January 4, 2013

 

Video-Screenshot

I’m really proud of this one. It’s actually been in the works for over a year. No rushing here. Color Fantasies 2 is exactly what I had hope it would be. Check out all the details here including the Virtual Demo. Below is the official press information and a link to the Press Kit with the full release, sample images and more… Gav

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Seim Effects Announces the Release of Color Fantasies 2

A system of over 100 presets for refining color images now available for use with Adobe Lightroom

Soap Lake, WA (January 3, 2013) – https://seimeffects.com/ announces today the release of powerful new color tools from Seim Effects and award-winning photographer Gavin Seim – Color Fantasies 2.

Color Fantasies 2 has been rebuilt from the ground up for stunning color nuances and control, better workflow and better mixing of effects. Every tool is either new or remastered and the result is a color toolkit that every photographer can utilize. Color Fantasies 2 allows photographers to leverage the subtleties of color in their own way, mixing, matching, and adjusting on their own terms.

“It’s like Color Alchemy for Lightroom – Built on years of development and refinement, Color Fantasies 2 is designed to help photographers create incredible color” said Gavin Seim, photographer, educator and owner of Seim Effects. “Color Fantasies 2 is all about taking the subtleties of color hues and tones and giving photographers of all genres the tools they need to quickly customize their vision and make their images sing.”

 

DOWNLOAD Press Kit and Full Press Release:

 

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January 1, 2013

PhotoGraphics8

 

It’s no secret that I love to travel, to study and to hunt out ideas new and old that will make me a better image maker.

But months on the road are not free. And gas is certainly not. The hidden but sad truth is that my bill collectors do not put my bills on HOLD while I load up my entire family and spend months on the road traveling, studying, filming and making new images. So while each of my giant trips is fairly open in it’s destinations, I still plan. Last year by big project was the EXposed workshop. It was more work than I imagined, but it also came out better than I ever imagined

Here we are in 2013 and the time has come – In around a month we’ll hit the road again for about three months. For details on that visit the tours page. This years project is one I’m very excited about. One that takes on some of the harder to approach concepts of photography, like composition and over arching technique. But it does something more. As the adventures progress, this film explores history and looks for what we can learn from it to make our art better.

The truth is I don’t know exactly what I’m going to find our there. But I know it’s going to be interesting and I’m confident you’re going to like what you see. We’re gearing up and laying out plans now for what’s shaping up to be a bold project for a small fish like Seim Studios. But stay tuned. I think you’ll be pleasantly surprised.

You can get more details on PhotoGraphics here and join my newsletter below to get updates. See you on the open road.

Gavin Seim

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December 28, 2012

cf2-video-poster

Color Fantasies 2 just landed taking color processing in Lightroom to new levels.

If you own Color Fantasies V1 you are eligible for the discount upgrade price of just $18 thru Jan 2 2013 ($24 thereafter).

You should have received an email with you special upgrade code for CF2. If you didn’t get it just let us know and we’ll fix you up.

Just email, effects@seimstudios.com

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December 3, 2012

 

Winter’s End – Taken a few minutes apart. The mobile image  lacks any fine detail up close and fine detail is totally lost in that pasty look that is common of low end cameras and lenses. The film scan however holds up well. See complete image details here on Gavin’s journal. More examples below.

by Gavin Seim: When I was starting out you we’re not even regarded as a respectable portrait photographer unless you used at least medium format. How things have changed. But this mobile photography for the sake of it is a passing fad.

The camera in your iPhone costs about ten dollars to make – Now I was browsing Facebook the other day I found the above reference photo I posted while on our Spring 2012 tour. I remembered that morning, the light on the trees and how my 4 year old son rode with me to greet the sunrise. It was a good memory. But next I compared it as a photographer to the final print version of Winter’s End. That promoted me to compare others, from both film and digital, comparing them to their mobile counterparts.

A great image is more than the sum of it’s tech specs – But when those details are far below the sum of it’s artistic merit, it brings down the entire work.

What was really illustrated was the vast difference between a point and shoot image and a quality photograph. Even I had not realized how poor the quality was. The phone photo is a good reference and helped me plan and log I wanted to produce. It was also fun travel memory and some might say it was “good enough”. But I’ve learned that “good enough” is not how we produce great images to stand out in today’s market.

I see more and more people acting as if phones are serious cameras. Sometimes even touting it as something special. This bothers me because a low grade camera is not a feature of your art (and make no mistake, your phone camera is low grade). It’s true that gear does not make a photographer. But low image quality can make even the most accomplished photographer look like an amateur. Comparing a phone snap to a professional level camera is a bit like comparing a Prius to a dragster.

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November 29, 2012

Those of you that follow my work know that I love working with 4×5 large format film. I still use digital, but 4×5 scans blow it away in terms of detail for my wall prints. More about why I love film in this article.

Today, I made a “quick video” looking at how I prepare images for wet scanning using my Epson V700. The V700 is not sold as a wet scanner. Epson wants you to buy the V750 for that. But the truth is the scanners are the same in nearly every area other than the wet attachments. To top it off, the wet scan upgrade from BetterScanning is said to be better than the stock one that comes with the V750.

Why Wet? Think about your car when you’ve just washed it – When it’s wet the scratches are less visible and everything looks pretty and shiny. Wet scanning has a similar effect. The film is suspended in liquid, which helps reduces small dust and scratches. Furthermore it gives me optical clarity that is not impeded by the surface of the dry film. That produces a better contrast and more detail – There’s an interesting discussion on this topic here.

My process works well and the resulting images go into Lightroom and Photoshop for final details. I have had drum scans done and plan to use them, in time, for VERY large prints in the 100 inch plus range. In my experience a good drum scan (which can easily cost over $100) is better than my Epson wet scans but probably by only 10-15%, so unless I am making a giant print it’s not an issue, even for a quality fanatic like me.

Other Tools: I use Silver Fast scanning software instead of the default Epson software most of the time. In general I find it’s very powerful. Silver Fast support is a bit lacking, but it’s a bit like a Photoshop for scanning and gives lots of control. That said you can get great wet scans with the default software. I use Kami fluid to mount with. It works well and goes a long way. Here’s the rubber roller and I like Purosol and Kimwipes for keeping all my glass clean. I use Duralar sheets to sandwich the negative between fluid and glass. A DataVac is good for serious air and these awesome craft tweezers make picking up the film a snap.

Film is not easy. But it’s coming back because it’s very rewarding and results in stunning, unique images loaded with detail, especially from the larger formats. Here’s a couple recent images I did on 4×5. Of course if you come to my gallery sometime, you’ll be able see the detail in all it’s glory – Enjoy, Gav

Ghostlands – Eastern OR – 4×5 HP400 Film. Full details here.
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