January 4, 2012

Swirling City, 2011 by Gavin Seim. From the bridge, Twin Cities MN. Time Exposure.

This was about a year ago now, during our Fall 2010 road trip and my visit to the Twin Cities to teach an HDR workshop. I was walking with my group downtown, crossing over a bridge, the name of which escapes me. It’s big city here. industry and concrete. But flowing water always mesmerizes me. I took my time setting up, feeling that if I hurried I would get little more than a snapshot. In the end my effort paid off in this long exposure just between St. Paul and Minneapolis. The structures of the city meeting with the awesome power of the water and doing a dance right in front of my lens.

Release Details: Prints Coming Soon… Contact Gavin for details.

For photographers. How it was made…

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January 2, 2012

Isabella Breeze. Lake Isabella CA. Spring 2011. Linhof 4x5.

This has been sitting for the summer, but as we start traveling once again for 3 months of road touring, I decided it was worth posting.  It’s my very first 4×5 exposure. Well, not including the accidental frame I ruined because I forgot to shut the lens. 4×5 film is something I’ve spent 2011 falling in love with. This frame is imperfect, but I wanted to share because I never want to forget the feeling it gave me. A sense of wonder at the sheer simple function, yet inspiring complexity and quality of the large format medium. It’s an operation that by it’s very nature forces one to slow down, to think and to visualize.

I stood right on the shore of Lake Isabella, almost at the water line at sunset on this early Spring day in 2011. It’s actually the very one I talked about on the drive back, during this Episode of the Photo Couch podcast. It’s was a calm relaxing sunset on the edge is this beautiful lake and it felt good. Once the sun had faded I packed up and drove to the other end of the lake where we had camped the trailer on the shore. Where kids and my beautiful wife were waiting with a hot spaghetti dinner.

For Photographers… 

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December 14, 2011

Right cut. Original RAW file desaturated in LR. Left cut, same file with the Dynamic Silver III preset from Silver Shadows 2 applied in LR.

Just a few quick observations today. One reason I stay in a RAW as long as possible is that quality and dynamic tonal control is at it’s highest on an original RAW file. Once we leave that environment, we can certainly still work with tonal values, but we throw away some of that precious information.

On the right is a sharpened and desaturated original file from Sunset’s Hidden Falls. On the left, the same file with nothing more than applying Dynamic Silver III from my new Silver Shadows 2 toolkit. This effect pulls out dynamic range without flattening the shadow and contrast too much. It could also be done manually of course.

Once I have the dynamic range under control, then I’ll move on to external edits as needed. I don’t hesitate to go into Photoshop (though I try to stay in 16bit mode) for detail work. I did plenty of that on the final version of this). But getting my basic tonal range managed before I leave the RAW file behind gives me better results and helps me maintain that quality as high as possible for my wall prints. It’s a better wokflow and a better image.

Gav

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December 13, 2011

Click To Listen>> Photography Podcast. PPS #82
Direct Podcast FeediTunesPodcast Alley

Today’s Panel... Gavin Seim –  Barry Howel –  Dennis ZerwasBrady DillsworthJonathan Bielaski

On this years annual Christmas bash we we have fun talking about light, 2012, lots of great gadgets and gifts, and even avalanches… If you listen to the after show.

Podcast #82 forum discussions:

Main Time Indexes:

  • 03:30 News and Rumors.
  • 23:00 L Rounds – Light, 2012 Business..
  • 59:45 Talking Copyright.
  • 1:09:00 Selling Us.
  • 1:10:25 Picks of the Year.
  • 1:49:05 After Show 2011.

 

Links…

Is Adobe fleecing us again. Kelby writes them a letter.

Agency Access commercial PR like agency for photographers.

Johnathan’s personal portrait project, For The Love of It.

On photography. A video of Ken Whitmire.

Copyright info and tips for photographers.

If you’re going to imaging USA email Gavin, prophotoshow@gmail.com

PICKS. Lots of them.

Gavin, DSLR bot…
Gavin, La Crosse Technology BC-700 charger.

Barry – hassy nikon mount.
DZ… Steam Fast fabric steamer for backdrops.
John… Bubble levelPro Gaff Gaffers Tape.

Brady. Lastolight Tri-grip reflector –  Lumiquest LTP hotshoe softbox.

Gavin… 126 LED light panel.

Barry… Rouge flash bender.

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December 9, 2011

by Gavin Seim: I received an email from a PPS listener Jonathan Bielaski of Light Imaging in Canada. He just started a great personal project called For the Love of It where he’s finding interesting people and doing environmental portraits that tell something about them. I wanted to share because he’s doing it quire well.

Another twist is that he’s staying away from heavy Photoshop work and working with tools we had from the darkroom days like burn and dodge. Way to go Jonathan. As you clearly know, good light and the basic tools work like nothing else.

It’s a neat project and they’re making some beautiful portraits from it. Jonathan says they plan to have a gallery showing of the results in the future. I think it would make and amazing series of wall portraits to really showcase these people. That’s the beauty of an environmental portrait. It’s a portrait and a piece of art and those are the sort of items that become heirlooms.

It’s not that personalized portraits are new, but Jonathan is getting out and taking on something unique. Trying to achieve a quality that separates him from the crowd. That’s Raising the Bar and since I talk about doing that so much. I thought it deserved sharing…. Gav

 

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