Final Embers – Pastel clouds drift by mount Nebo in Utah reflecting light on to the snow capped peaks.
We camped for a few days up on the Nebo Loop, enjoying the late Fall color and the crisp sunny weather. On this particular night I had a plan for the mountain, but the sun did not do what I expected. I was about to give it up when I realized the clouds were reflecting the fading light back down onto the mountain from above.
I remember looking behind me, seeing the glow and thinking. That’s Ansel light! Backing up the truck, I hopped out and quickly set up, prepped and made a long second exposure that would convey the pastel clouds whisking over the mountain tops. I got this one frame that conveyed just what I wanted, but that was all I needed. Soon after I made tthis image, the light faded away and the mountain slipped into night.
Gav
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints….
60 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
50 inch Signature Canvas – Limited Edition of, 35 (contact the gallery)
41 inch Signature Canvas – Limited Edition of, 100 (contact the gallery)
Sedona Nights, Sedona AZ just after sunset – Gavin Seim, Spring 2013
We spend a good four or five days in Sedona before moving down the road. I must admit it’s a strange town, but it’s bedrock beauty is nothing to sneeze at. Breathtaking canyons and spires of rock inspire the artists and are at the same time a challenge to photograph really well as they are heavily photographer. Only the best light will do.
We went to the popular airport view for Sunset one night. I’m not sure I’ve even found a crowd so large to watch a sunset. There much have been 200 people there snapping away. I however just stood around with my view camera and chatted because the sunset was a bit flat. It was pretty and all, but to make a wall print we need something breathing.
The sun set and the crowds washed away. We loaded up and headed down the hill, But halfway down I look at the light of the city coming on and turned around, realizing I had just left the best behind me. I went back to the now empty viewing lot and had my pick of vantage points as the last light faded in the sky and Sedona Night came on.
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What a beautiful place to spend the morning with my son. It was mid April and in the mountains of Utah there were still dotted with snow. We camped off Sheep Creek Road the previous night and I went out early with my son to Solder Summit.
I made this on my large format system in the Utah mountains. I had seen all this beautiful color the day before and was amazed by how vibrant it was. We’re used to seeing such colors in the Fall. But Spring was just coming in and still the color sang in the Utah hills. I love this State.
I love Aspens too. No matter when you look at them they’re stunning. My 4 year old and I discovered this remote spot filled with color and lots of bare Aspen groves, just as the sun was streaking across the hills. The sky was blue and the snows were melting. Afterward we stopped an a little gas station on the summit and bought snacks before heading back to the trailer and the rest of the family for a peaceful afternoon drive into Salt Lake.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints….
43 inch Signature Canvas – Limited Edition of, 20 (contact the gallery)
36 inch Signature Canvas – Limited Edition of, 100 (contact the gallery)
“Many think they’re ready to build a skyscraper by nature of the fact that they own a hammer. I submit that they should learn what a nail is first”
by Gavin Seim: I have a true story to tell. The other day while traveling, I saw a woman at a rest area on the Salt Flats of Utah taking photos of a family, the sun gleaming overhead.
There were no strobes to compensate for the intense light, the shadows on the faces or that glaring sun. Just a person with a camera moving bodies and working in seeming blind confidence that she was in control. Not a single flash in sight. Not that that would have been enough. No consideration given for the fact that the light, the way it was being used, was completely wrong.
I felt kinda bad for the family who probably thinks they’re getting good portraits. I felt annoyance for the would be photographer who took on something she was unprepared for, while in reality she seemed to have no idea what she was doing. Perhaps she was honest with them about her experience. But from what I saw, it struck me that she was posing in more ways than one.
It was clearly a planned session were this lovely family came to meet their photographer. I felt tempted to let them know that they were getting little more than they could have by handing their iPhone to a passer by. But I setup my 4×5 for a stark desert landscape and tried not to think about it as they bustled around in the corner of my eye doing cheesy poses in what “could” have been an amazing setting for a portrait.
When my son asked what they were doing, I explained ruefully that they “thought” they were making portraits.
Some of you may feel I’m being mean. But I’m not and if this offends I suggest you read it again. My job here is to challenge. I want people to learn, I love to share expediences. But I won’t offer them a pretense. I’ll tell my fellow photographers the truth so we can all grow. I don’t know this person first hand. In fact I’m glad the faces are not distinguishable. My story is not just about this person, or about naming names. It’s a reminder of the fact that this is happening too often.
I don’t know exactly how these photos will turn out, but I have a good idea. I can say with certainly that the portraits were not being done well. Both the client and the would be photographer are getting the short end of the stick. The family will get poor images for whatever they paid. The would be photographer will probably go on in digital bliss rather than actually learning the trade she wants to be a part of. Eventually she will likely tire and give up. All because she has the pretense that you can be a good photographer simply because you own a camera. No experience required.
Some will say “You have to start somewhere”. There is truth in that, but we still need to learn before we leap. We need to learn what the brake is before we drive a car. There was a day when “starting somewhere” meant learning how do something reasonably well before working for pay and selling yourself as a pro.
There’s are surely some new photographers reading this. Don’t be offended at my frankness. It’s OK to be new. But don’t be the person that takes on something you’re not prepared for while acting as if you are. If you don’t know how to light, pose or plan your project, then go learn about those things before you jump in and start charging. It’s a science. Not something you just make up as you go.
I’m absolutely for sharing knowledge and yes, I imagine most of us are guilty of having someone who was a bit of a lab rat on the journey to skill. That’s fine as long as we were honest with them. But increasingly we see people who don’t desire knowledge and think they’re artistic masters right our of the gate. Experience matters. It’s not wrong to be inexperienced, but it’s wrong to pretend you are, when in truth you are not. Take your time, learn the skills, the marketing, the sales, the presentation, the science. Because if you don’t, your journey will likely end in frustration.
Some think they’re ready to build a skyscraper by simple nature of the fact that they own a hammer. I submit that they should learn what a nail is first.
Blue Suede Dunes – Sunset at White Sands New Mexico, 2012
Just after sunset these rolling dunes take on a subtle cast. Like an ocean of sand dancing in with a tides. Subtle shadows and perfectly arcing curves sweeping in waves across the landscape for miles into the distance.
White Sands is a rather remarkable place. Not only for it’s giant dunes that seem by themselves in the desert, but for the way it plays with light, the way you can take the kids and sled down it’s swooping slopes, the way it’s like standing in summer snow in the heat of the day.
It was a memorable visit all around and I’m thankful I was able to make a memorable image. It should be stunning on canvas.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.
Released prints….
53 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
40 inch Signature Canvas – Limited Edition of, 40 (contact the gallery)
36 inch Signature Metal – Limited Edition of, 60 (contact the gallery)
