February 27, 2012

A portrait of Gavin and his family by Ken Whitmire. Made while they were camped out for Wall Portrait Conference 2012. It hangs as a sixty inch print on canvas in Gavin’s living room.

By Gavin Seim: Follow updates on… Facebook | Twitter | Newsletter

There’s nothing like miles of open road and your beautiful wife riding shotgun. Like giggling kids in the back seat with camera bags and cracker crumbs. Like the warm wind that whips in the window and tosses your hair. There’s nothing like the feeling of adventure and uncertainly. Of going somewhere you’ve never been before, tasting nature on the air, and doing something that, just maybe, no one else has ever done before…

A photographer and family road tripping across the USA? No easy task, but it teaches you a lot. About versatility, family, and of course, photography. In fact, many of my most advanced techniques and studies come from the zero deadline environment of road tripping.

In 2011, we spent around 3 months on the road. In 2012, we’re spending nearly that just for our Winter tour and probably 4-5 months in total. To be clear, we’re not just heading to snowbird hideaways and hunkering down. We travel, thousands upon thousands of miles, exploring the US and all it has to offer an American Pictorialist seeking the very best views in the world.

How It Works:

The long trips start months in advance: planning the direction of travel, lining up workshops or events to help pay the hefty gas bill. We’ll be up around three thousand dollars just for fuel for our Winter tour. That part can be a real burden, and it really makes you think about what’s happened to costs and the economy in this country. But let’s not get into that just now; I’m having fun here.

Next, I work like crazy around the studio in preparation. That also involves making sure sessions are scheduled for our return or out the door before we leave. I run a low volume studio that focuses on high end wall portraits, so I can be flexible regarding when and how I organize sessions, but it still takes planning. I don’t want to lose too much business. I make sure the house is sewn up, too, and try to leave things tidy. We make sure the maintenance and latest upgrades are done on the Super Camper. Back at the studio, I tie up all the loose ends, put out a sign that says, back in three months, turn ON the print spotlights, and lock the doors.

Here’s an inside look at The Super Camper. A few upgrades have been added since this, but you’ll get the idea.

Snapshot of the the crew hiking in White Sands New Mexico, March 2012.

Time To Roll: The wife and I load up everything we can fit, including the our three kids, and off we go To The Wild. The main thing that gets us out there is the Super Camper. It’s a 2011 Forest River 21SS that’s been tricked out as a boondocking machine. Still, It cost $20,000 brand new and we’ve probably only  put another 5k into it. It’s pulled with our 2001 GMC 2500 Crew Cab 4×4 running a Duramax diesel. For those interested, this little trailer and all the upgrades we’ve installed run up to about $25k. No chump change, but not so much considering what we can do with it.

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February 23, 2012

DRAFT: We found this amazing camp up in the Coral Canyon area. A surprisingly little used OHV area in CA that is stunning on nearly every side. It had rained recently bringing out the winter green, but our days here were beautiful and warm and when we weren’t exploring the landscape we we’re drinking good coffee or lying out on a blanket  with the kids, looking up at the blue sky.

I spotted this on our first drive the night before but sat on it for a day. Going back, I let the kids play in the road (it was more of a trail and mom was watching them), while I climbed up the hull onto a mountain of boulder for a stunning view of the valley and the unique shape of the Morena Reservoir. I waited as the sun sank and the light begin to sing.

Morena Sunset. Gavin Seim, 2012.

For Photographers. How it was made…

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January 6, 2012

Evening Passage. Upper Tipsoo Lake, Mount Rainier National Park, Fall 2011, by Gavin Seim.

We made a trip this fall into the forests above Yakima, below the rear entrance of Mount Rainier national park. It’s a breathtaking view up here if the weather favors you. And while it was pretty grey on this evening around sunset, the sky had it’s moments and beauty. There was indeed a gentle subtlety singing in those peaks, hidden away within the folds of light and shadow,

The result is Evening passage, a silent reflection in the upper lake, made calmer my the gentle passing of clouds and ripples in this long sunset exposure.

Release Details: Prints Currently available. Contact the Studio for availability and ordering.

For Photographers. How it was made…

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December 14, 2011

Right cut. Original RAW file desaturated in LR. Left cut, same file with the Dynamic Silver III preset from Silver Shadows 2 applied in LR.

Just a few quick observations today. One reason I stay in a RAW as long as possible is that quality and dynamic tonal control is at it’s highest on an original RAW file. Once we leave that environment, we can certainly still work with tonal values, but we throw away some of that precious information.

On the right is a sharpened and desaturated original file from Sunset’s Hidden Falls. On the left, the same file with nothing more than applying Dynamic Silver III from my new Silver Shadows 2 toolkit. This effect pulls out dynamic range without flattening the shadow and contrast too much. It could also be done manually of course.

Once I have the dynamic range under control, then I’ll move on to external edits as needed. I don’t hesitate to go into Photoshop (though I try to stay in 16bit mode) for detail work. I did plenty of that on the final version of this). But getting my basic tonal range managed before I leave the RAW file behind gives me better results and helps me maintain that quality as high as possible for my wall prints. It’s a better wokflow and a better image.

Gav

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December 13, 2011

Click To Listen>> Photography Podcast. PPS #82
Direct Podcast FeediTunesPodcast Alley

Today’s Panel... Gavin Seim –  Barry Howel –  Dennis ZerwasBrady DillsworthJonathan Bielaski

On this years annual Christmas bash we we have fun talking about light, 2012, lots of great gadgets and gifts, and even avalanches… If you listen to the after show.

Podcast #82 forum discussions:

Main Time Indexes:

  • 03:30 News and Rumors.
  • 23:00 L Rounds – Light, 2012 Business..
  • 59:45 Talking Copyright.
  • 1:09:00 Selling Us.
  • 1:10:25 Picks of the Year.
  • 1:49:05 After Show 2011.

 

Links…

Is Adobe fleecing us again. Kelby writes them a letter.

Agency Access commercial PR like agency for photographers.

Johnathan’s personal portrait project, For The Love of It.

On photography. A video of Ken Whitmire.

Copyright info and tips for photographers.

If you’re going to imaging USA email Gavin, prophotoshow@gmail.com

PICKS. Lots of them.

Gavin, DSLR bot…
Gavin, La Crosse Technology BC-700 charger.

Barry – hassy nikon mount.
DZ… Steam Fast fabric steamer for backdrops.
John… Bubble levelPro Gaff Gaffers Tape.

Brady. Lastolight Tri-grip reflector –  Lumiquest LTP hotshoe softbox.

Gavin… 126 LED light panel.

Barry… Rouge flash bender.

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