March 16, 2013

The 40x40 master of Sliver Moon Blues on display at an exhibit last year.
The 40×40 master of Sliver Moon Blues on display at an exhibit last year.

by Gavin Seim: It’s now year 5 of a 10 year plan to build my American Pictorialist brand one day at a time. I thought I was setting out to take photos. Turns out there was much more I was after. I discovered what I really wanted was not pictures, but furniture. Grand prints that convey the majesty of creation. That’s easier said that done, but I feel Chroma and Silver galleries look better each year.

I got my first camera about 20 years ago now. It’s been a long road. But I may see a speck of light in the tunnel. It took mew a decade or so just realize that what I’m making is not pictures but fine furniture. To begin to really find my style. Something I hope to have mostly nailed down in the next three years both in my pictorials and my American Portraits which are something I don’t intend to give up. They are separate brands, but both have similar goals. Both are furniture for the wall.

The goals are starting to become more clear thanks to teachers like Ken Whitmire, painters of the past, history itself and many others who have shared their experience along the way. I’m learning that I have to focus. I have to remember what I’m trying to produce.

There’s lots of images being made and I don’t need to compete with that. I just need to make work I release as breathtaking as is possible. I’m getting to the stage where I know if the image is Signature worthy or just a nice snapshot before I press the shutter. Understanding that line has tuned out to be critical to my process.

Teaching has pushed me as well. Producing workshops like EXposed helped me see much better. What’s next is further refinement. Being more picky in the image making process as well as in the presentation. I’ve been focusing on slowing down for a few years now. I got into film and large format. I stopped making so many images and learned to focus on one whether it was a pictorial or a portrait.

But I think it’s time to take that further. By focusing on only releasing only 6-12 new pieces each year, the time spent on each will become flexible. Refinement and stunning presentation will be my focus and it takes a great deal of time to do that to my satisfaction – If I intend to stay sane I have to release less to make them more.

In recording the new Photographics Film I have been reminded that the elements that make a great photograph are not bound by one most import, but by a series of many including space, position, line, tone and presentation. If any one of these fails the image will often fail to be a stunning work of art and simply be a photo. I won’t forget that.

I am blessed and thankful that I can take my time. I just keep trying to move forward. In doing so I believe it will be better than I ever imagined when I picked up my first camera nearly 20 years ago. I had no idea where this would lead. Perhaps I still don’t. I still have 5 years to nail down the the American Pictorial. And if I don’t make that deadline, I’ll keep working.

Gavin Seim

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February 2, 2013

Gavin-Seim-Family-Portrait-2012-880x476Once upon a time there was a guy, his family, a bunch of cameras, a Super Camper and lots of passionate ideas. No sponsors. No backup team – Just the open road, a sense of adventure and three months to take full advantage of.

I’m Gavin Seim. We’re out to explore as we attempt to make images and film that do justice to the beauty America. There’s lots of projects on the menu so we can pay bills and keep gas in the tank. We live mostly by the seat of our pants and enjoy the ride.

On Feb 2nd 2013 we set out for the road trip of 2013 – It’s a tad intimidating but quite amazing. We don’t hang out in RV parks or campgrounds. Months on the road in the Super Camper with my wife Sondra and our kids, Cyrus (5) Ariana (3) and Asher (1). There’s new products to test, new images to make, new stories to tell. Last year the big project was the EXposed Light Workshop. This year we’re working on a brand new film called Photographics. By the way,  you can learn more about our rig and tips on how we camp in this article.

With Facebook pages becoming less effective and the fact that I can’t send out the Light Letter every day, I wanted to share our journey with you in more detail than ever before. So rather than clutter up the journal with endless micro posts, I’ve decided to try something new – A Road Trip Journal.

This journal details our adventures by reverse date. The stuff you normally don’t see. The snapshots, clips, odd happenings and craziness. The things I’m sometimes reluctant to share, being such a perfectionist. That’s what you’ll find here. I hope you join in this adventure. Bookmark this page and come back because we’ll keep updating as long as we can still pound the keys. You can also join my Light Letter below for more updates and stories. Lets roll.

[xyz-ihs snippet=”newsletter”]

FINAL UPDATE: What it’s Like Coming Home Day 89-91 05/01/13 – 05/03/13

Cyrus at Cabelas
Cy likes the shooting gallery at Cabela’s. Teach them early.

It’s bittersweet as I drive down the hill towards familiar grassy slopes and familiar cities on the map. We watch a Spring sunset and flowers spattering green hills. Three full months on the road we’ve been. An adventure of that won’t be forgotten. Yet a part of me feels somehow less for it coming to an end. Like my spirit of adventure is fading because I long for that slow hot shower, a bed where my toes do not hang over the edge and where my wonderful wife’s elbows do not hit me in the side every time she rolls over.

The last few days lacked the grand adventure you look for at the end of a long trip. The kids got a stomach bug and did what you do when you have that. Sometimes we had two going at once – The miles were long and we needed to get home soon for Wall Portrait Conference. We drove hard that final day. Perhaps longer than we’ve ever done. Over five hundred miles from Twin Idaho to Ephrata WA. It took us about twelve hours between breaks, gas and pauses to clean up the mess from sick kids in the back seat.

“What a lousy way to end such a grand adventure” I thought – But somewhere along the road I stepped into the sunlight and realized it was not. Sometimes we get sick, but it passes. Sometimes things go wrong, we have to make repairs, or we come in late. All of those things happened on this trip. More than once. But they’re part of the memories, part of the adventure. They’re surrounded by moments of laughs and wide eyes glistening at the wounder of creation.

The moment I pull in I’m starting a new vacation. We worked hard on this trip. We played hard. It was a gamble too, but our new film PHOTOGRAPHICS is already showing in the black and the trip is all but profitable both emotionally and fiscally. All that time on the road, but so happy to have a place to call home.

We walk in after 91 days on the road and switch on the lights. The house is still here, warm, waiting. Nearly as we left it but for a few extra cobwebs. A bed, a shower, a late night movie with my wife after the kids are finally asleep. We really are home. Next it’s time to process the film, repair the gear, make the prints and get organized.

On Sunday we’re off for a week again to learn and teach at Wall Portrait Conference. But really we’re home right now. It’s only a couple hours away and among people we know. That home feeling is back. It’s odd. Truly surreal to walk down the isle at the store and for once in so long see people you know. Get a hug from your mom when you walk thru a door, or see neighbors wave as you drive down the street. I honestly feel strange not being the stranger here. But that passes and fades into tales of the adventure and silent longing for more.

As the sun shines on our first day home, a breeze blowing, spring flowers popping out, I realize that the world is still alive and that both home and away are something grand. Appreciating your adventure is how you look at it. There’s nothing like a place to call home, but there’s also nothing like the open road, your wife riding shotgun and kids kicking the back of your seat as the road rolls by. This is living, all of it.

Until the next trip, Gavin Seim.

Coming down from the Death Road new Zion. Amazing views.
Coming down from the Death Road new Zion. Amazing views.
Picked up a hitchhiker from France named Tebu who's roaming America. He's headed for Moab. No room in the truck cab, but he fits in the back and his gear in the camper. This guy is hauling way too much weight.
Picked up a hitchhiker from France named Tebu who’s roaming America. He’s headed for Moab. No room in the truck cab, but he fits in the back and his gear in the camper. This guy is hauling way too much weight.

 

An evening at the Salt Flats. It's a stark place. but grand none the less.
An evening at the Salt Flats. It’s a stark place. but grand none the less.

 

The kids are hams. Just like dad.
The kids are hams. Just like dad.
The last sunset, overlooking the hills neat Pendleton Oregon.
The last sunset, overlooking the hills neat Pendleton Oregon.
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September 11, 2012

Folio-Resting-Place2

Resting Place – Dry Creek, Oregon, 2012 by Gavin Seim – PPA 2013 Loan Collection.

The forests of the Pacific Northwest are almost primeval in beauty. Tinkling water and gently blowing ferns make an almost unrivaled tranquility. A scene so stunning that in a story, it would be require a giant beast or a sinister wizard to balance the scales. But the tranquility is real and there are no monsters lurking in the shadows. At least, not today.

Forest light is like seasoning on a platter of summer vegetables. It tickles the palette and pleases the senses, but only if used in the right proportions. That happened here. We camped down in the forest and I started early in the morning, having scouted this Dry Creek Oregon location the day before with Nathan, as we filmed for the EXposed Workshop. In truth I did not realize how breathtaking it was until I stood there the following morning. I made my images and then wandered up to the waterfall just a few hundred yards upstream, poking around and peacefully musing about the forest light. I like to muse.

Awhile later I was about to leave when I saw the light. It was beautiful before, but suddenly the sun moved to just the right position when the radiance glimmered and danced through the foliage. Not to harsh, as often happens from high sun over a forest. Just that perfect glow. I quickly setup again and made this image, thankful that I had not rushed away to breakfast, or assumed that the first light was the best I could get. The reward for my patience was Resting Place. Perhaps the best pictorial I have ever made, and certainly one I’m very proud of.

Resting Place – Dry Creek, Oregon.

Release details: Prints Available Now. Order Open Edition originals above. Master prints and Signature Limited Editions can be ordered by contacting gallery.

Currently Released prints….

 

For Photographers. How it was made…

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August 25, 2012

Survivors – Gavin Seim, 2012. Mount St. Helens National Volcanic Monument, Washington State.

Oddly it was the first time I had been to St. Helens. A remote park and does not get as much attention as it deserves. My brother and I spent a few days up there filming for my EXposed light workshop and of course, hunting for landscapes.

This place astounds my eyes. Not for it’s serene perfection. But for it’s lack of it. A forest picked up, as by God himself and scattered across the landscape like toothpicks. Some areas have no trees standing. Others have new growth coming back with vigor. And here, the skeletons of the past still stand proud, having survived May 18, 1980, when Mount St. Helens erupted and blew down or scorched 230 square miles of forest.

There are many remarkable stories from that day. And if you live in the Pacific Northwest you may know some of the people that experienced them. But to me these trees still standing, are a reminder and the awesome power in creation and of the valiant effort to stand your ground. They will make a beautiful print… Gavin

Release details: Prints Available.. Order Open Edition originals.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.

Released prints….

For Photographers. How it was made…

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August 20, 2012

Winters End – Solder Summit Utah, Early Spring

What a beautiful place to spend the morning with my son. It was mid April and in the mountains of Utah there were still dotted with snow. We camped off Sheep Creek Road the previous night and I went out early with my son to Solder Summit.

I made this on my large format system in the Utah mountains. I had seen all this beautiful color the day before and was amazed by how vibrant it was. We’re used to seeing such colors in the Fall. But Spring was just coming in and still the color sang in the Utah hills. I love this State.

I love Aspens too. No matter when you look at them they’re stunning. My 4 year old and I discovered this remote spot filled with color and lots of bare Aspen groves, just as the sun was streaking across the hills. The sky was blue and the snows were melting. Afterward we stopped an a little gas station on the summit and bought snacks before heading back to the trailer and the rest of the family for a peaceful afternoon drive into Salt Lake.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.

Released prints….

For Photographers. How it was made…

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