March 19, 2009

Above is one of many photos which was recently released by the Library of Congress, Prints and Photographs Division.   Looking at the photos from the FSA-OWI era, this one in particular, one can not help but think of the power of documentary photography.  What is striking with these newly released photographs would be the power of color photography in contrast with the already established power of the now, iconic, black and white photos of the FSA series.

We can see that Robert Lee, Jack Delano and the rest of the FSA legends are masters of their crafts; even moreso with the addition of their color photography.

What I find most interesting in this most recent set of photos would be that we as artist or art enthusiast have known of the FSA series to be one of the foundations of what makes black and white portraiture evocative.  How a shared moment in time could be could completely trump a ‘staged’ studio portrait.  It also goes without saying how strange of a time we live in now, where seeing these photos on a ‘relatible’ level.  If you are American or a citizen of the world and just so happen to be from a meager background, these photos show a rich reflection of how we once were.  These photos show  us [be it positive or negative] what we are today.

Link: FSA-OWI

Isaiah

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March 14, 2009

Click To Listen>>  Photography Podcast. PPS #56.
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On Todays Show:
Gavin Seim
Kerry GarrisonDennis ZerwasDavid ZiserBrady Dillsworth

midnight-seattle-panoramic-seim-l

This week we talk about some great new gear and goodies, as well as hear cool tips from some great guests including the one and only David Ziser. Here’s all the glorious links and there’s a lot of them.

Podcast #56 forum discussion:

Deals:

Digital Wakeup Call. Discount with promo code: ZGSDWC09

OnOne Software 15% off: Use Promo Code PRPHTPC

Photomatix Pro from HDR Soft. Save 15% with code PPS15

Cool stuff from PMA 2009:

7″ Album. Portable Photo Viewer. Would be a great client presentation tool.
David also mentioned a similar product by Digital Foci.

The Spyder Cube. Color target.

Lensbabies.

California Sunbounce. Light manipulation tools.

Hahnemuhle do it yourself gallery wraps look really cool. (found them on B&H).

I also found some videos on Hahnemuhle’s news page. And a PMA video over at CameraTown.

Trek Tek monopod .

Kerry like the Sensor Clear and Sensor Pen from Lenspen.

Acratech tripod heads looks cool and well made.

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March 14, 2009

by Gavin Seim Updated 11/09:

Images stuffed into mat pages, then an album covers is becoming less and less attractive to clients. If you’re designing wedding, event, or portrait albums you’ve probably played with making layouts in Photoshop or another program to then have printed as flush mount albums like Kiss or Asa Books, You might have also used press books like the ones from WHCC. Once you have a good design there’s loads of choices, but it’s the design that’s the challenge.

As many people know the service and support of Adobe has gone in the toilet in recent times and while they need some competition to slap them back on track, their software is still great. Today I want to talk about In Design CS4 and how it relates to album deisgn. I’ve tried various tools for album design, some of which worked really well. When it comes to crunch time however, I’m finding In Design is the king.

I learned the basics about using ID for albums from a video that Kevin Swan made. And now gives free on the Kiss books site. Not required but it was sure a great crash course and I use it often to hone up my knowledge. The bottom line is that it’s fast, easy and powerful. Once you get the hang of it.

In Design was not actually designed for photographers to make albums. Rather it’s the industry standard for designers doing layouts on magazines and other published material. It turns out however that it works a treat for doing albums. Bear in mind it’s not a photo editor. What ID rocks at, is laying out pages and doing it fast.

I cringe when I think of doing individual pages in Photoshop. It’s not a page design tool and it’s tedious to do layouts with. What I love about ID is that the entire project is contained in a single file. All images on the pages are referenced to the original files on your computer similar to when one makes a web page. You can edit and change you design in one place and when it’s finished just export the final file as a PDF of JPEG’s. Kinda like the way we use Lightroom.

indesign-3

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March 12, 2009

Gavin Seim: I write a lot about HDR photography here on Pro Photo Show. It’s an often misunderstood animal, that when used correctly is incredibly powerful.

This has been in the works for some time, but it’s finally official. My 3 day HDR workshop will be held in Fall of 2009 in Central WA, we’re going to cover everything from basic HDR landscapes to using HDR for amazing people pictures.

This is a small workshop limited to about 15 participants. Seats are first come first serve. You can learn more over on KungFu Photo.

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March 9, 2009

leica

by Gavin Seim: I’ve given thought what I would say about Leica. I was even told I should not write about this. In the end decided that I would give my honest thoughts on this brand.

Let me first say that I’ve never owned a Leica personally. I’m fairly confident they make a good camera and I confess I have felt the draw of owning a Leica. Their fairly small, high end and retro. I’ve felt that voice that says “If you own me, you’ll be way cooler than you are now”. So while at PMA 09 I decided to stop by and give Leica the chance to convince me why I should pay more for one of their cameras.

I was escorted to the Leica PR guy who was more than a little defensive about the my question, which was essentially this. Why Leica? Why should we photographers spend 6k on a rangefinder body and 4k for a 50mm lens? Understand I don’t mind saving and paying thru the nose for gear that’s worth it. I wanted Leica to show me why theirs was.

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