September 22, 2012

by Gavin Seim (rev 03/14): I’m seeing so many bad photos posted as professional these days. People are trusting us with their time, dignity and money as they are photographed looking awkward, uncomfortable and often downright foolish. I am genuinely embarrassed. Not only for my industry, but for people and their families. They look ridiculous.

I’ve realized why these poor images are often even worse than snapshots: A snapshot is not pretending to be something artistic, creative, or edgy. It’s role is simply to be a memory, and it fulfills that role quite well.

I post this to remind those with experience to make sure we’re offering quality to our our clients. We are supposed to produce art they will want to keep, but I see and endless stream of bad images. Sometimes so-called professional images are so bad that a child could do better. People are pointing cameras and thinking they will do the work for them.

We cannot simply pull ideas for posing, lighting and composition out of thin air, with no aesthetic understanding of our subject. That is like builders throwing hammers at a pile of wood and expecting a mansion to appear. I see mothers who look fat, babies who look like Oompa Loompas, kids who look angry and dads who look like slobs because someone who was poor at their craft propped them up like badly drawn cartoon characters.

I love helping people learn. I’m not posting this to be hurtful, just to be real. It’s important that we’re honest with ourselves and clients. A doctor does not open their practice until they’re trained. A carpenter that opens a home improvement business without knowing how to improve homes is doomed to failure. Digital has not made great photography easier. It’s only made taking pictures easier.

These days it’s not easy, no matter how much experience you have. But some the best advice I can give to people starting out is don’t become a professional photographer until you are professional level. Having that camera means nothing. I’m not defining exactly when you become experienced enough. For most of us, it takes years, just like it does to become a doctor, a carpenter or just about anything else. You learn the basics first. Then it becomes your job and you keep learning.

This applies to all fields. A person should not be in business until they can make the product they claim they can. They should not have a website with prices offering services they are not qualified to give. They should not claim the title of those who spend years and decades mastering a craft, when they have no experience in that craft. There are different levels of professionalism and we don’t need to be perfect to go pro. But we do need to actually be photographers before we call ourselves photographers. We need to know the fundamentals of how to make quality images of whatever our subject might be.

If you don’t know the difference between f16, ISO800 or 1/160th, if have no idea how to light a 3:1 ratio or how to key strobes for a blue sky at noon, if you don’t know how to make your subject sharp enough for a thirty inch print, how to pose a woman so she feels beautiful and a man so he feels strong, if you don’t know what to do with the clutter in the background or how to compensate your exposure value, chances are you’re not ready to be a photographer professionally – There’s nothing wrong with that. There’s nothing wrong with snapshots. There’s nothing wrong with being an amateur. You’re learning and that’s just fine. Keep at it. If you want to call yourself a photographer, take the time to learn how first.

You don’t start as a photographer. You start learning to become one – Gavin Seim

Further Reading…

 

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November 15, 2007

~ Check out Gavin’s 3 day HDR workshop coming Fall 2009. More details here.

So you’ve probably heard about HDR photography, and you may be wondering what you can do with it and why it’s so cool.
By Gavin Seim
: This is not a short article but it will explain a lot about HDR photography and why its so amazing. Today we’re going to talk about the editing techniques I used to create “Look To The Wind” the bride on the beach image that you probably have heard mentioned on Pro Photo Show, and maybe seen on the net. Also below are some additional links for things relevant to HDR.

Link Resources>>

HDR is a method of taking multiple images and combining them in a high dynamic range file. Lets say you take three images of the exact same scene, at various exposure levels. Standard images are only around 8 bits each, basically meaning that their ability to correctly expose dark scenes while keeping bright scenes from getting overexposed is limited.

So to make an HDR you might take one image that’s underexposed, one image over, and one with correct exposure. Then using software you can combine the shadow and highlight details from all the images into a single image is called an HDR, It’s the combined bits of these images, and is usually a 32 bit image when converted. What does 32bit mean to you? It means it can contain far more light. Even though the actual resolution of the image is not increased the details inside it are much higher. The HDR Photography technique is most often done with nature or still life images, but I have been doing extensive experimenting with this technique in portraits as well with good results, as we’ll see today.

hdr example

So lets look at an example. In this image I took three shots of the bride on the beach using continuous shooting mode with auto exposure bracketing. This along with a model holding as still as possible, and a fairly wide angle scene made “Look To The Wind” Possible possible (click for a larger version) You can read more about HDR portrait techniques in my HDR portrait article.

There a a few ways to take the three images and make an HDR from them. First take your images in unedited raw form. You could do it with jpegs, but raw will give you the best results. Don’t correct the raw files before converting to HDR. There is a very basic tool in Photoshop for converting the images called Merge To HDR (File/Automate/Merge To HDR) This allows you to select you images, and it will combine them into and 32 bit image. You then can use tools to adjust the levels, and curves of the image mix to try and get a good result.

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