December 12, 2008

This image was taken by Scott Bourne, a renown bird photographer. You may remember him from Pro Photo Show Podcast #46. Cranes In the Fire mist was taken at the Bosque del Apache National Wildlife Refuge in central New Mexico, and needed perfect conditions. Scott had it in his mind for 12 years before he nailed it.

I wanted to post this not only because it’s an inspiring shot, but also because Scott wrote telling the story behind it. If you have photographer blood you’ll feel the excitment when you read him telling about it. Check out the article. It’s full of inspiration, and when finished you’ll probably want to pick up camera and head to Mexico. Only to have me remind that there’s a masterpiece of some kind waiting right out your back door. Gavin Seim

Read More

June 13, 2008

<<Click To Listen – PPS #46 with Kevin Kubota.

Subscribe in itunes
Like the show? Rate us in itunes, or Vote on Podcast Alley

Kevin Kubota
Todays Panel…
Kevin Kubota ~ Kubota Image Tools, Kubota Photo, Kubota Blog
Gavin Seim ~ Seim PhotographySeim Effects & LR Presets

Todays Show

A big thanks to Kevin for coming on the show. We start out talking about Kevin’s photo tools and how he got started, and then move in techniques, and photography tips. Kevin gives us some thoughts for lighting, marketing, and branding and plenty of other good nuggets inlucding using your personality to interact with your customers.

Comment here, or join the PPS #47 Forum Discussion. You can find out more about Kevin’s workshops by going to his website (above)

A few links to things mention on the show.

Podcast subscription feed is http://feeds.feedburner.com/prophotoshow

Read More

April 27, 2008

The session was near Ritzville Washington. We were on a bridge that spanned this pond, and the lighting had been really flat thru the session, though we had still got some great shots. It was getting pretty dark however and I needed something dramatic to finish up with. The clouds had destroyed my dreams a stunning HDR sunset, and I knew I had to try something fast.

Looking around at the light, I got a plan. The car headlights on My Pontiac had gone on, and cast light and shadows across their path. I had the 580EX, but on camera flash was not what I needed here. I decided to try something I had never done before by parking the car across the road with the lights on Jacob. After editing with a few of my Lightroom effects I was able to get some pretty cool results.

There were birds flying all around the pond as well, and I decided to get a few shots with them in the background. It paid off! This shot was made with the “UBW Vintage” preset from my B&W set, plus a little tweaking. You can see a few more from this session on Jacobs Senior Portraits, over on my blog. I’ve decided to open up my mind to more alternative lighting techniques in the future and see what comes… Gavin Seim

Read More

April 26, 2008

I shot an on location senior session Tuesday, and as I drove I found myself considering the light, and talking to myself about it. Maybe I’m crazy but if I record myself then suddenly I’m no longer talking to myself 🙂 I had my G9 along so I decided to record a video via the steering wheel..

I always to try think when going to a shoot (note I say try). I like to look at other photographers work before I go to get inspired, and get my brain going. Then on the way I think of the information I know about the subject and the location and try to get a plan. Of course it doesn’t always go as planned so I try to have open ideas, and be ready for anything! HOW DO YOU GET INSPIRED? Gavin Seim

On the way video

Read More

November 15, 2007

~ Check out Gavin’s 3 day HDR workshop coming Fall 2009. More details here.

So you’ve probably heard about HDR photography, and you may be wondering what you can do with it and why it’s so cool.
By Gavin Seim
: This is not a short article but it will explain a lot about HDR photography and why its so amazing. Today we’re going to talk about the editing techniques I used to create “Look To The Wind” the bride on the beach image that you probably have heard mentioned on Pro Photo Show, and maybe seen on the net. Also below are some additional links for things relevant to HDR.

Link Resources>>

HDR is a method of taking multiple images and combining them in a high dynamic range file. Lets say you take three images of the exact same scene, at various exposure levels. Standard images are only around 8 bits each, basically meaning that their ability to correctly expose dark scenes while keeping bright scenes from getting overexposed is limited.

So to make an HDR you might take one image that’s underexposed, one image over, and one with correct exposure. Then using software you can combine the shadow and highlight details from all the images into a single image is called an HDR, It’s the combined bits of these images, and is usually a 32 bit image when converted. What does 32bit mean to you? It means it can contain far more light. Even though the actual resolution of the image is not increased the details inside it are much higher. The HDR Photography technique is most often done with nature or still life images, but I have been doing extensive experimenting with this technique in portraits as well with good results, as we’ll see today.

hdr example

So lets look at an example. In this image I took three shots of the bride on the beach using continuous shooting mode with auto exposure bracketing. This along with a model holding as still as possible, and a fairly wide angle scene made “Look To The Wind” Possible possible (click for a larger version) You can read more about HDR portrait techniques in my HDR portrait article.

There a a few ways to take the three images and make an HDR from them. First take your images in unedited raw form. You could do it with jpegs, but raw will give you the best results. Don’t correct the raw files before converting to HDR. There is a very basic tool in Photoshop for converting the images called Merge To HDR (File/Automate/Merge To HDR) This allows you to select you images, and it will combine them into and 32 bit image. You then can use tools to adjust the levels, and curves of the image mix to try and get a good result.

Read More