February 25, 2011

by Gavin Seim: Updated 11/22/12. There’s a lot of confusion out there about resolution as it relates to making prints, so I want to help clear it up. I make mostly large prints and spend quite a bit of time studying factors that effect my image quality. Often I use a 5D MK II, which is 21MP. I also use 4×5 film because of it’;s vastly higher resolution. It scans in at closer to 200MP. But to start with lets use an average 18MP file as our example.

First let me say that digital has a long way to go in terms of resolution. Today’s camera’s are amazing, but lets get a perspective. Ansel Adams did much of his work on 8×10 sheet film. It’s hard to compare film to digital exactly, but using a good film he probably would have had a rough equivalent of around 400 million (mega) pixels. This makes our digital cameras look pretty paltry at times and it’s one of the reasons I’ve started working with 4×5 film for some of my projects, as it can give me  200+ effective megapixels when scanned (more of that on my pictorials website).

Say we have a full size file from a Canon 7D. The resolution of that file would be 5184×3456 pixels. About 18 mega pixels (roughly 22x less than that 8×10 film). Our file comes in at just over 11 x 17 at 300 PPI. Note that PPI and DPI refers to Pixels Per Inch or Dots Per Inch (a printing term). For today’s purpose I’ll refer to it as PPI as it’s becoming the more common term.

First and foremost, PPI and actual file resolution (or pixels) are not always the same. For example I could take our file in Photoshop and set the size to 30×20. Unless I told PS to Resample (or increase the resolution) of the file, the computer would now see this file as a 20×30. Only now it would show as being just over 172 PPI instead of 300 because the pixels have not changed or increased, which means there must be less pixel per inch when printed at that size – It’s still an 18MP file. I’ve just told the computer it’s larger in physical print size. What really matter however is if you have enough overall resolution. Here a screen capture to show how I was changing PPI. The PPI on each is different, but the pixel quantity is the same.

So what if I printed this file as a 4×6. I’m not sure why I would want a print that small (see the wall portrait article), but bear with me. At 4×6 our 18MP file would print out at just over 860PPI if we left it at full resolution. That’s a lot since most human eyes can’t see any difference above 300PPI. Bottom line, my file has more than enough pixels. Printing with that extra PPI won’t hurt anything. Though depending on the printer, all that information may not be used.

Why does all this matter. Well mainly so you don’t get confused. PPI has relevance in sizing and printing because it can quickly tell us something about how good our print will be. That brings us to larger prints and how this all relates.

Click for larger view – Gavin’s 30 inch canvas, Bull of the Mist. This a medium sized print. Taken in early morning at ISO 3200 made the detail on this slightly less, but it was needed for shutter speed. As you can see, the detail is good, but not flawless. The canvas helps give it an organic art feel. This was made from a file that was 5464 x 2732 pixels. It was up converted to 9000px wide before print. More about this image here.

Resolution VS Large prints.
This is where things get subjective. I’ll speak from my own experience as I regularly produce prints 40 inches and beyond. With our 18MP file we know we have plenty of information for a baby print. What about a serious print meant for the wall. Lets look at that 20×30 again. Lets go into the “Image Size” box of Photoshop and changing the file dimensions to 20×30, without altering the resolution as I did above. I left Resample un-checked which means I changed the print size but not the amount of pixels in the file. We’ll now have 172PPI at a print size of 30×20. Are you getting it? This is telling us how much information we have to lay on paper in terms of real life printed pixels – 172PPI is not bad. Most peoples eyes can probably see a bit more detail than that, but the print should still be good.

Read More

February 21, 2011

by Gavin Seim. So I’ve planned another road trip, along with Spring workshops. I’m hitting the road early April with my little family and heading to SF area for two workshops in Oakland. I’m stoked. We plan to spend about a month on the road in the RV. After the workshops, we may head up towards the Grand Canyon as I hunt for stock and landscape images, then who knows. Here’s the workshop lineup. I hope you’ll help me spread the word and I hope to see you there.

April 16-17 is  my Lights and Shadows workshop. This is a fresh 2 day event that covers HDR and beyond. It’s an intimate workshop limited to about 20 people. We’ll be doing work in the field and editing back at the home base. More info here. There’s also a Facebook event page.

On April 18th is the Lightroom Power workshop. This has something for everyone. We’ll cover basics, but also get deep into power user stuff. It’s another fun hands on workshop, so bring your laptops with LR and prepare to think differently about your editing. More info here, and the Facebook event page here.

I’m also working on setting up something for Fresno. Still working on the details of that, but stay tuned to this post or the Seim Effects FB page for details. I’ll also update the workshop pages if a new location is added. Hope to see some of you there… Gav

Read More

February 11, 2011

Here’s another episode of Photo Couch. You can fine the forum discussion for this episode on the Pro Photo Show forum thread… Gav

PC #20. Photography & T-shirts

Photo Couch is the companion podcast of Gavin’s f164 project and made for photographers. Nothing fancy here. Just short musings, tips and thoughts on photography. You can listen below, or subscribe for free and get all the latest episodes.

Subscribe in iTunesDirect Podcast FeedFacebook Page

Read More

February 6, 2011

Creative Essentials is my general use editing pack for Photoshop, but there’s some pretty advanced stuff inside it. Well I just did a major update and I mean more than just the snappy new header image. V1.6 includes three brand new actions including a new B&W called Silver Shimmers and two new color effects, Dynamic Snap and Shadow Twist. There also been updates, including a revamp of the Milk Chocolate and Dark Chocolate effects. They’re much more refined and versatile now, giving you a toned black and white that is powerful and more advances than what can be done in software like Lightroom.

There’s also a bunch of fresh before/after samples on the product page along with a brand new drop down list that gives details on every included effect, plus a link to the updated sampler pack.

This is a free update for existing users, so Check you inbox as you should have a fresh download email. If you’ve purchased CE, but don’t get your update feel free to give me a shout (effects@seimstudios.com) and I’ll get you taken care of. If you don’t yet have CE head over and check it out. Enjoy… Gav

NOTE: I also want to mention that some users have been getting marketing emails from a company that’s made another action pack and called it Creative Essentials. Watch out for it. I don’t know if it’s good or not, but just a heads up. Unless it’s from Gavin Seim, it’s not my Creative Essentials. I tried to talk to them about the fact that they copied the product name and they were uncooperative.

Read More

December 10, 2010

Tufa Sunrise. Mono Lake CA. 15×34.5 True Metal – Read Journal Entry.
25 print Limited Edition. $329, including US Shipping.

[EJUNKIE_ADD2CART item=”p11104″] [EJUNKIE_VIEWCART]

<<<<<<>>>>>

Read More