July 7, 2024

People are sick of subscriptions and hate Adobe right now (they really deserve it). Subscriptions were never for us. So today I compare Lightroom vs DXO Photo Lab.

Maybe, but it’s complicated. Quality tools like Capture One (that I reviewed here) are also turning against their users by going virtually subscription only. So I am going to start testing. Today we look at DXO Photo Lab vs Lightroom.

I mentioned Filmist which includes LUTS you can use right now in DXO! For my LR and C1 users, I used Silver 5, Natural HDR, and my Speed Masks.

It was not there at a pro level. Luminar Neo got a D in terms of pro-level ability in my review. Lets hope in improves but in the last year much has changed.

It’s a fun tool. But not a serious choice for a pro. We need better integrations and better process quality. But with Lightroom vs DXO Photo Lab 7, there’s a smaller gap.

DXO also has some unique tools and it’s snappy. Something you can’t say for LIghtroom and barely for Capture One. Both are resource-intensive apps.

It’s DXO Photo Lab is not without faults.

The 20 minutes of the video is worth it because I’ll cover the important things that make a pro-level app usable for actual pros. Not just cool features that look good in a sponsored review.

None of these apps sponsor me and I have no affiliate links here at this time. This is just an honest comparison from 20 years of professional experience doing real sessions. No shilling.

Rather than write the results of DXO nouse reduction vs Lightroom and extra tests like how it handles processing against Neo, Capture One, etc. It’s all in the video.

If you want more hard tests of these apps let me know and I will not hold back. DXO Photo Lab Vs Lightroom seems to be a real option. But with limitations that I hope they can improve.

Gavin Seim

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July 1, 2024

Right now this might not be exciting. But later this post will save your bacon. SD cards are temporary devices. This means at some point your SD card will start to fail.

At some point! The problem is that when it happens you panic, and companies waiting to get your money. Here are 5 tips that will save your bacon and a few more in the point below.

Almost every post you find about this will be spam. Save this one.

I made this. In the video for my viewers because I have decades of experience. I mention ReclaimMe and Rstudio as two of the top memory recovery tools.

They are not free. Most that claim to be free and free are spammy products wasting your time. They may or may not work. but skip them and invest in a good product.

Neither of these have any affiliation with me nor do I get anything from them. I bought ReclaimMe with my own money and these are not affiliate links. I learned about these being the best form many years of searching.

I’ve never had a card fail without any warning. But it can happen. Like I said in the video however the files are usually there.

After a certain number of writes, cards wear out. So if you start to notice a file here that is corrupted mark that card and stop using it for any critical work. If I suspect a card I will trash it or mark it with a sharpie that it is suspect.

Back up and use double card slots.

This I’m preparing from the video tips. It is not 2008 where this was rare. Most higher-level cameras have dual card slots and if I’m doing a wedding or session that paid I’ll always grab my camera that does.

Yes, you can often recover your files. But the truth is I never have. Yes, I have recovered files I deleted accidentally. However, this does not happen on a critical shoot because I never delete in the field and as soon as I return O copy and backup the shoot. No waiting.

I have used SD recovery tools many times and tried many tools you want to avoid. But usually, it’s the old deleted file, helping a friend etc. What I’m saying is be prepared to recover, but avoid situations where you MUST recover.

I hope when your day arrives. You find this helpful.

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June 14, 2024

Today’s tips go beyond simple light and shadow. This is how to think like a photographer. There’s a new update to my Pictorialist 1.1 Actions and I promised a video. But, I decided to showcase the process of this week’s session with my model Mayumi, and go deeper.

You can Get Pictalost here while it’s on Launch Sale and also check out Filmist and Elegance for those RAW edits. You can also Log-In here for your updates.

And if you’ve ever been to one of my Shadow Hacker live workshops you know that shadows make the photo. Low light photography does not mean low quality and in today’s portrait session, we’ll test that.

In last week’s video, we talked about magic glowing hour light. There’s nothing like it. But today we see that you don’t have to stop just because that is gone! If you are thinking about feeling, emotion, and connected with your project. Darkness can be magical too.

This takes practice. But the more you detach from overthinking and start creating while at the same time learning what works and what does not, everything will change.

Today I was using pictorialist actions for the deep edits and it works amazing to quickly bring the drama to the photo you shot in dramatic light. Honestly, it’s amazing for low light photography or dramatic day scenes.

But don’t get so stuck on any tool or plugin that’s doing all the world. Notice how even the dark photos in this session had lots of moodiness in the camera. Feel everything about the scene you are creating, slow down and take fewer photos and you’ll get more.

This is a term you may have heard in self-improvement and tips to stop stressing about life. But it also works in your photos.

But it also works in photos. It does not mean not paying attention or not trying to de a great job. But when you stop stressing over every detail and look for the feeling in your photos it is transformative.

We’re in the high-res, super-sharp ultra Ai era. It’s sterile and people are bored because we’ve started leaving behind creativity and emotion. Ultra-low light photography is a great way to understand these concepts better.

But having a good plan, practicing often and just letting loose a bit. You will find photos you never dreamed you could have taken.

Try everything in today’s video and see what I mean.\

Gavin Seim

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June 12, 2024

Adobe Cloud was a trap from day one, even if it is a great deal compared to the alternatives. But there are issues with having one big dog and this week they got worse. Today we talk about how that affects us as photographers.

You decide. If you use my presets and decide to switch, all current packs include LR6 and Capture One files. Have Street’ist or Power Workflow for example. Just go access your downloads here and get the latest files.

Preset packs like Filmist and Natural HDR also include LUTS and those can be used in many apps like Affinity, DaVinci Resolve etc. In fact I edit nearly all my videos with FIlmist LUTS.

Also, all my Action packs, even the new Pictorialist work in CC and CS6 as well. So if you want to go subscription you can still get the iconic looks you’ve been getting for years.

Lots of people are dancing Adobe. But it’s not like the other options are all roses. Phase One scrwed over long-term perpetual license holders last year and Capture One cost more than LR and PS combined. Luminar is woefully lacking in processing quality and Affinity is not the best workflow system.

You don’t have to switch or cancel just because people are mad. Negativity is now always a good response. But it’s good Adobe is feeling the heat. This makes more room for competition and improvement and they should no that their actions are not OK!

As I talk about in the video this goes way beyond Adobe. There’s a trend of large companies who have us locked in switching up the rules and taking us to the cleaners. Netflix, Amazon, Adobe, the list is long.

My theory on this is depending on where you are, one service or another may be worth canceling. When companies abuse customers like Adobe is trying to do, then gaslight them, acting like nothing is wrong and they are crazy for being upset it’s right for people to respond.

But it’s not worth stressing about either. Don’t throw your summer wedding season into chaos just because everyone says we need to cancel. You decide!

I go more into the video. Adobe is indeed the most complete suite of tools for creatives.

But as I mentioned above, I work hard to make sure you have options and we are not totally locked in and I’m sure other developers are doing the same.

An established workshop is hard to charge. While Adobe is king, I am always trying to make sure we are not stuck. So for example I could switch to C1 as my main editor and all my tools still work. Even my Elegance Speed masks now work in Capture One.

I long ago switched to Resolve for video editing. There are Capture One, DXO, and others that may be possibilities for you. And for many older versions of Adobe tools works just fine.

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June 8, 2024

The glow is something that happens when you nail a photo. Your lights are set just right and everything is magical. It’s what you look for in every photo and I had in in this week’s session.

In post, I mostly used Filmist 2, Elegance 4 to balance glowing skies and Pictorialist actions to add dramatic finishes.

Yes, the tools I’m editing with help bring out that softness and you can even create a glow-like look as we often do in pictorialist-style edits. I’ve been showing a lot of these lately. But The Glow is not limited to Pictorialism.

But as I mentioned in the video. Your edit is only a measure better than your starting photo. Listen to the tips especially at the end of the video because you will train yourself to see the Glow just like you train yourself to see shadow as we talk about in my Shadow Hackers live workshop.

The Glow is not just for portraits. It’s about how light meets shadow in perfect form. Here we see a great example of the glow in this sunrise landscape in Tamasopo Mexico.

People often think they need to light the face or landscape subject and the brightest part of a photo. In truth you just need to draw attention two and having your subject in shadow can be powerful.

With the glow use Shadow hacking and don’t get stuck in the rut of always lighting the same. The glow comes in various ways and all can have that magical shimmer. Front, back, and rim light enhanced of created by strobes.

Now that you know how to look for the glow. The main thing is don’t wait. If it’s the streets, a landscape, a portrait. Whatever you are shooting when you see it take the shot. The glow is a fleeting atmospheric moment in your photos. It creates a feeling and gives you amazing results nearly every time.

Location will matter. Even moving a few inches to the left to make the lens flare just right. The time window is usually short unless you are using strobes to create a glow with your lights. Youb can also mix the two, but you have to be prepared.

Go put what I showed in this week’s video to work. See shadow, see light, and combine the two for THE GLOW! It will take you to the next level with Ai fakery.

Gavin Seim

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