October 31, 2011

By Gavin Seim

A few people think of me as a cranky old photographer who picks on newbies. This is probably because I’m pretty blunt, and I’ve written articles like A Style & Why Most Photographers Don’t have One and Stop Camera Abuse.

They have just not gotten to know me. Truth is, I’m just a guy in my late twenties, and it was not that long ago that I was starting out. I know what it’s like. I study a lot, know a lot of the hassles that can be avoided, and I see what’s happening in photography today. So I won’t simply play the part of a feel-good guy who says everything is great no matter what. We all deserve honesty.

Encouragement is a valuable thing, but there’s a lot of patting on the back going on because people don’t have the guts to be honest with their peers. In the end, the truth often comes out in the fact that they can’t make it in business. I say going bankrupt is terrible way to realize how hard photography is. Best to get to the hard truths right off, so you can make a business plan that works.

So that said, here are some thoughts–some observed, some learned the hard way–for newer and aspiring photographers. I’m going to be a little blunt, so don’t take it personally. It’s OK to be starting out. But you deserve honesty, and that’s exactly what you’ll get today.

It’s not like it was. Let’s face it. The standard of excellence is higher than ever. Everyone is doing photography. Yes, you can learn to take “good” photos pretty quickly. But so can everyone else. And with so many people doing just that, nearly as many trying to go into business, and a lot of those working for next to nothing, the market is totally saturated, and the value of photography has been driven to an all time low. But don’t lose heart. There is a market, but you need a brand and something with unique value to offer. You’ll need quality, personalty, and business skill to boot, or you’ll just be working for peanuts producing the same stuff everyone else is.

1. Take the Time.
You won’t be Ansel overnight. Don’t stress about it. Becoming a really experienced photographer takes training–a lot of it. It will not happen overnight. It probably won’t even happen in two or three years. Not that you won’t be taking good photos in that time, but don’t expect them to be the most amazing things every time. If you want to rise above just keep getting better. Keep training. Because you can, and you’ll feel great about that progress.

2. Don’t Rush Into It.
Make a clean, simple site where you can show your work and get feedback. Then keep at it, but take it easy. Don’t feel like you have to rush out and book gigs. It’s OK to be a photographer for the sheer joy of it, just learning, sharing, and having fun. As soon as you start hiring out, you’ll have to spend more time managing a business than making great photos. A lot more. In many ways, it’s actually less enjoyable when it becomes a job, even if you still love it.

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August 31, 2011

by Gavin Seim: Help a friend this season. Camera abuse will effect over 950 million people (probably a lot more) this year alone. It most commonly occurs when a person buys a camera, makes business cards, a website, and decides they should start pressing random buttons, as they pretend they suddenly understand a skill that takes years to master.

We understand, as cameras are really cool. But aside from the suffering the camera must endure. Children, individuals, couples and families, will be subjected to poor lighting, posing, composition, false confidence, bad retouching, and often outright lies, as an abuser pretends to know what he or she is doing. While the abuser may trip over a few good photos. Tears will flow in the end.

Stop Camera Abuse. Help the victims and help the abusers. It’s cool that they love their cameras. Just help them learn to fly before they jump out of the airplane. Send a friend educational books, to real workshops, or to long hours of practice, before unleashing them on the masses. Take the batteries out and even burn the business cards, if it’s bad enough.

Art is subjective. Experience is less so. It’s time to be honest. Friends don’t let friends camera abuse. Spread the word and start change now. History will thank you. And your friends will too.

This message brought to you by Gavin Seim and Pro Photo Show. Note: Please be careful when burning business cards. Fire is also awesome, but can be dangerous. Check local laws.

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July 18, 2011

by Gavin Seim. Spread the word. Because its’ time to raise the bar. I have a challenge to photographers everywhere. One that will teach us all something. I know this because I’ve started doing it. It’s addictive, educational and I plan to do it a lot more. Different expedience levels will accomplish different things, but everyone will learn something new.

When you’re done, come back post a link to your result. For those that would like, email me and I’ll even call you personally to critique and talk about the image for no charge.

The premise is this. Nearly every photographer I know needs to SLOW DOOWWN. I’ve encountered this in everyone from newbies, to some of the most experienced and award winning photographers in the world. We need to stop the clicking and start the thinking. the better image we make in camera the better piece of art we’ll have when we’re done. There I said it. And I’m included. I’ve on a mission to slow down.

One of my results of slowing down. I spent hours planning this single frame and I learned so much from it. Even the exposure is over 2hrs. Click the image to see the details in my journal.

So many images being are made, but there’s not enough thought about whats happening when we press the shutter. Anyone can take a “pic”. But not anyone can be a craftsman. It’s not to say everyone is making bad images. I just think we need a moment if silence. Silence from the clicking. Making great images is not about how many you take. It’s not about having so many to put on your blog that our eyes bleed when we read. It’s about real quality.

The 111 challenge is this.
Spend one hour in the field, planning and capturing a single composition. In camera. Planning and making that single scene.You can edit after, but at least one hour making that one image that achieves one goal. It’s not that every image needs to take an hour or more. But if you really do this, you will start thinking more about every image you make. No matter long long it takes.

No matter what genre you work in, you will benefit from this one. Slowing down and learning to see in one area teaches us to do it on others. It’s opened my eyes in every area of my work. You may not be able to execute this project at your next wedding. But will help your next wedding, or anything else.

What do you get? Mainly you get knowledge. Which is extremely valuable. Every time you take on this challenge, or take it further, it will open your eyes to new ideas. Plus you get to display the Pro Photo Show achievement badge on your site along with the resulting frame.

There’s no photographer that this will not help. I speak from experience when I say it’s amazing. Remember not to pick just any subject. You need a subject that’s inspiring. You need a plan and the right light and make it all happen. This will all take far more than an hour, but once you have the goal, spend at least that just composing and planning for the final image.

Once we master this, maybe we’ll plan a day long image setup. Also for anyone that finishes and wants it, email me and I’ll call you and give an honest one on one critique session on the image for no charge. So, do you have the discipline to take this on? I look forward to seeing what you learn… Gav

Some simple guidelines.

  • There’s no deadline. Think about your goal. Plan a trip or event worthy of this image.
  • You can’t spend a random hour. Spend it making the best image you’ve ever made.
  • You can spend MORE than one hour in the field making the image. Just not less.
  • Planning the excursion, subject or post edits do not count towards your hour.
  • Plan one composition. No spending an hour making random images hoping for success.
  • You can make test images, but only to help you refine the one image you’re after.
  • It can be HDR or bracketed if you like, but we just want to see one image in the end.
  • Take your time in post. It’s not part of the hour, but it’s relevant to a great image.
  • Take that one final image and post a link in the comments. Make sure it’s ONE image.
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May 27, 2011

Click To Listen>> Photography Podcast. PPS #77
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

Today’s Host... Gavin Seim

On this shorter episode Gavin takes a look at what he learned with another month on the road. A discussion of 4×5 film, a look at learning and working conceptually, and a little practice session on evil laughs.

140 minutes of night. Gavin's longest ever exposure. Click the image to see Gavin's post with all the details.

Podcast #77 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions quick updates.
  • 04:09 Experiences from a month on the road.
  • 12:32 Random interesting video and things.
  • 16:27 A month long trip with 4×5 film.
  • 26:05 Lightroom Power online workshops.
  • 28:00 Main – The Concept Photographer.
  • 45:05. The after show. Picks and stuff.

 

Links to things we mentioned.

Gavin’s Online LR Workshops.

Lightflow Aperture Presets are now available.

Video. Battle At F-Stop Ridge. Can you say, Awesome.

Good reads on using Zone System for digital. One by M Frye…. http://bit.ly/me3SjA and a thesis by Gary Meek…. http://bit.ly/lrTfYO

Color images before there was color, by Prokudin Gorskii.

Ansel Adams videos.

PICKS:
Rothco 550lb. Type III Paracord.

Gavin’s favorite travel apps list is here.


 

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March 20, 2011

You users been asking about these for a long time. The truth is I’ve avoided it because I really like teaching photography workshops in person, and for some, like my  Lights & Shadows workshop, it’s the only way to fly.

But reality says I have a lot of tricks up my sleeve that I can teach online. With that in mind I’ve decided to stop resisting it. Coming soon is an all new series of digital learning workshops. Separated into bite sized chunks, inexpensive, live and online.

It’s going to start with a Lightroom Power learning series. Workshops that start at basics and work into very advanced editing skills. You can pick the sessions you want based on your current skillset. Cool part is these will be about 90 minutes each and will only cost about twenty dollars. Spend an evening at the live online workshop, then take time to let is soak in before the next one.

After Lightroom I plan to take it further. I may even do a seasonal series. Focused workshops on things that seem simple, but can go so deep. Burning and dodging, cloning, prepping files for print. I’m getting excited because with this online format I can host a workshop on nearly anything, no matter how focused, because there’s no travel and no venue overheads to take into account.

Stay tuned for more details. Registration for The first webinars will be opening soon… Gav

You can follow the Facebook Page. All workshops will be announced there. You can also join the newsletter over in the sidebar >>

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