January 22, 2012

0

beauty, f164, Fine Art, hogarths, journal, line, Nature, silver, technique

Churning Beauty – The Oregon Coast

Churning Beauty, Jan 2012 by Gavin Seim. HWY 101, Oregon Coast.

One thing I love about the sea is the way it displays natural art with such simplicity. We traveled the 101 for a few hundred miles early on in our winter tour. With that came some bad weather and some moments of sweeping coastal beauty.

The line of beauty is something most experienced artists are familiar with. If not in name, then in practice. It’s that sort of sweeping S curve that comes from nature itself and is nearly always pleasing to the eye. That’s what really stuck me here. The entire coast with it’s waves rolling, is a series of sweeping curving lines. One has to wounder if Hogarth, the man recognized with making the line of beauty a known artistic element, looked out over these very shores.

The result of this days work is a square that showcases details of the ocean. Leaving much to imagination, but leading me thru the scene, reminding me how beautiful and powerful the water is. The passage of man means nothing to the sea. It simply moves on, rolling over the footprints and awaiting another day.

Release details: Prints available. Contact the studio. Learn more about prices. Available prints…

For Photographers. How it was made…

Read More

November 13, 2011

0

beauty, color, f164, Fine Art, journal, Nature, signature, technique, water, waves

The Artist’s Sunset – Oregon Coast

Artists Sunset – Ken Whitmire in Pacific City Oregon. Fall 2011 by Gavin Seim.

It was one of those Sunsets. The ones with stunning clouds and radiant colors that seem to last forever. Like a great song that keeps on playing. I was on a road trip to the Oregon Coast with Ken Whitmire, the renown portraitist. Ken was working with a family on the beach in Pacific City and I assisted, while getting images and video for a project we were working on.

About halfway through Ken was on his ladder, having this family of five walk down the beach. I just stood back and watched. A bit envious of the amazing portraits he was going to take home. It was a stunning evening. I took in the incredible ocean landscape with some awe. In between video clips, I decided to go vertical and try to illustrate Ken as the working professional in his environment. I hoped for a sort of memorable feel that that artists and photographers could relate to.

This has been really well received. I admit, I did not realize it would strike such a chord, but I’m glad it did. To me this says something about creative craftsmanship and taking your time. It reminds us to take the extra steps up that ladder to make an image Great. That’s what Ken Whitmire has done for over fifty years and I’m glad I got to be  a small part of that.

Our road trip was a memorable one in more ways than one. In fact by brother and I wrote a short short story about this trip. You can read that here on the Brothers Seim blog.

Release details: Prints available. Contact the studio. Learn more about prices. Available prints…

 

For photographers. How it was made…

Read More

July 10, 2011

0

f164, Fine Art, Nature, signature, silver, technique, travel

Trilogy of the Surf.

Trilogy of the Surf, by Gavin Seim. May 2011, on CA 1. Triptych print release pending. View the larger images below.

The Pacific Ocean mesmerized me as we drove, trailer in tow, along Route 1 this Spring. It’s so vast, an endless expanse peeking through the passing trees. I spotted a large pull-off along the winding highway, so we stopped for the view and a trailer break. Cyrus and I looked over the edge, seeing the waves strike against the rocks below. Soon I found myself setting up, adjusting the composition and then capturing frame after frame. I was entranced at how each and every image could be so similar and yet so different, the patterns and tones of water combining in endless ways along the rock, though all going to the same place.

Normally, I’m all about a single frame, but it was too little here. Sometimes I break my own rules, and, after a lot of consideration, I really felt this sequence worked. I spent hours finalizing which final images would go into it, and how I could best present them. Then weeks went by as I rethought, making sure I could do nothing to make it better. I’ve also made some test prints, and I plan to release it as a single triptych print and perhaps a few as three separate images (kept together, of course).

Due to the computer’s insufficiency at conveying a wide image, I’m also adding the individual frames from the sequence below so you can take in a bit more detail. Just bear in mind; they will be presented as the triptych above, not separated by themselves. I hope these waves mesmerize you as much as they do me. Enjoy…

Gav

See all three images lather and read details…

Read More

June 4, 2011

0

f164, musings, Nature, travel, waves

The Ocean Lines.

Endless lines with dappled light and colors, even after sunset. I think there’s a lot to learn about photography from the ocean: the patterns and lines, the way it plays the light.  Never have I seen so many perfect lines as in the waves and currents. Now excuse the quality of this video as I was using only my iPhone, and  it was nearly dark, but crank it up to HD, and I hope you’ll get a little of what I felt here.

This is from our Spring tour while in Pismo. I did take home some photos of the ocean that you may have seen in the archives, but the other thing I took home was awe. Maybe I just sound crazy, but my excitement was genuine. I came away with stronger concepts of line and tone. I’ve always loved water, but this challenges me to look at it even closer; to see beauty even in the smallest details of surf and learn something about light from its ever changing surface.

 Read More

August 8, 2010

2

f164, journal

Silver Waves of Grain:

  • Silver Waves of Grain. | Near Moses Coulee in Central WA | This image is available in print.

Making landscapes comes with the privilege being able to focus on one subject. Unlike with a wedding, where I need capture a multitude of stunning images, the goal with fine art is a single frame. Lately I’ve been focusing on the idea of a large effort going towards the single frame. Sometimes the more work it takes, the more pride I feel for the piece.

I am satisfied with this and it will probably appear in my Signature Collection as a 30-40 inch piece. That does not happen every time I go out, so I’m happy. It’s a simple landscape, yet it embodies northwest farming without clutter or distraction and does so in a way that I think in unique, the sea of blurred grain surrounding the lone family of grain bins which will soon have their bellies filled with the very ocean that surrounds them.

For Photographers. How it was made…

Read More