December 3, 2012

 

Winter’s End – Taken a few minutes apart. The mobile image  lacks any fine detail up close and fine detail is totally lost in that pasty look that is common of low end cameras and lenses. The film scan however holds up well. See complete image details here on Gavin’s journal. More examples below.

by Gavin Seim: When I was starting out you we’re not even regarded as a respectable portrait photographer unless you used at least medium format. How things have changed. But this mobile photography for the sake of it is a passing fad.

The camera in your iPhone costs about ten dollars to make – Now I was browsing Facebook the other day I found the above reference photo I posted while on our Spring 2012 tour. I remembered that morning, the light on the trees and how my 4 year old son rode with me to greet the sunrise. It was a good memory. But next I compared it as a photographer to the final print version of Winter’s End. That promoted me to compare others, from both film and digital, comparing them to their mobile counterparts.

A great image is more than the sum of it’s tech specs – But when those details are far below the sum of it’s artistic merit, it brings down the entire work.

What was really illustrated was the vast difference between a point and shoot image and a quality photograph. Even I had not realized how poor the quality was. The phone photo is a good reference and helped me plan and log I wanted to produce. It was also fun travel memory and some might say it was “good enough”. But I’ve learned that “good enough” is not how we produce great images to stand out in today’s market.

I see more and more people acting as if phones are serious cameras. Sometimes even touting it as something special. This bothers me because a low grade camera is not a feature of your art (and make no mistake, your phone camera is low grade). It’s true that gear does not make a photographer. But low image quality can make even the most accomplished photographer look like an amateur. Comparing a phone snap to a professional level camera is a bit like comparing a Prius to a dragster.

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June 29, 2012

The Giants Court – Carlsbad Caverns NP, New Mexico, 2012

I’ve spent three days at 750 feet below the surface, photographing in the dim light with digital and film. It’s truly awe inspiring and it was one of most challenging subjects I’ve worked with and not for lack of beauty or interest, but perhaps for to much of it.

A subterranean wonderland that’s a challenge to capture in a natural sense, since natural here is total darkness. The artificial lights here have been beautifully done and you rarely see a cord or a bulb, but they are low and were designed for seeing with the eyes more than seeing on film.

It was breathtaking. One day I hiked out the natural exit, packing all my gear all the way to the top rather than use then subterranean elevator. I’ll admit it was more than I bargained, but a stunning hike and a great exercise.

Behold! The Hall of Giants! Perhaps my favorite place in the caverns. It’s Stalagmite columns like towering kings watching over the royal court. It took some time and study to gain a grasp on how this beauty beneath should be best captured, but I feel I’ve in part conveyed that feeling I had as I stood, looking on in awe.

 

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about limited edition prices here.

Released prints….

For Photographers. How it was made…

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