March 4, 2012

First flight, 120 feet in 12 seconds – 1903. Link to high res scan details from LOC.

Click To Listen>> Photography Podcast. PPS #83
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Today’s Panel... Gavin Seim (G Pixel).

Today Gavin leads us through a brief look at photographic history. He talks a bit about how classical art can help us as photographers and finishes with a look at essential concepts that will make us better at our work.

Podcast #83 forum discussions:

Main Time Indexes:

  • 00:00. News and project updates.
  • 11:30. Art and a Photographic History.
  • 43:26. Essential photo ingredients.
  •  1:04:10. In practice. A study example.
  • 1:14:52. Picks of the show.
46x34, Portrait of Nicolas Ruts. Rembrandt, 1631. It seems that even 300+ years ago, a wall portrait was a thing of note. Look at the quality of this work. Click for a larger version. Even the catch lights look perfect.

 

Links to things we mentioned…

 

Getting beyond the digital file.

Nikon D800 36MP. Big step.

Canon 5D MK3 is no longer a rumor.

EXposed video workshop coming soon.

Lights and Shadows Photo Workshop coming Fall in Central WA.

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February 17, 2012

by Gavin Seim:

Ready in 60 Seconds: After you choose the subject but before before you release the shutter, try taking a full minute to think about your scene and how you’re about to capture it. Really. Don’t just look at it. SEE IT. Sometimes we feel pressured to click. But even with a portrait, learn to take a little time and you’re images WILL improve. With some scenes you can even spend longer. Check out the 111 Project.

Sparks: I stood outside well before the exit. Experimenting, considering the scene, trying to predict the light. The effort paid off with a great candid from a challenging scene.

Cut The Trash: I know, you’ve already taken 60 seconds, you have a plan. But look again. Maybe even take a test frame. Controlling tone, removing clutter and distracting elements is one of the most neglected elements in art making. If something is not adding to the image, it should not be in the frame. Either you move, move it, or it will move the quality of your final image down to LOW.

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January 13, 2012

A photo of Tanguy's motion control rig. More below.

by Gavin Seim: As an HDR nerd and teacher I’m not easy to impress. But this did it. Tanguy Louvigny. did this really stunning sequence of HDR time lapses and really nailed it on various levels. First, as an dynamic range guy, I really admire how the process he used in Photomatix is balanced and didn’t go for that way over the top tonemap process.

Next he managed the motion using his own rig made with Tetrix robotics, and controlled it with Mindstorms Brick (actually a Lego product), then programmed it in Robot C. Impressive indeed. You can see more photos of his rig here.

His result for all this was a really stunning body of time lapse work. I hope to look closer at the system that he used for his rig. It seems there’s some possibilities there. You can also read a bit more on picturecorrect as they did a little interview asking Tanguy some detail questions.

All in all it’s quite impressive. Watch the video below and check out his site. And since we’re on the HDR topic, I’ll throw in a shameless plug  and add that if you want to learn more about capturing and processing HDR, check out my HDR Magic video training series... Gav

Here’s a forest series he did using the same setup.

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December 9, 2011

by Gavin Seim: I received an email from a PPS listener Jonathan Bielaski of Light Imaging in Canada. He just started a great personal project called For the Love of It where he’s finding interesting people and doing environmental portraits that tell something about them. I wanted to share because he’s doing it quire well.

Another twist is that he’s staying away from heavy Photoshop work and working with tools we had from the darkroom days like burn and dodge. Way to go Jonathan. As you clearly know, good light and the basic tools work like nothing else.

It’s a neat project and they’re making some beautiful portraits from it. Jonathan says they plan to have a gallery showing of the results in the future. I think it would make and amazing series of wall portraits to really showcase these people. That’s the beauty of an environmental portrait. It’s a portrait and a piece of art and those are the sort of items that become heirlooms.

It’s not that personalized portraits are new, but Jonathan is getting out and taking on something unique. Trying to achieve a quality that separates him from the crowd. That’s Raising the Bar and since I talk about doing that so much. I thought it deserved sharing…. Gav

 

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November 17, 2011

by Gavin Seim: We all see differently and that’s good. We should never stop working to improve. One might even contend that you can never really “master” photography. But perhaps you can get pretty close, if you really nail down these and perhaps a few other essentials, taking control of the way you plan and capture images.

 

1 – Your Tools – A camera does not a photographer make and neither does fancy software. But don’t underestimate how important the tools are. Some sluff off knowing their gear, settings, apertures, shutter speeds, lights, software another tech stuff. That’s usually a fatal mistake. Don’t fall into the crowd that says “I’m an artist, so I just don’t get into that technical stuff.” Photography, like most arts, is both art and a science. And if you don’t master both, you’ll never be a master of the art.

2 – Storytelling – A great image has to have a subject and a story that can reach out and grab people. Uninteresting subject matter, too much clutter, messy composition, bad details, distracting lighting, the list goes on. Fail at any of these and you’ll never be great at photography. It’s hard to nail all these elements down with anything but years and years of practice and experience. But then, no one said this was easy. Until you can start clearing out distractions and really convey feeling. You’re just making snapshots. Those are fine, but remember. Everyone else it making them too.

3 – Tone Control – This may be the biggest of all. And yet it’s finer points are the most ignored. It’s the one most will never truly master. Everything needs to lead to the subject. And mastering tone gives you that power. Tone control is about seeing light in your head, understating how to manipulate it, and understanding how to control tones to make your subject and your story, sing like the sound of music. Even most professionals have not nailed down tone control, but until you do, you’ll never be fully able to control your light or the impact of your photographs. For more on controlling tone check out this article.

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If you’ve mastered all these things, then you should be writing this instead of me, because I’m still working on them. But working I am and getting closer each day. Just remember that a camera is no more an artistic tool than a typewriter. It’s knowing how to tell a story with light, tone and line that matters. Like nearly all arts, there’s an aspect of science and an aspect of art you must master. Otherwise you’re just another person with a tub of paint or a ream of paper. For more

So lets get to work. Science + Knowledge + Vision = Art

 

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