May 9, 2011

by Gavin Seim: My family and I have been on the road for about three weeks now as I teach workshops and hunt pictorials. Last fall we spent a month and a half. We love to travel and aside from all my gear, I have a plethora of resources that we rely on to make our travels safer, cheaper and a more enjoyable.

I’ve decided to stat a list of my favorites. Besides the essential Google Maps, I find these to be great tools and use most of them even when I’m not out for a long trip. You’re welcome to add your favs in the comments. I’ll also come back and update this or re-post in in the future as I find new stuff.

If you want to follow my photography travels and see where I’ve been, you can do so on my journal, or get frequent updates on my Facebook page. Lets get started…

Our Shamrock 21ss camped near Bryce Canyon Utah. Spring 2011.

All Stays Camp & RV. For Apple and Android.

This $6 app is worth every penny and more. It’s paid for itself countless times in saving money camping, time traveling, and preventing headaches. It’s a must have for campers.

It lists  pretty much anything a camper or RV’er might want. From truck stops to campgrounds, to wall mar parking lots. It’s not perfect and something it misses things but it’s data base is huge and no matter where you are it will usually give you options.

This is my favorite, but All Stays has various other apps that you may find useful. iExit for example shows what’s coming up and the next exit. Check out their website for their offerings.

 

GeoTag Photos Pro. For Apple and Android.

This is a cheap way to get location info into your photos. Make sure you camera and phone time is the same. Turn on this app and start recording. When you get home upload the data and login to there website to A. Use their web app to merge dates into your RAW or JPEG files. or B. Download a GPX file and use it with a LR plugin like JF Geoencoding Support.

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May 1, 2011

Golden Song - Shell Beach, California, April 2011

I’m right on the shore, the waves of the incoming tide lapping against the legs of my tripod, sometimes making me step back to keep my feet dry. The sun is just setting off to the right, casting an orange warmth on the largest of the rocks. The sky is simple, but it’s smooth, the gentle color soothing, and the lines and details on the rocks are mesmerizing in their intricacy.

California is a beautiful place. Due to its population and popularity, it always always the most east access, but if you get there and get settled it’s really breathtaking. There’s so much to see and so little time to get it done before rush hour.

For Photographers. How it was made…

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October 30, 2010

Bright lights of Monte Carlo. ISO 400, 2.5 sec. @ f4

by Lawrence Sawyer. First, let me thank Gavin Seim for the invitation to write a piece on my recent experience shooting stock photography in the Mediterranean. This was a dual-purpose trip: anniversary cruise, and a test of my theory that with the right choice, one could actually shoot salable stock with a point-and-shoot pocket camera. Now, a little background…

I’ve been shooting stock photography since my college days in the early 1980’s, and make a living doing it. I have several thousand images on file at four U.S. agencies and dozens of sub-agents worldwide. I have a new book out, entitled  See It, Shoot It, Sell It! -How to Earn a Great Second Income Taking and Shooting Photographs of Virtually Anything. That title embodies the way I work: I shoot “found images” more than anything else. I have learned over the years that there are countless opportunities to shoot highly marketable images all around us, every day… if we just learn to see them.

So when I’m shooting stock, here are the five main criteria I use in evaluating a scene:

1. Is there a message here? There needs to be either a solid piece of information in this shot, or a pure-magic artistic element to something mundane, like beautiful light on a cityscape.

2. Can I pull it off technically? An elk in a shaft of sunlight is killer if it’s 50 yards away and I have 300 f2.8 with me, but pointless if it’s 500 yards out.

3. Does it have enough appeal that it will sell to a broad audience? I worry about this one less and less, because all images are available now to the whole internet-connected world, and somewhere, there is a buyer for darn near anything.

4. Can I shoot it better than it’s likely already been done? If it’s a scenic shot, I’m careful not to be enamored by the place just because it’s my first visit. But if the light is phenomenal, I’ll roll the dice and shoot first, then ask questions later. The more famous the place, the more skeptical I am of my ability to make great stock on my first visit. I try to research how much a place has been shot before I go in with guns a-blazing.

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October 23, 2010

Click To Listen>> Photography Podcast. PPS #72
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

Today’s Host... Gavin Seim. This week Gavin gets in depth about his month and a half photo trip spanning various areas of the USA. He looks at things he saw and learned and ways to improve it all going forward.

Sunsets hidden falls. Gavin's favorite from an evening Yosemite. Did some experimenting with blacks on this. Image links to f164 post. More info in that post soon.

Podcast #72 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions trip info.
  • 07:27 Verizon MiFi Pick
  • 12:03 Yellowstone
  • 17:34 Moving on and seeing things
  • 24:57 Zion area
  • 34:29 More resolution
  • 38:00 Details artifacts and light
  • 56:53 Mediums
  • 59:38 Closing

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October 4, 2010

You can find this spot at coordinates: 37.267000, -113.176000 (view on map)

I am in awe. Tonight’s campsite is high on the Smith Mesa area overlooking Zion National Park. I believe this is the most amazing view I’ve seen in my life. You have to be here to feel the scope of it. We’re camped just a few yards from this bluff right now. No one else around, a silent expanse of dessert fading far below under watching stars.

This is just a iPhone reference photo I took as we set up camp, not a final. It was followed by a stunning sunset and I’ve made various compositions as the light changed. Is there any way to present this and fully show it’s beauty? I think probably not. With a place this amazing it’s hard to show it’s full beauty. Hoping I can nail this one… Gav

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