. I finally got an image that did our secret view justice. Stay tuned for that. Nathan and I even hiked the Subway. 8 miles of grueling labor but the stunning scenery was more than an ample reward. The goods and footage are coming soon from that effort.
Nest we headed down through Vegas. We stayed most of the next day, but we didn’t touch the slots. We ran errands and did some rock climbing with a guy we met while looking around REI. It was really cool and we geared up a bit so we can climb on our own.
Next up was Death Valley. We camped on the ruins of an old trailer park on some BLM land just outside the park. Since it was so close we affectionately called it death camp. Desolation abounds, but so do interesting things. We spent a couple days there and now we’re moving on to Yosemite as we come into the final week on the road. Photographics is coming out beautifully and I have a selection of grand images that will make this trip well worth the effort.
Sondra and the kids with me at sunset in Death valley. It’s a desolate place, but there is much beauty here.We went climbing with an off duty Policeman we met at REI. That prompted us to go out and buy some gear of our own. Good times.Nathan rolling some stunning footage during a long hike. What a beautiful area.The shoe tree along US 50 in Utah. Apparently it’s a thing.The great new sign on the tailgate. Just so people know who we are. 😉Camped at 10,500 ft near Cedar Breaks. Neat area, but it was a bit cooler.
Day 8-16 The Wild Wandering Color: It’s been a good week. We’ve moved from Idaho, to Utah, to Nevada and Back to Utah. The color has been soothing to the busy mind and the filming we’ve been able to do in these locations is nothing short of stunning. We’ve pulled hours of footage in some of the most beautiful places on earth.
We’re catching up on email and supplies and then we’ll head into Cedar Breaks for some new views. After that, off to Zion, then down through Vegas to swing up to Death Valley and Yosemite NP. We’re about halfway through and the results are looking good.
Here’s a fun outtake from the filming we were doing up in the hills. Sometimes you can’t help yourself. You can pre-order the film here.The secret is for the parent not to enter a situation whereby the children can see the playground from the car window. Once this happens the parent has few options for escape.Nathan working hard as we film up on the Nebo loop.We found wild Ephedra Viridis which makes a great tea. The kids were having a blast.
A free camp up in Great Basin National park. A little hidden gem in Nevada that’s quite stunning.
Day 6 – 8. Braking Bad: We we made it down into Utah and camped at a favorite spot up by Ogden. You can see it on the maps.
Then we headed down to Salt lake area. Now along the way I realized that something as seriously wrong with the brakes on the camper. It was barely grabbing and that’s not a good feeling on those steep Utah hills. We parked at the Cabelas lot in Lehi and tore into them.
It’s taken us a few days of running for parts, but being in a big city helped. It was shot, drums scoured, magnets worn to wire. We totally replaced the entire brake system on all 4 tires and should be ready to roll in the morning with beautiful grippy brakes.
While in town I picked up some other parts for the Super Camper and ran some errands, including a trip to Picture Line in Salt Lake where I dropped them a copy of the EXposed workshop to consider carrying in the store.
We also just released a brand new image from Idaho. Check it out. Tomorrow we move on and see what the open road brings.
Side 1 torn down. It’s not as hard as it look. Replaced the entire system for about $400. We’re talking backing plates, drums and all.
Day 2-5 – It’s been a great ride already. We covered a good deal of miles and made it into far Idaho (from where I live, that’s SE Idaho). We’ll head down into Utah soon. We have two vehicles in our little caravan and we have been roaming all over. We left the interstate and found some Fall color in the Idaho highlands. We went up to Craters of The Moon monument and the stunning desolation that was there. Gavin even nearly got arrested in an encounter where he filmed a traffic stop and would not back down. It actually got a lot of news coverage. Some agree, some do not. But we can all agree that there’s nothing like a great American road trip.
We have camped out in WalMart lots for the first few nights, but now we’re finding the color. This stunning free camp spot up by Big Wood River in South Idaho gave us some great views and we pulled some neat footage for PHOTOGRAPHICS.
Stunning textural lava flows at Craters of The Moon.We drove up to Craters of the Moon National Monument. It was truly a grand piece of barren desolation. But due to our lovely government shutting down it was closed. We managed to go back down the road and walk in from a pullout. Got some good visuals.
Day 1
Loaded and ready on 10/7/11. We did not hit the road until about 6PM, but we drove none the less, making it to a Walmart parking lot in Pendleton, Oregon the first night. The scenery will get better 😉
Gavin Seim at Seattle Art Museum – Original of Puget Sound on the Pacific Coast, by Albert Bierstadt in 1870. It measures 82” x 52.5”
Does this art make me look small? I hope so.
Last week the family and I made the final day of the European Masters exhibit at Seattle Art Museum. It was a collection from the Kenwood House and many of these originals had never left England. Most were paintings that exemplified both human subjects and landscapes. Works such as Miss Murray by Sir Thomas Lawrence – Anne, Countess of Albemarle and Son, by George Romney – Self-Portrait with Two Circles by Rembrant – The Cherry Gatherers, by Francois Boucher – Greyhounds coursing a Fox, by Gainsborough and many more. Most of these originals were larger than I was and I must warn you that seeing them in person is the only way to get the true impact and inspiration they offer.
Sadly the European Exhibit itself was closed to photography being on on loan. I believe this is a poor choice part of the Kenwood House who owns it. These images are long out of copyright and as pieces of history, they should be spread far and wide and allowing photos of them will only raise awareness to their beauty. But I won’t rant. This image here was in the SAM permanent collection which does allow photography. It’s a real beauty and showcases the type of beautiful work were seeing. It’s also a work from the Hudson River School era, which is a favorite of mine for landscape inspiration. It was indeed something to see originals and much as 400 years old. There’s much to be learned from history and it’s something we’re covering in more detail in my new film, PHOTOGRAPHICS.
I’m a photographer who tries not to emphasize photography itself – Meaning that while I enjoy and teach the science, history and craft of photography, it’s not what my work is about. The medium doesn’t matter nearly so much as the result. When I make an image I’m seeking the grandness that the master painters produced. When I get my mind away from the gadgets and focus on my visualization it gets easier. We must understand the craft and science of our medium so we can work unobstructed by it, but I make furniture for walls. That’s my work. That’s what I need to focus on. Not hundreds of “good” images or how many I can post onto my website.
Photographers tend to think of themselves as lesser artists. The idea of the Wall furnishing is something we seem to struggle with – It’s a topic I recently talked about in this video and that I looked at in this article. Most of the few photographers I know who truly relate to me on this are fellow alumnus of Wall Portrait Conference. I have a hard time getting people to truly accept the idea. I don’t think people believe that their work is heirloom quality. Maybe it’s not. But it can be. Photographers are so set in the idea of snaps, 8×10’s and pics, that even when printed large they still think of them and produce themas such. More posters than heirlooms. It’s not only about the size – When you don’t truly value your work, it reflects in your finished product. When you don’t plan to make an heirloom, you usually don’t. Something to consider.
Once we realize that the medium is incidental to the finished and focus on making that result as spectacular as it can be, everything changes. One reason you see me post fewer new images than in the past is that my standards have increased. If I just make a nice photo it might make it to my Facebook page or a travel journal, but I don’t focus too much on it. I move quickly forward, pausing only when I get an image that I feel truly excels. Something like Sunset at the Celestial City that I can get serious about putting on a wall.
I’ve learned all these ideas from modern masters like Ken Whitmire and Michal Fatali and by studying the master painters spanning hundreds of years.
My concept is this – The most relevant and profitable painters and photographers are making furniture for walls. It’s not about paper or gear, except where those effect the quality of the work – The finished image on the wall is what counts. The bottom line is that studying where we came from and how painters did what they did will make us better photographers – If we can look at their work and learn how to use those ideas to make and sell our own, things take on a grand new light. It’s not easy, but we can Raise The Bar.
Some think I take this too far. That these are small things. It’s true that everyone is different and there are many types of work to be done in our industry. Not everyone must agree with me, but just take time to look at the painters and think about who is still getting noticed hundreds of years later.
There is an endless procession of good work today – But simply having work does very little to make you stand out. Raise The Bar.
It’s bittersweet as I drive down the hill towards familiar grassy slopes and familiar cities on the map. We watch a Spring sunset and flowers spattering green hills. Three full months on the road we’ve been. An adventure of that won’t be forgotten. Yet a part of me feels somehow less for it coming to an end. Like my spirit of adventure is fading because I long for that slow hot shower, a bed where my toes do not hang over the edge and where my wonderful wife’s elbows do not hit me in the side every time she rolls over.
The last few days lacked the grand adventure you look for at the end of a long trip. The kids got a stomach bug and did what you do when you have that. Sometimes we had two going at once – The miles were long and we needed to get home soon for Wall Portrait Conference. We drove hard that final day. Perhaps longer than we’ve ever done. Over five hundred miles from Twin Idaho to Ephrata WA. It took us about twelve hours between breaks, gas and pauses to clean up the mess from sick kids in the back seat.
“What a lousy way to end such a grand adventure” I thought – But somewhere along the road I stepped into the sunlight and realized it was not. Sometimes we get sick, but it passes. Sometimes things go wrong, we have to make repairs, or we come in late. All of those things happened on this trip. More than once. But they’re part of the memories, part of the adventure. They’re surrounded by moments of laughs and wide eyes glistening at the wounder of creation.
The moment I pull in I’m starting a new vacation. We worked hard on this trip. We played hard. It was a gamble too, but our new film PHOTOGRAPHICS is already showing in the black and the trip is all but profitable both emotionally and fiscally. All that time on the road, but so happy to have a place to call home.
We walk in after 91 days on the road and switch on the lights. The house is still here, warm, waiting. Nearly as we left it but for a few extra cobwebs. A bed, a shower, a late night movie with my wife after the kids are finally asleep. We really are home. Next it’s time to process the film, repair the gear, make the prints and get organized.
On Sunday we’re off for a week again to learn and teach at Wall Portrait Conference. But really we’re home right now. It’s only a couple hours away and among people we know. That home feeling is back. It’s odd. Truly surreal to walk down the isle at the store and for once in so long see people you know. Get a hug from your mom when you walk thru a door, or see neighbors wave as you drive down the street. I honestly feel strange not being the stranger here. But that passes and fades into tales of the adventure and silent longing for more.
As the sun shines on our first day home, a breeze blowing, spring flowers popping out, I realize that the world is still alive and that both home and away are something grand. Appreciating your adventure is how you look at it. There’s nothing like a place to call home, but there’s also nothing like the open road, your wife riding shotgun and kids kicking the back of your seat as the road rolls by. This is living, all of it.
Until the next trip, Gavin Seim.
Coming down from the Death Road new Zion. Amazing views.
F-35 Lightning taking off from Lubbock International, April 2013
This is not something you get to see every day – Now a pictorial does not always have to be a landscape and I don’t limit myself to that. While you may not see this image hanging my my gallery, it was a lot of fun. The F35 is the best of the best in multipurpose fighter jets. A stealth machine that’s so new it’s not even in military inventory yet and costs around 200 million dollars. No surplus deals here. You can read about the F35 here.
When touring I keep a list of people to visit with. Generally colleagues that have emailed and said to stop by when I’m in town. Eventually, I’m usually in town. This time is was Lubbock Texas. Jody from Smeyers Photography and his wife Jan were great hosts. We stayed in town two night and Jody made some of his famous Texas ribs. And by famous I mean if they are not famous they should be. We all had a good time and Cy loved playing their son Cody.
We went down to the Silent Wings Museum for a look back at some amazing glider history. On the nearby runway was one of the new F35 lets. Jody is a retired flight controller, so he know through the grapevine that it had landed for repairs. We got as close as we could, but the guys from Lockheed were not exactly chatty and eager top show it off. They would not even tell us when it was leaving.
Jody shouted out to some friends and we managed to get the details. The next day we headed down and parked the Super Camper in an empty lot as home base. Jody and I drove around the outskirts and thanks to Jody’s knowledge of the airport and a few tips, determined the direction she would be coming from. We setup and waited in the back of Jody’s pickup.
Then it came. And it came fast. I thought I was prepared but it was moving and escorted by an F16. My focus was not tracking well and I switched to manual focus as I’m generally more conformable there. I was a bit sluggish so this was a great exercise. I did get some fuzzy ones, but I manged some sharp one is all you really need. The pure blue of the sky offset by flames coming out of this 200 million dollar airplane is enough to satisfy me.
It was there and gone almost in a blink. So if you plan to photograph a fighter jet taking off, make sure you’re ready for it. It was quite a thing to see. Kind of made me want one, but I have to sell a few more prints before it’s in the budget 😉 We went back to the Super Camper had a good latte before bidding Jody goodbye and moving on down the road. It was a good day.
