January 18, 2011

by Gavin Seim: I’m not a web designer by trade and I don’t plan to be. I’m a photographer who happens to be a WordPress nut. I think WP is the best way to build and manage a great website, blog or both. Flash is on the way out, traditional HTML less manageable. A content system like WP gives us control and can have any look we want it to. It allows us users to stay on control of our sites and mange them easily, from anywhere.

I designed this site and all my others on WP. I’ve been working with it for years now, but I know  that it can be daunting when your starting out. So along with my photography consultations I decided to officially offer… WP consultations, for people who want to save the headaches and get their site on track fast… Customization, for people that need a few tweaks to their design, but don’t want to hassle with it themselves.

I’ll also be offering a limited number of full WP site designs. You can hire me to build you one of those notorious, clean, Seim designs just for you. I only plan to do a handful of those a year however.

You can get WordPress help and consultations right here, as well as info on site design… Gav

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July 15, 2010

by Gavin Seim: I’ve said it many times. I think Burn & Dodge is a very under appreciated tool in today’s digital world. It’s about subtlety and taking the time for precise burning and dodging once your primary effects are finished can make a world of difference in your final work. Good B&D work can separate the men from the boys when it comes to the final work.

With good b&d can draw the attention exactly where you need it, enhance dynamic range, add dimension and more. It’s all there in this simple tool. I made a quick video recently as I was working to show how I use b&d in a to take control my scene. This clip looks at skies in particular, but really it can make any image pop. I also plan to make more videos on B&D the future. There’s a lot to be learned from it.

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July 9, 2010

by Gavin Seim (updated 7/21/12): I give workflow a lot of thought. In fact I started writing this nearly two years ago and it’s based on methods I’ve refined in my own business. If you read this and follow through with it, you WILL edit faster. Truth is, I’ve actually refined my skills by just by writing this down. I’m going to be a little blunt today so don’t take it personally and don’t think me arrogant. My goal is to make us all better at editing so we have more time for life. Good processing is very valuable, but it does not have to be slow.

I devote a lot of energy to planning workflow for my own studio and for the tools that I make for LR, Photoshop and Aperture (check those out here). I’ve experimented a lot and I’ve built a system that works. As photographers we often end up with hundreds, even thousands of images to edit. But editing should not be a tedious overbearing monster. What we need is a plan. I say that in a good batch workflow, you should be spending no more than 20 minutes sorting & editing per 100 images. If you spend much more than that, you likely have ENAS, or Editing Non-Awesomeness Syndrome. It’s a common ailment among photographers, but there is a cure, which we’ll address here.

This topic can get tedious if we don’t have some fun so lets keep it light. Really though. These concepts work for 25 images or 25,000. It’s about being organized, creative and efficient with editing. It’s the opposite of having countless pieces of software you switch back forth to, or endless erratic steps to reaching your goal. I can edit a wedding with 1500+ images in 3-5hrs of computer time. I’m not a light editor either, so some will do it even faster. Sure, it’s OK to spend extra time editing because you’re enjoying your work or doing fine art, but a solid foundation will make every project flow better.

Because I’ve also built a business out of making workflow tools, I’ll be using my own effects today. But these tips apply to any tools that fit into a smooth editing plan. I’m also using Lightroom. It’s the fastest I’ve found to date and can do about 90% of what Photoshop can, but about 5x faster. That’s huge! If you use Aperture or something similar that’s cool too. I’ve worked with both and the approach is essentially the same. If however you’re still doing main corrections in Photoshop, you’re probably wasting time. Doing all your editing in Photoshop does not mean you’re more creative. It just means you’re slow! That’s not to say you should not use PS. But with a good A-Z workflow you’ll use it less, edit faster and make your work better.

Here’s an average Super Workflow. Let’s say we’re working with about 1500 images from a wedding.

  1. Prepare your workspace (know critical shortcuts):
  2. Import & apply batch corrections:
  3. Sort and or rate favorites.
  4. Perform the Grid Edit.
  5. Apply creative LR edits as needed:
  6. Edit the “best” in Photoshop if needed:
  7. Tidy up and export for web, album designs etc.

Lets take a closer look.

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July 8, 2010

By Gavin Seim. Disclaimer: I don’t know Captain Awesome personally, but I feel confident that this would be his approach is he used Lightroom.

Understanding the Catalog: Updated 03/2012. I’ve discussed catalogs on the Pro Photo Show and also cover them in my LR workshops, but I wanted write it down in simple terms. First lets get clear on what a catalog does. The LR catalog is a single file (.lrcat) that houses the edits and changes you’ve made to the photos it points to. I generally explain it in analog terms. Imagine a file cabinet of negatives in your storage room. Next to it is another box and inside that are note cards referencing every negative in the file cabinet, each stating what was done to that negative to produce the final print.

The LR catalog is similar, only it’s digital. It references any images you tell it to and keeps track of what changes have been made those files. Rather than looking up a note card however, you just open the catalog and LR shows the result of any changes that have been made. LR does not care which folder the actual files (negatives) reside in. It just looks where you tell it to. Now if you were to delete the LR catalog, it would be like throwing out that box of note cards. The negatives would still be sitting where you left them, but the changes would be lost.

LR makes a default catalog when you start using it, but you can make as many catalogs as you want (File/New Catalog) and open any one of them by simply double clicking the on the catalog (.lrcat) file. Now let me share some power user tips that can make your image management easier. I make a Lightroom Catalog for each job. That’s right every senior, family, and couple get a catalog made in their honor. Sometimes people think I’m sort of a LR heretic for this, but they usually change their minds in time. It’s simple management mechanics and is becoming more common every day.

Why Separate Catalogs? Many photographers that use Lightroom have one huge catalog that all their images are referenced from. They manage projects from within that catalog using collections and the folders. The actual images may be referenced from various drives and directories all over their system. What happens when those images are moved? The catalog can no longer see them and you get an annoying question mark on the thumbnail that indicates a missing file. To use them again you have to point LR to the new location where the files have moved. In itself  this is not hard, but as a catalog grows, file management often becomes an issue and it becomes easier to misplace files.

There’s also the smaller issue of speed and reliability. Though LR deals with large amounts of images well, the bigger a LR catalog becomes, the more eggs you have in one basket and the more hassle you “could” have should the catalog become damaged (of course you should always have a backup). But even with that I prefer a more streamlined approach to catalogs. I don’t have to worry about a huge master catalog getting out of hand and I don’t want the hassle or managing it. Lets take a look.

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April 15, 2010

OK it’s Time for some fun. Since Seim Effects started we’ve been saving so much time editing that I say we need to kick back for a few minutes, relax, get some free Lightroom presets, perhaps win a prize, get some tips, laughs and best of all have a good time. You’ll find all this inside our Seim Effects Disorganized Photographer FolderMaze so lets do it.

Many of you are probably asking, what the heck is a FolderMaze. Well as photographer I think we’ve all experienced the hunt for files we placed somewhere on our computer like a needle in a haystack. FolderMaze is a reminder of why it’s good to stay organized and lots of fun as well. It’s an idea I came up with recently (though I’m sure I’m not the first) where you take a bunch of folder and search for the Golden Trophy in the folders. As a side note, I even registered the domain name foldermaze.com in case I find an idea that takes off.

But why are you still reading? Download the maze below, unzip and follow the instructions inside. Then go for the Gold. If you get there soon you can win a FREE Seim Effects editing pack of your choice. Good luck… Gav

Download The FolderMaze ZIP

Some Windows users experience file problems due to the large structure of folders. If you are having issues unzipping you can try one of these alternate packages.

You may need to download 7Zip (win) Or ZIPEG (Win/Mac) to unpack the alternate packages. These are free Zip utilities.

UPDATE (Windows Users): NOTE: This information if only regadirng this Game. All our effects packs are still wornking fine on Win and Mac – The maze seems to work great on Mac, but it seems Win does not allow folder paths longer than 255 character total length. I’ve tried to find a solution, but the Win OS cannot handle the depth of the folder structures in the maze and it causes problems. Using one of the alt packages, some Win users are able to get the maze to unpack and use it, but they may experience issues where windows does not allow them to delete the files when finished (again due to the path limitation in Win). To delete, users may need to go into the maze and delete blocks of folders from the inside to shrink the path length until the main folder can be deleted.

I know it sounds crazy that this would be a problem and I’m as frustrated as you, but it’s a limitation of the Win operating system. Win users are still welcome to try the maze, and while it should do no damage to your computer, you may have a few hassles getting it to unpack, delete ect. In the future I’ll see if it’s possible to build mazes that have shorter overall paths, but it may make them too basic to be a real challenge. Other than that we can only hope that Microsoft fixes that issue. Sorry to exclude some of you, but I had no idea Win would have a problem with this as the entire folder maze concept is very simple. I’ll see what I can do as I learn more.

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