April 23, 2012

The Night Watcher by Gavin Seim - Near White Sands New Mexico, March 2012

An open New Mexico sky and a gentle foreground glow from the lights of a distant military base. This tree stands alone on a dusty patch of earth. In the daytime you might not think much of him. But as he watches over the trailing stars of night his delicate majesty is revealed in full.

I made this just outside the camper in the same spot near White Sands where I made Sliver Moon Blues. A seemingly barren patch of earth, that in three days offered me two new images. But I had to work for it and I was up until the middle of the night making it happen. It took well over an hour for each exposure and that adds up fast. It was worth the effort however and the Night Watcher is the result.

Release details: Prints Coming Soon.

For Photographers. How it was made…

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April 21, 2012

“Many think they’re ready to build a skyscraper by nature of the fact that they own a hammer. I submit that they should learn what a nail is first”

by Gavin Seim: I have a true story to tell. The other day while traveling, I saw a woman at a rest area on the Salt Flats of Utah taking photos of a family, the sun gleaming overhead.

There were no strobes to compensate for the intense light, the shadows on the faces or that glaring sun. Just a person with a camera moving bodies and working in seeming blind confidence that she was in control. Not a single flash in sight. Not that that would have been enough. No consideration given for the fact that the light, the way it was being used, was completely wrong.

I felt kinda bad for the family who probably thinks they’re getting good portraits. I felt annoyance for the would be photographer who took on something she was unprepared for, while in reality she seemed to have no idea what she was doing. Perhaps she was honest with them about her experience. But from what I saw, it struck me that she was posing in more ways than one.

It was clearly a planned session were this lovely family came to meet their photographer. I felt tempted to let them know that they were getting little more than they could have by handing their iPhone to a passer by. But I setup my 4×5 for a stark desert landscape and tried not to think about it as they bustled around in the corner of my eye doing cheesy poses in what “could” have been an amazing setting for a portrait.

When my son asked what they were doing, I explained ruefully that they “thought” they were making portraits.

Some of you may feel I’m being mean. But I’m not and if this offends I suggest you read it again. My job here is to challenge. I want people to learn, I love to share expediences. But I won’t offer them a pretense. I’ll tell my fellow photographers the truth so we can all grow. I don’t know this person first hand. In fact I’m glad the faces are not distinguishable. My story is not just about this person, or about naming names. It’s a reminder of the fact that this is happening too often.

I don’t know exactly how these photos will turn out, but I have a good idea. I can say with certainly that the portraits were not being done well. Both the client and the would be photographer are getting the short end of the stick. The family will get poor images for whatever they paid. The would be photographer will probably go on in digital bliss rather than actually learning the trade she wants to be a part of. Eventually she will likely tire and give up. All because she has the pretense that you can be a good photographer simply because you own a camera. No experience required.

Some will say “You have to start somewhere”. There is truth in that, but we still need to learn before we leap. We need to learn what the brake is before we drive a car. There was a day when “starting somewhere” meant learning how do something reasonably well before working for pay and selling yourself as a pro.

There’s are surely some new photographers reading this. Don’t be offended at my frankness. It’s OK to be new. But don’t be the person that takes on something you’re not prepared for while acting as if you are. If you don’t know how to light, pose or plan your project, then go learn about those things before you jump in and start charging. It’s a science. Not something you just make up as you go.

I’m absolutely for sharing knowledge and yes, I imagine most of us are guilty of having someone who was a bit of a lab rat on the journey to skill. That’s fine as long as we were honest with them. But increasingly we see people who don’t desire knowledge and think they’re artistic masters right our of the gate. Experience matters. It’s not wrong to be inexperienced, but it’s wrong to pretend you are, when in truth you are not. Take your time, learn the skills, the marketing, the sales, the presentation, the science. Because if you don’t, your journey will likely end in frustration.

Some think they’re ready to build a skyscraper by simple nature of the fact that they own a hammer. I submit that they should learn what a nail is first.

Thanks for reading… Gav

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April 19, 2012

by Gavin Seim: Taking the time to watch the histogram is invaluable. Left is dark, right is light on a histogram. But beyond that you can better understand and work the highlight and shadow detail your way, before exporting to Photoshop, printing etc. And it’s not hard.

I recorded this video and hope to do more soon. In it we analyze what the histogram tells us about an image and how we can learn to better understand our images using it.

Starting with presets is a great way to get an image going, but don’t be afraid of those curves sliders to move things around. You can control tone and dynamic range beautifully on the RAW file without losing contrast. Just watch for artifacts or noise if you push things far (see the Six Keys).

Get comfortable with your histogram. It can tell you a lot, both in camera (trust your histogram more than what you see on the camera screen) and in post (just about everything you need to know). Powerful stuff indeed. Lets take a look…

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March 23, 2012

Color Fantasies presets are all about creative color in Lightroom and they just got updated with loads of new refinements and full Lightroom 1-4 compatibility.

Here’s a pack of FREE presets that gives a little sampling of what’s in the full version. The 1.7 update marks all Seim Effects presets as being LR4 compatible and this download includes updated presets for LR 1-3, as well as the new LR4 versions.

Below you can download the six free presets from Color Fantasies. If you like what you see get the full collection with more than 60 presets, guaranteed to please. Have fun… Gav

DOWNLOAD the FREE Color Fantasies 1.7 Presets Sampler (ZIP)

Check Out The Video & The Complete Set Here

A little Color Fantasies User Feedback. More on the product page…

“The new “Color Fantasies” is gorgeous.” Julian Fuhrmann

“Got the Color Fantasies yesterday and you’ve outdone yourself” Connie Graham Terry.

 

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March 21, 2012

I’m still out here recording footage for the new EXposed video series. I plan to keep on teasing until the series releases this summer, because it’s going to be that good. But I won’t waste time. Check out, “New Mexico Camp” below and then head over and save 50% on your pre-order of EXposed.

 

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