October 15, 2008

12

Dennis Zerwas, Gavin Seim, Nature, Photography Podcast, Portrait, Pro Photo Show Podcast, ProPhotoShow, Weddings

Pro Photography Roundtable Podcast #10 ~ Pet's, Pew's & Nature

<<Click To Listen – Photography Roundtable Podcast #10 – PPS #51

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Todays Panel:
Gavin Seim ~ Seim Studios
Dennis Zerwas ~ DZ Photography
Paul Walker ~ Paws Pet Photography
Erik Guggenheim ~ CopperBreaks.com
Scott & Adina Hayne ~ Hayne Photography

Notable Time Indexes:
3:55 News & General Talk
52:33 Scott & Adina on selling Weddings & Portraits
1:04:06 Paul on Pet Photography
1:14:25 Erik on the Nature business

Listeners can Save with these codes:
15% from OnOne software with promo code PRPHTPC
15% on Seim Effects with promo code FALL

Roundtable 10 Forum Discussion:

Links:
Kodak Launches Ektar 100. Yep real film

5D MK2 is here

Pet Photography NOW: by Paul Walker

On This Earth: Photographs from East Africa: Nick Brandt

Orphan Works act may be dead

Freebies on the Seim Effects Facebook fan page.

Some articles of note…
90 seconds to better photography
Managing LR catalogs and images for Pro’s

____

Picks of the week:
Adina: Shoot Cue Studio Software

Scott: Brinkmann Maxfire Dual Xenon Spotlight

Paul: Our Peaceable Kingdom: The Photographs of John Drysdale

Eric: Molar Bean Bags

Dennis: Moon Phase for iPhone – Led Headbeam Lamp

Gavin: Good Printable Disks: Taiyo Yuden Water Shield Printable CD & DVD –  Overnight Prints for postcards and bussiness cards.

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October 12, 2008

2

Gavin Seim, Portrait, PPS Photography Tips, ProPhotoShow

Staying Inspired: Does your photography get burnt out?

I want photography to always feel like play, even though I’m getting paid to do it. Often what separates work from play is how we think of it, and changing how we think is not always easy. Good photographers are photographers because they love photography (say that three times fast)

As a professional photographer with a growing business, I often find myself needing to step back and review. What, how and why am I shooting? Obviously I want to to make a living, but in the hustle the stress of keeping clients thrilled I can forget that I’m doing a job I love, and start thinking all business. Being paid for something you love doing is a real blessing, and many of us have worked/are working hard to attain that.

I think it’s easy to get burnt out if you don’t try new things. When you get burnt out that means you’re less creative, and passionate about photography. Both you and your clients suffer for that.

Lately I’m turning to nature and landscape. If I MAKE time to go and just shoot, I relax and start to think about my work. It breaks the mold and helps me learn new things that I can apply to my “real” jobs. Sure I sell my nature photography, but I don’t really make any money from it. It’s just my way of slowing down remembering what a beautiful world God has built around me and that I became a photographer, not to worry about how much money I make per hour, but because I love photography.

Not always nature. A few minutes ago I went out in the backyard with my wife and shot portraits using only my 50mm 1.4. It was a way for me to experiment and learn, but without deadlines or requirements. Once I started It was really fun and my wife loves the attention; double win. The problem is that often I put such things aside because I feel I’ve been shooting more than enough with other jobs.

Maybe you’re with the crowd who’s not trying new things, but should be. Or maybe your somebody who doesn’t easily get burnt out and can stay relaxed. Or maybe I’m just a stress case and nobody else deals with this. Speaking of relaxing, I’m off to call a square dance. Relaxing doesn’t always have to be photography you know 🙂

What do you do to stay inspired, relaxed and on your toes? Let’s hear it in the comments.

by Gavin Seim

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September 26, 2008

16

Gavin Seim, Nature, Portrait, PPS Photography Tips, ProPhotoShow, Review, Weddings

Become a Better Photographer in 90 Seconds – 24 One Line Tips

Ghosts of Clepsydra Geyser - f164By Gavin Seim: (updated 09/11): I often hear from photographers asking me to look at their work and tell them how to be better photographers. In ten seconds I can usually tell them how to improve because we often overlook simple things. There’s nearly always something we can improve, no matter how much experience we have.

Most rules are universal to photography of any style or any experience level. Of course these rules are meant to be broken, but general concepts help us stay on track and we should only break rules for good reason. These are some tips I keep in mind with my own work. Hope they give you a few reminders. When your done here some join us in the forums to get some personal feedback. OK let’s roll.

  1. One primary subject. If you have more, you’ll have distraction.
  2. Omit needless objects. Getting them out will clean up your scene.
  3. Slow down. Many images are ruined because of RTC (Rush To Click).
  4. Tonal control is essential. Use the Zone Scale, Burn & Dodge.
  5. If a background detracts from your scene, change or carefully blur it.
  6. See Light. Where’s it coming from, how can you use it.
  7. Learn the rules photography. Then you’ll break them for good reason.
  8. Don’t just center things. Use the rule of thirds & others. They work.
  9. Eyes. Watch close, keep them sharp. They hold emotion.
  10. Use the Magic Hour. Around sunrise/sunset, light happens.
  11. Keep it sharp. Watch your shutter speed & subject movement.
  12. Space is valuable in a frame, keep clutter away with comp & tonal control.
  13. Harsh sun can be bad. Learn to manipulate it and find good light.
  14. Shadows are critical. Without them the light gets ignored.
  15. Great images start in camera. But don’t underestimate careful editing.
  16. Use fresh ideas, but also go for those old reliable images.
  17. If the weather is foul, it doesn’t mean the photos will be.
  18. Lines lead the eye. Pay attention to where they go and intersect.
  19. Change hours. Different times of day will transform a scene.
  20. Think about shadows and dimension. Flat light is usually boring.
  21. Motion Blur can be very powerful, but use it carefully.
  22. Take time to really LOOK at your subject before releasing the shutter.
  23. Study. Photography has 150+ years of history. Go learn about it.
  24. Remember… Slow down, refine, simplify. Analyze your scene.

 

seim-bridge-600x400
This award winning image has a lot going for it. Notice the balanced intersecting lines, bold colors, and simplicity of the scene. It leads the eyes and tells a story.
Focus Blurring was an effective tool here. The light at the ceremony was great but I wanted the focus on the couple. I used a Lensbaby to give me the soft edges and then some work in post production to make the viewers eye go right where I wanted. The blue could have also been done in post, but I enjoy the Lensbaby.
Silver Waves of Grain: Motion blur was used heavily in this 5 min+ exposure. This gave a ghostly feel to the fields and clouds, completely changing the feel of this scene. Then detailed tone work was done to add depth and dimension. You can click the image to read a detailed article on f164.com about how it was made.
Watch the details. Look To the Wind, is one of my early (and more recognized) HDR portraits. The space gives it a bold cinematic feel and the simplicity of the deserted beach adds strength to the scene. Looking back however I could have watched my lines more. The way the horizon cuts at the shoulder is not ideal. It's still a great image, but if I was doing it over I would try being higher with the camera for an even more powerful composition.

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September 10, 2008

3

Gavin Seim, Photography Podcast, Pro Photo Show Podcast, ProPhotoShow

Pro Photography Podcast #50 ~ Suprassing Expectations

<<Click To Listen – Pro Photo Show #50

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Host, Gavin Seim; Seim Photography – Seim Effects

Show notes…
Pro Photo Show #50 Forum Discussion
Join the forum discussion of recently announced cameras, DRM, canvas wraps, long exposures, surpassing customer expectations and more. Also see the Should Photographers Be  required to be licensed thread.

-Canon 50D is official plus a new 18-200 EFS 3.5-5.6

-Seim Effects FB fan page. Get free goodies if your an SE fan.

-New Canon Bodies soon! Hopefully the 5D MK2. The Canon Moon ad is a great way to get people talking.

-Nikon D90 is confirmed and has HD video.

-Sony A900 full frame DSLR coming soon. Will they contend with the big boys?

-Adobe CS4 to be announced on Sept 23rd. Do we really want it yet, or is this an Adobe cash cow.

-Blow Up 2.0 is out from Alien Skin is out.

Gallery Wraps. Who do you use? Here’s a guy reviewing then on Flickr.
– Pixel2Canvas
– Collages
– Canvas On Demand

Talking about impressing clients, and surpassing expectations.
The Purple Cow is a great book to help you get ideas on being remarkable in your business.

Photographers Edge photo cards.

Rice studio supply for studio materials.

Pick of the week…
Cable Releases

On One Pligin Suite 4


Podcast subscription feed is http://feeds.feedburner.com/prophotoshow

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August 9, 2008

0

Canon, Cool Gadgets, Gavin Seim, Nikon, ProPhotoShow, Review

Cool Product Of The Week. Kenko Extension Tubes!

419ffbsjutl_ss500_.jpgExtension tubes allow you to put a spacer between your lens and your body this giving you a close macro focus distance.

Canon sells these, but there a bit pricey, so I decided to try the Kenko brand. They work great! You still maintain the contacts with the lens so you have all the metering and AF (though manual focus generally works better when your shooting a macro). You aren’t adding any glass in between, so image quality stays good, and the tube attached just like a lens.

Now if your really into macro a dedicated lens would doubtless be better, but these tubes are pretty cool. I just stick a 25mm tube on my lens, and I’m off to the races! I find my 24mm works best on the 50mm range lens.Wider angels don;t seem to like the tube, but I think the 12mm might work better for those.

You can the the whole set of 3 for Canon, or Nikon off Amazon for about 160- bucks (as of writing) Or you can just get one tube and see what you think. If your getting one I’d say start with the 12mm, or 24mm for Canon or Nikon

Here’s a shot I took this morning with a 24mm tube on my Canon 50mm. I’ve always thought macro was cool, this is a great way to play with it and get great results..

macro toothpicks

Gavin Seim

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