Welcome to my living room. We’re back home and while I still have more from our trip coming, I decided to take a short sidetrack. This image is quite different from the serene landscapes I generally do. It was really an experiment of light and shadow. It’s late Saturday night. We went to a local square dance earlier and someone gave Cyrus a couple of those stringy glow sticks. A few hours later, home and family asleep, the sticks are still glowing. I pick them up and start playing, soon considering how I could paint with their light.
The end result after quite a bit of work is this self portrait taken in a darkened room. I’ll confess that I was a tad creeped out as I made this image, childrens toys around the dark room, something happening in the space behind and empty floor occupied by a faceless fire winged man. It may not be creepy in the light of day, but I had fun making it.
This one was made a few weeks back. It was a drippy day during this years HDR workshop in Minnesota. We stopped by Taylor Falls during our excursion and took a photo walk through the park along the St. Croix River. Light was not at it’s best, but we did our best as we discussed with each other how we might work certain scenes to fit our style and get something worth printing.
We were about ready to move on, when someone found this viewpoint. There was the Queen, resting majestically along the riverbank and waiting for the sun. I’m was told it’s not stopped here often. It immediately struck a chord with me. There was something here to photograph. I setup the gear for a long exposure, taking the time to carefully plan and get it right. It payed off with this photo as the result. It’s going to look great on a metal or canvas and will appear in the signature collection soon. I’m stoked.
Sunset's Hidden Falls - Yosemite National Park, Fall 2010.
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I’ve seen amazing things in my travels. So at first glance it just seemed like a beautiful landscape. But as I took what little time I had to really look at Yosemite through the eyes of an artist, I soon begin to realize why Ansel Adams loved it so much and to see that those giant slabs of rock towering above me were true wonders of natural beauty.
I had just one afternoon for this, as it was the tail end of our Fall 2010 tour and we needed to move towards home. I was hoping to take away at least one really good frame that afternoon. I think I did just that. I made various compositions throughout the day, and though we did not get to see a fraction of Yosemite’s beauty, we wound the narrow highways and hills, seeing what we could in the time we had. We ended up down in the village and roamed a bit, taking time to visit Ansel’s gallery and peek at some of his legendary images.
We were heading out of the village, working our way back to camp near Mono Lake. I was hoping to see some sort of sweeping sunset as the night drew in, but we barley got a mile before I rounded the bend and experienced this view for the first time. Gateway to Yosemite is a sight. With a view right cross the river and down the valley. Bridal Veil falls in the distance. Some others were in the pull off, snapping photos and enjoying the view as the low evening sun cast sprawling light on the crags of El Capitan and it’s surrounding landscape. I knew this was it and I was going to take my time.
Those of you who know me, know I’m a fan of silver prints and of Ansel. I don’t want to copy what he did, but his and others work have allowed me to gain appreciation for quality silver images as I continue to refine my own approach. In the past few years I’ve started spending time in the study of monochrome. I love color, but sometimes I just want to take it away. Allowing me to explore the canvas that is tone, depth detail and density. This was one of those times.
This this was one of those places that get’s photographed often, but I wanted something above average and was willing to wait for it. I set up the tripod and gear, waiting for some people to move so I could get right where I wanted. I meticulously analyzed the composition and setup for the image. I think I spent a good twenty minutes planning it and running few test frames, refining the focus manually and just making sure I didn’t miss this.
Finally it all came together. The light, the plan and the moment. I made my final frames, then packed up. I don;t believe I took any more photos that night. This was what I had come for and I felt satisfied. After I was back in the trailer, final process proceeded. I could try it describe the scene, the flowing river, the driftwood, and the tiny distant waterfall. But I need not because I have the result of many hours of labor to show just how it felt to me on this evening in September 2010. I’m currently doing test prints on metal and this one should be officially released this year.
