June 12, 2024

Adobe Cloud was a trap from day one, even if it is a great deal compared to the alternatives. But there are issues with having one big dog and this week they got worse. Today we talk about how that affects us as photographers.

You decide. If you use my presets and decide to switch, all current packs include LR6 and Capture One files. Have Street’ist or Power Workflow for example. Just go access your downloads here and get the latest files.

Preset packs like Filmist and Natural HDR also include LUTS and those can be used in many apps like Affinity, DaVinci Resolve etc. In fact I edit nearly all my videos with FIlmist LUTS.

Also, all my Action packs, even the new Pictorialist work in CC and CS6 as well. So if you want to go subscription you can still get the iconic looks you’ve been getting for years.

Lots of people are dancing Adobe. But it’s not like the other options are all roses. Phase One scrwed over long-term perpetual license holders last year and Capture One cost more than LR and PS combined. Luminar is woefully lacking in processing quality and Affinity is not the best workflow system.

You don’t have to switch or cancel just because people are mad. Negativity is now always a good response. But it’s good Adobe is feeling the heat. This makes more room for competition and improvement and they should no that their actions are not OK!

As I talk about in the video this goes way beyond Adobe. There’s a trend of large companies who have us locked in switching up the rules and taking us to the cleaners. Netflix, Amazon, Adobe, the list is long.

My theory on this is depending on where you are, one service or another may be worth canceling. When companies abuse customers like Adobe is trying to do, then gaslight them, acting like nothing is wrong and they are crazy for being upset it’s right for people to respond.

But it’s not worth stressing about either. Don’t throw your summer wedding season into chaos just because everyone says we need to cancel. You decide!

I go more into the video. Adobe is indeed the most complete suite of tools for creatives.

But as I mentioned above, I work hard to make sure you have options and we are not totally locked in and I’m sure other developers are doing the same.

An established workshop is hard to charge. While Adobe is king, I am always trying to make sure we are not stuck. So for example I could switch to C1 as my main editor and all my tools still work. Even my Elegance Speed masks now work in Capture One.

I long ago switched to Resolve for video editing. There are Capture One, DXO, and others that may be possibilities for you. And for many older versions of Adobe tools works just fine.

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March 23, 2018

Does this photo look green and ugly? Not in black and white it doesn’t. These two sliders change everything and in today’s video we’ll find out why.

This is another tip for raw processing and for (but not limited to) the new Silver 3 presets. We’re going to look at how you can take better control of your black and white process by using the white balance sliders to get the luminance and gradient mix you want in every image.

You’ve likely done this before, but I thought we would take the time to understand better how white balance effects black and white. Some of the presets in Silver 3 do this already behind the scenes, but you can tweak any black and white process to your heart’s content using this method.

The presets I’m using are Silver 3 for Lightroom. Get them here.

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September 7, 2012

by Gavin Seim: Adobe recently had a travel photo contest. The prize, a trip to Thailand with legendary photographer Steve McCurry. Yea, the guy who photographed Afghan Girl.

Matt Hardy once said – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.”

Adobe counted +Likes and gathered a panel of official judges to choose. The winner… this photo. You can see it larger here on Adobe’s page. There were many other entries, but this was chosen as the grand prize. I feel this is hurtful. Not only to the entrant, for it teaches them that quality does not matter. But to those who worked hard to enter quality work. It’s better to be honest with those that are learning, than to ignore a lack in quality. I would rather be improved by honest criticism than ruined by false praise.

How does the world’s largest professional photography software developer and it’s judges not know the difference between a photograph and a snapshot. As someone who has worked for fifteen years to understand photographics and light, I for one am not jealous; I am insulted and embarrassed.

For the record I did not enter this competition.  And the point here is not to insult the winner. I’m sure they will enjoy and learn from this trip. The point is that people need to understand a camera does not make you a photographer. People worked hard and entered quality work To award photo in this manner seems an insult to their efforts.

What’s Wrong With It:

Quite nearly everything. As a vacation snapshot, it’s perhaps acceptable. There is nothing wrong with a family snapshot. But we need to understand the difference between a snapshot and a photograph. This image won an international level competition. At that point it must be critiqued as such and compared to other entrants.

Great photos can be subjective. But that does not mean we ignore what makes them great. This photo has no subject, breaking the cardinal rule of a great image. A great photo has a subject. Usually just one. All other elements should be supporting cast. Is the subject little girl? The half cut off body taking the photo? Perhaps it’s the Oriental Pearl Tower, crooked in the frame. If we have to ask, the image has already failed.

When examined (something I have done over and over again) the picture feels of phone snap quality. It’s filled with artifacts and problems. The exposure is flat and dark and the sky is plain and boring. As journalism it lacks interest and as a street photo it lacks expression and spontaneity. Finally it fails at what is perhaps the hardest thing to put into words. It’s uninteresting and it does not tell a story.

Ansel Adams once said – “The sheer ease with which we can produce a superficial image often leads to creative disaster.”

While I don’t generally call out bad photos directly, I think this needs to be thought about. Everyone has cameras, but if in doing so, everyone becomes photographers, then the word photography no longer has meaning.

If we hold zero standards to the quality of art and use “art is subjective” as an excuse for everything, than the word art has no value – By calling everything art, by making everything great, we demean those who through effort and practice have mastered their skill.

NOTE: This is a news commentary. You are welcome to disagree and for obvious reasons I did not include the winners name. It’s not meant to be mean, but to raise awareness and get us thinking about quality and understanding the diffidence between a photo and a snapshot.

UPDATED: When this post was first made I had thought that looked like a phone photo. It is not. While the camera used makes little difference, some felt this should be disclosed. I have refined the post a bit to reflect this and things related to the ideas presented here.

So now that I’ve stirred the pot. Let the discussion begin.

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March 5, 2012

by Gavin Seim: Adobe wasted no time getting out of the beta phase. It seems they wanted cha’ching sounds a ringing.

Lightroom 4 is hitting desktops as we speak. Thankfully Adobe did drop the price a good bit to $149 ($79 for upgrades). Something we can probably credit to the Aperture price drop in 2011. Thanks Apple.

All told. LR4 looks pretty good. Not Earth shattering. But good. Sadly there seems to have been few changes from the beta. There were areas some were hoping would get more features. But LR4 has some new develop tools, some refinements and some new modules that will keep us busy.

A few major things to look for include…

  • Changes to the Develop settings, including Shadow, Highlight, White Point and more.
  • Video playback and basic editing support.
  • The book maker module (limited but interesting).
  • More control over Brush and Gradient settings, including localized White Balance.
  • Built in maps module.

Of course there’s more. I’ll be back with some thoughts soon. For now go check it out and let us know what you think in the comments.

More detailed review in the works. This post will be updated… Gav

 

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April 6, 2011

I’ve worked hard to make Power Workflow the set of presets that sets the gold standard for LR presets. PW3 has been out for almost nine months now and has been a home run so far. Well 3.2 just went out, free for you PW3 owners. This update includes some new presets, including a few cool ones dealing specifically with dynamic range. There’s also lots of little tweaks to make the collection more powerful than ever. You can find a list of the changes in the Tips & Info page of the download.

If you own PW3 you should already have an email with your new download. You can simply delete the old ones and install the new. If you didn’t receive them, shoot me an note (effects@seimstudios.com) and I’ll hook you up. And if you don’t own PW3, you’re missing out. Give them a try and if you don’t like them, I’ll give your money back. I can tell you that’s something that happens very rarely.

Best… Gav

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