Memory Lane. Southern CA forest, Corral Canyon, Spring 2012.
It’s that peaceful time just before sunset in the hill country. Warm breezes and insects flying in the evening air. That gentle flair of the sun peeking thru the trees before it recedes into night.
I can almost taste the peaceful feeling we had that evening, my four year old standing next to me with his little camera and a cool mountain breeze drifting over the valley. It was in a remote forest near one of our favorite camp spots of the winter 2012 trip.
I’m finding the simple scenes often have more impact to people than the grand iconic landscapes. Say Arches or the Grand Canyon. Don’t get me wrong, I love the grand landscapes of America. But sometimes the simple idealistic scenes evoke something more. Each person adding their own experiences and emotions into a scene, triggering memories, sights and sounds.
Release details: Prints available. Contact the studio. Learn more about prices. Available prints…
King of the Valley – Valley of the gods Utah, Spring 2012
We drove out of Colorado and into Utah, planning to see Monument Valley. And we did, but what was better than that was Valley of the gods Utah. A place created in the same magnificent beauty as Monument, but open and spacious. Where you camp below giant spires of red rock and stay up late into the silent night looking at the stars streaking overhead.
Sometimes I think God used more colorful paint in Utah. We stayed three days here in the valley on this little used public land. Exploring the area and enjoying the sweeping colorful views. The sunset brought some of those great early spring clouds and that radiant color of light that only Utah seems to have. It was a memorable place in our 2012 trip and a colorful image for my collection.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.
Released prints….
55 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
42 inch Signature Canvas – Limited Edition of, 20 (contact the gallery)
The Night Watcher by Gavin Seim - Near White Sands New Mexico, March 2012
An open New Mexico sky and a gentle foreground glow from the lights of a distant military base. This tree stands alone on a dusty patch of earth. In the daytime you might not think much of him. But as he watches over the trailing stars of night his delicate majesty is revealed in full.
I made this just outside the camper in the same spot near White Sands where I made Sliver Moon Blues. A seemingly barren patch of earth, that in three days offered me two new images. But I had to work for it and I was up until the middle of the night making it happen. It took well over an hour for each exposure and that adds up fast. It was worth the effort however and the Night Watcher is the result.
“Many think they’re ready to build a skyscraper by nature of the fact that they own a hammer. I submit that they should learn what a nail is first”
by Gavin Seim: I have a true story to tell. The other day while traveling, I saw a woman at a rest area on the Salt Flats of Utah taking photos of a family, the sun gleaming overhead.
There were no strobes to compensate for the intense light, the shadows on the faces or that glaring sun. Just a person with a camera moving bodies and working in seeming blind confidence that she was in control. Not a single flash in sight. Not that that would have been enough. No consideration given for the fact that the light, the way it was being used, was completely wrong.
I felt kinda bad for the family who probably thinks they’re getting good portraits. I felt annoyance for the would be photographer who took on something she was unprepared for, while in reality she seemed to have no idea what she was doing. Perhaps she was honest with them about her experience. But from what I saw, it struck me that she was posing in more ways than one.
It was clearly a planned session were this lovely family came to meet their photographer. I felt tempted to let them know that they were getting little more than they could have by handing their iPhone to a passer by. But I setup my 4×5 for a stark desert landscape and tried not to think about it as they bustled around in the corner of my eye doing cheesy poses in what “could” have been an amazing setting for a portrait.
When my son asked what they were doing, I explained ruefully that they “thought” they were making portraits.
Some of you may feel I’m being mean. But I’m not and if this offends I suggest you read it again. My job here is to challenge. I want people to learn, I love to share expediences. But I won’t offer them a pretense. I’ll tell my fellow photographers the truth so we can all grow. I don’t know this person first hand. In fact I’m glad the faces are not distinguishable. My story is not just about this person, or about naming names. It’s a reminder of the fact that this is happening too often.
I don’t know exactly how these photos will turn out, but I have a good idea. I can say with certainly that the portraits were not being done well. Both the client and the would be photographer are getting the short end of the stick. The family will get poor images for whatever they paid. The would be photographer will probably go on in digital bliss rather than actually learning the trade she wants to be a part of. Eventually she will likely tire and give up. All because she has the pretense that you can be a good photographer simply because you own a camera. No experience required.
Some will say “You have to start somewhere”. There is truth in that, but we still need to learn before we leap. We need to learn what the brake is before we drive a car. There was a day when “starting somewhere” meant learning how do something reasonably well before working for pay and selling yourself as a pro.
There’s are surely some new photographers reading this. Don’t be offended at my frankness. It’s OK to be new. But don’t be the person that takes on something you’re not prepared for while acting as if you are. If you don’t know how to light, pose or plan your project, then go learn about those things before you jump in and start charging. It’s a science. Not something you just make up as you go.
I’m absolutely for sharing knowledge and yes, I imagine most of us are guilty of having someone who was a bit of a lab rat on the journey to skill. That’s fine as long as we were honest with them. But increasingly we see people who don’t desire knowledge and think they’re artistic masters right our of the gate. Experience matters. It’s not wrong to be inexperienced, but it’s wrong to pretend you are, when in truth you are not. Take your time, learn the skills, the marketing, the sales, the presentation, the science. Because if you don’t, your journey will likely end in frustration.
Some think they’re ready to build a skyscraper by simple nature of the fact that they own a hammer. I submit that they should learn what a nail is first.
by Gavin Seim: Taking the time to watch the histogram is invaluable. Left is dark, right is light on a histogram. But beyond that you can better understand and work the highlight and shadow detail your way, before exporting to Photoshop, printing etc. And it’s not hard.
I recorded this video and hope to do more soon. In it we analyze what the histogram tells us about an image and how we can learn to better understand our images using it.
Starting with presets is a great way to get an image going, but don’t be afraid of those curves sliders to move things around. You can control tone and dynamic range beautifully on the RAW file without losing contrast. Just watch for artifacts or noise if you push things far (see the Six Keys).
Get comfortable with your histogram. It can tell you a lot, both in camera (trust your histogram more than what you see on the camera screen) and in post (just about everything you need to know). Powerful stuff indeed. Lets take a look…
